The Disharmonic Impediment of Love

Scavinold wrote this play as a genderless, timeless, romantic tragedy. For love knows no gender, or era, or genre. Nor does arrogance, conceit, or hope, and every relationship must at some point reach a place where all participants must see each other for who they really are. Then, they must decide who they want to be. The story begins on a ledge, but what is a ledge?