The Dressmaker's War: A Novel

The Dressmaker's War: A Novel

by Mary Chamberlain

NOOK Book(eBook)

View All Available Formats & Editions
Available on Compatible NOOK Devices and the free NOOK Apps.
Want a NOOK ? Explore Now


The Dressmaker's War: A Novel by Mary Chamberlain

For readers of Amy Bloom, Sarah Waters, and Anthony Doerr, The Dressmaker’s War is the story of a brilliant English seamstress taken prisoner in Germany during World War II: about her perseverance, the choices she makes to stay alive, and the haunting aftermath of war.
London, 1939. Ada Vaughan is a young working-class woman with an unusual skill for dressmaking who dreams of opening her own atelier. When she meets Stanislaus von Lieben, a Hungarian aristocrat, a new, better life seems to arrive. Stanislaus sweeps Ada off her feet and brings her to Paris. But when war breaks out and Stanislaus vanishes, Ada is abandoned and alone, trapped on an increasingly dangerous continent.
Taken prisoner by the Germans, Ada does everything she can to survive. In the bleak horror of wartime Germany, Ada’s skill for creating beauty and glamour is the one thing that keeps her safe. But after the war, attempting to rebuild her life in London, Ada finds that no one is interested in the messy truths of what happened to women like her. And though Ada thought she had left the war behind, her past eventually comes to light, with devastating consequences.
Gorgeously written and compulsively readable, The Dressmaker’s War introduces us to an unforgettable heroine—Ada Vaughan, a woman whose ambition for a better life ultimately comes at a heartbreaking cost.

Praise for The Dressmaker’s War
“Mary Chamberlain’s clear, bright prose is river-swift and Ada Vaughan is a character rich with beautiful, flawed humanity. This is a gripping story about limits and the haunting, brutal way they can be drawn and redrawn in war.”—Priya Parmar, author of Vanessa and Her Sister
“A thrilling story, brilliantly told—I couldn’t put it down. Ada Vaughan is a character to fall in love with: utterly real, flawed, and beguiling.”—Saskia Sarginson, author of The Twins and Without You
“I found myself completely swept up in this tale of love, ambition, and vanity.”—Juliet West, author of Before the Fall
The Dressmaker’s War is a powerful and gripping tale of longings and dreams, and how a chance meeting that seems to offer the answers and more instead comes with devastating consequences. It’s a story about what a person will do and can do under force.”—Cecilia Ekbäck, author of Wolf Winter

Product Details

ISBN-13: 9780812997385
Publisher: Random House Publishing Group
Publication date: 01/12/2016
Sold by: Random House
Format: NOOK Book
Pages: 320
Sales rank: 10,510
File size: 3 MB

About the Author

Mary Chamberlain was born and raised in London. She has lived and worked in England and the Caribbean, and is Emeritus Professor of History at Oxford Brookes University. Her book Fenwomen was the first to be published by the feminist Virago Press in 1975 and was one of the inspirations for Caryl Churchill’s award-winning play Fen. She has written many books on subjects including women’s history, oral history, and Caribbean history. She is a graduate of the acclaimed creative writing master’s degree program at Royal Holloway, University of London, and now lives in London with her husband, the political scientist Stein Ringen.

From the Hardcover edition.

Read an Excerpt

Ada peered into the broken mirror propped up on the kitchen dresser. Mouth open, tongue to attention, she plucked at her eyebrows with a pair of rusty tweezers. Winced and ouched until only a thin arc was left. She dabbed on the witch hazel, hoped the stinging would fade. Dunked her hair in clean, warm water in the old, cracked butler sink, patted it dry with a towel, and parted it along the left. Eighteen years old, more grown up this way. Middle finger, comb and straighten, index finger, crimp. Three waves down the left, five down the right, five each herringbone down the back, pin curls and a kirby grip tight to her skull, leave it to dry.
Ada was taking her time. She opened her handbag and fished around until she found her powder, rouge, and lipstick. Not too much, in case she looked common, but enough to make her fresh and wholesome like those young girls from the Women’s League of Health and Beauty. She’d seen them in Hyde Park in their black drawers and white blouses and knew they practiced on a Saturday afternoon in the playground of Henry Fawcett’s. She might think about joining them. It was good to be supple, and slender. She could make the uniform herself. After all, she was a dressmaker now, earned good money.
She rubbed her lips together to spread her lipstick, checked that the waves were holding their grip as her hair dried, picked up the mirror and carried it into the bedroom. The brown houndstooth skirt with the inverted pleats and the cream blouse with the enamel pin at the neck--that was smart. Good tweed, too, an offcut from Isidore, the tailor in Hanover Square. Just fifteen she was when she’d started there. Gawd, she was green, picking up pins from the floor and sweeping away fabric dustings, plimsolls gray from the chalk and her hand-me-down jacket too long in the arm. Dad said it was a sweatshop, that the fat capitalist who ran it did nothing but exploit her and she should stand up for her rights and organize. But Isidore had opened her eyes. He taught her how fabric lived and breathed, how it had a personality and moods. Silk, he said, was stubborn, lawn sullen. Worsted was tough, flannel lazy. He taught her how to cut the cloth so it didn’t pucker and bruise, about biases and selvages. He showed her how to make patterns and where to chalk and tack. He taught her the sewing machine, about yarns and threads, how to fit a newfangled zipper so it lay hidden in the seam and how to buttonhole and hem. Herringbone, Ada, herringbone. Women looking like mannequins. It was a world of enchantment. Beautiful hair and glistening gowns. Tailored knickers even. Isidore had shown Ada that world, and she wanted it for herself.
She wasn’t there yet. What with Mum demanding a share for her keep and the bus to work and a tea cake in Lyons with the girls on payday, there wasn’t much over at the end of the week.
“And don’t think you can come into this house and lord it around,” Mum raised a stained finger at Ada, knuckles creased like an old worm, “just because you pay your way.” Still had to do her share of the dusting and sweeping and, now she was trained up, the family’s dressmaking, too.
Ada knew this life of scrimping and nit combs and hand-me-downs was not what she was meant for. She damped her finger and thumb with her tongue, folded down her Bemberg stockings with the fitted toe and heel, and rolled them up, crease by crease, careful you don’t snag, so the seam sat straight at the back. Quality shows. Appearances matter. So long as her top clothes looked good, nobody could touch her. Lips pinched, nose in the air, excuse me. Airs and graces, like the best of them. Ada would go far, she knew, be a somebody too.
She propped the mirror on top of the mantelpiece and combed her hair so it settled in chestnut waves. She placed her hat, a brown felt pillbox that one of the milliners at work had made for her, on her head, nudging it forward and to the side. She slipped her feet into her new tan court shoes and, lifting the mirror and tilting it downwards, stood back to see the effect. Perfect. Modish. Groomed.
Ada Vaughan jumped over the threshold, still damp from the scrubbing and reddening this morning. The morning sky above was thick, chimney pots coughing sooty grouts into the air. The terrace stretched the length of the street, smuts clinging to the yellow stock and to the brown net curtains struggling free from the open windows in the city-hobbled wind. She covered her nose with her hand so the murk from the Thames and the ash from the tallow melts wouldn’t fill her nostrils and leave blackened snot on the handkerchiefs she’d made for herself and embroidered in the corner, AV.
Clip-clop along Theed Street, front doors open so you could see inside, respectable houses these, clean as a whistle, good address, you had to be a somebody to rent here, Mum always said. Somebody, my foot. Mum and Dad wouldn’t know a somebody if he clipped them round the ear. Somebodies didn’t sell the Daily Worker outside Dalton’s on a Saturday morning, or thumb their rosaries until their fingers grew calluses. Somebodies didn’t scream at each other, or sulk in silence for days on end. If Ada had to choose between her mother and father, it would be her father every time, for all his temper and frustrations. He wasn’t waiting for Heaven but salvation in the here and now, one last push and the edifice of prejudice and privilege would crumble and everyone would have the world that Ada yearned for. Her mother’s salvation came after death and a lifetime of suffering and bleeding hearts. Sitting in the church on Sunday, she wondered how anyone could make a religion out of misery.
Clip-clop past the fire station and the emergency sandbags stacked outside. Past the Old Vic, where she’d seen Twelfth Night on a free seat when she was eleven years old, entranced by the glossy velvet costumes and the smell of tungsten spotlights and orange peel. She knew, just knew, there was a world enclosed on this stage with its painted-on scenery and artificial lights that was as true and deep as the universe itself. Makeup and make-believe, her heart sang for Malvolio, for he, like her, yearned to be a somebody. She kept going, down the London Road, round St. George’s Circus, and onto the Borough Road. Dad said there was going to be a war before the year was out, and Mum kept picking up leaflets and reading them out loud: When you hear the siren, proceed in an orderly fashion . . . 
Ada clip-clopped up to the building and raised her eyes to the letters that ran in black relief along the top. borough polytechnic institute. She fidgeted with her hat, opened and shut her bag, checked her seams were straight, and walked up the stairs. She was sticky under her arms and between her thighs, the clamminess that came from nerves, not the clean damp you got from running.
The door to Room 35 had four glass panels in the top half. Ada peered through. The desks had been pushed to one side, and six women were standing in a semicircle in the middle. Their backs were to the door, and they were looking at someone in the front. Ada couldn’t see who. She wiped her palm down the side of her skirt, opened the door, and stepped into the room.
A woman with large bosoms, a pearl necklace, and gray hair rolled in a bun stepped forward from the semicircle and threw open her arms. “And you are?”
Ada swallowed. “Ada Vaughan.”
“From the diaphragm,” the woman bellowed. “Your name?”
Ada didn’t know what she meant. “Ada Vaughan.” Her voice crashed against her tongue.
“Are we a mouse?” the woman boomed.
Ada blushed. She felt small, stupid. She turned and walked to the door.
“No, no,” the woman cried. “Do come in.” Ada was reaching for the doorknob, but the woman put her hand on Ada’s. “You’ve come this far.”
The woman’s hand was warm and dry, and Ada saw her nails were manicured and painted pink. The woman led her back to the others, positioned her in the center of the semicircle.
“My name is Miss Skinner.” Her words sang clear, like a melody, Ada thought, or a crystal dove. “And yours?”
Miss Skinner stood straight, all bosom, though her waist was slender. She poised her head to the side, chin forward.
“Say it clearly.” She smiled, nodded. Her face was kindly, after all, even if her voice was strict. “E-nun-ci-ate.”
“Ada Vaughan,” Ada said, with conviction.
“You may look like a swan,” Miss Skinner said, stepping back, “but if you talk like a sparrow, who will take you seriously? Welcome, Miss Vaughan.”
Miss Skinner placed her hands round her waist. Ada knew she must be wearing a girdle. No woman her age had a figure like that without support. She breathed in Mmmmm, drummed her fingers on the cavity she made beneath her ribs, opened her mouth, Do re mi fa so. She held tight to the last note, blasting like a ship’s funnel until it left only an echo lingering in the air. Her shoulders relaxed, and she let out the rest of the air with a whoosh. It’s her bosoms, Ada thought, that’s where she must keep the air, blow them up like balloons. No one could breathe in that deep. It wasn’t natural.

Customer Reviews

Most Helpful Customer Reviews

See All Customer Reviews

The Dressmaker's War: A Novel 4 out of 5 based on 0 ratings. 6 reviews.
Anonymous 8 months ago
Excellent reading
Anonymous More than 1 year ago
I wanted to really love this book, but it was hard to when I didn’t like the main character. Her character flaws that were for ‘authenticity’ really just came across as blind stupidity and ignorance. Not my favorite heroine traits.
caslyn More than 1 year ago
Audio--- 9 discs read by Susan Dreuden Excellent narration and character portrayal Also released as The Dressmaker of Dachau atelier a workshop or studio, especially of an artist, artisan, or designer. ---------------------------- modiste ladies' tailor ------------------------------- The following quotations are taken from the publisher's description. "1939. Eighteen-year-old Ada Vaughan, a beautiful and ambitious seamstress, has just started work for a modiste in Dover Street. A career in couture is hers for the taking – she has the skill and the drive – if only she can break free from the dreariness of family life in Lambeth." Stanislaus, an Austrian aristocrat, sweeps Ada off her feet and brings her to Paris. When war breaks out, Stanislaus vanishes, and Ada is taken prisoner by the Germans." "a story of heartbreak, survival and ambition, of the nature of truth, and the untold story of what happens to women during war." This is a vivid description of"a brilliant English seamstress taken prisoner in Germany during World War II. " I found this novel captivating, in the sense that I was compelled to read on. All aspects of Ada personhood were challenged and damaged by the war, except her extraordinary ability as a modiste. The aftermath of the war presented a new set of confrontations and continued with nostalgic hauntings mingled with her new undertakings. This book was an excellent, insightful read, albeit it painful and disturbing. 4.5 ★
Anonymous More than 1 year ago
This girl really doednt cstch a break. Def a tear jerker with abdoluteky no hea.
Sarah-M-W More than 1 year ago
...a fabulous read! I read it until, all of a sudden, it was finished! It kept me enthralled from beginning to end...such a wonderful read!
Anonymous More than 1 year ago
Good read