Avalon, the great tree world connecting the earth and the heavens, is about to be destroyed. The warlord Rhita Gawr is bent on conquest—and using an army of deathless warriors, a corrupted crystal, and a plague of arrogance and greed to succeed.
Three unlikely heroes are Avalon's only hope. Tamwyn, the wilderness guide, must travel the secret pathway to the stars. Elli, the brave young priestess, must defeat a terrible sorcerer in a realm of utter darkness. And Scree, the eagleman, must lead his winged people to do what seems impossible . . .
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"This novel is a fitting finale to the trilogy…." —Booklist
Write Well, Live Fully
An essay for aspiring writers
by T. A. Barron
The wise and wonderful writer, Madeleine L'Engle, once told me: "There are three essential rules for writing a novel." She paused, then added, "Unfortunately, no one knows what they are." That sums up the situation! But after more than twenty years of writing books, I can also add these thoughts: Writing is the most joyous and also the most agonizing labor that I know. And it is by far the best way to travel in our world or any other. Every author has an individual approach to the creative process, and every author's experience is different except for the essential elements of hard work, inspiration...and magic. Whenever people (of whatever age) ask me about the writing process, I start by telling them how much I still have to learn. This is, after all, a craft and no matter how much someone knows, there is always more to learn and explore. That's one of my favorite qualities of the writer's craft: The horizon of excellence is ever receding. We can always improve, which means we can always grow as people. Before I give you my best advice on writing ... here is a bit of wisdom from that well-known sage, Snoopy: My own advice to new writers boils down to three words: Observe. Practice. Believe. From: The T. A. Barron Official Website www.tabarron.com Let's look at them one at a time: Observe. Notice the world around you, in deep detail. How do different people speak, with their voices, faces, hands, and posture? How do different types of trees' leaves fall to the ground, each with a singular sort of flight? How do different ideas stir your passions, fears, hopes, and dreams? And don't just notice the surface of things, the sights and sounds that first strike your senses. Go deeper. Ask yourself how something would feel; wonder what is that person's deepest, darkest secret. If you truly observe the world ... it becomes a fruitful source of writing ideas and elements. Then just add a little drop of your imagination, bend the rules of reality, and anything is possible! On top of helping your writing, observing the world closely has one more advantage. And it's a big one. This is a good way to live, to be more wholly alive. Being a writer encourages you to live more fully. Practice. Write every chance you can. Keep a journal. Write poems, whether you prefer haiku poetry, sonnets, or enormous epics. Write letters, plays, short stories, blogs, novels whatever gets you excited. Writing is hard, full of struggle, and greatly demanding ... but it is also deeply rewarding. And practice makes you better, just as practice makes you more skillful at everything from baking a pie to piloting a spacecraft. A lot of this comes down to discipline. Sometimes the last thing I want to do on a particular day is sit at my desk at home in Colorado and write. I'd rather be playing with my kids, baking bread, or hiking on a mountain trail. But I stay with my writing because I know that's the only way it will ever happen. So … if you can find the discipline to practice, the magic of language will become more present and familiar over time. And your powers as a writer will surely grow. Believe. This is, perhaps, the most challenging part about writing. To succeed, you must truly believe in your story in each of its characters, in its place, and in its underlying ideas. And then, even more difficult, you must believe in yourself. What can I say to encourage you? Just this: Know that you have valuable things to say, and the skills to say them. Know that your song is unique, that your voice matters. Think of writing as growing a tree. In the soil of your writer's heart, you have an ideaa seed. But it will need plenty of sunlight, air, and nourishing soil to grow. How does this happen? I can only tell you how it works for me, but for every writer the process is different. When I sit down to start a novel, a process that will take between one and three years, I begin with that seed. It helps me to sketch it out, in longhand, just to get to know it better. In time, I will write an outline of its growth, though I'm always aware that outlines are only a beginning, a rough concept. As the seed sprouts into a sapling during the first draft of the manuscript (which, old fashioned that I am, I also write longhand), the outline is abandoned. For by now the tree itself is guiding my work. I believe in it, and listen closely to its inner voice to its soul. Several more rewrites help me shape the growing tree. I try to develop characters, places (which are much more than merely backdrops to the story, deserving all the depth and subtlety of characters), plot lines, and the story's underlying ideas. When at last I feel satisfied that it is truly formed, I show a manuscript to my editor. Her comments and questions are sometimes not what I'd hoped to hear, but they are always valuable. After all, she is my ally, my fellow gardener. From: The T. A. Barron Official Website www.tabarron.com Now come more rewrites. People often ask me how much rewriting I do. The answer is, quite simply, as much as it takes to get it right. You see, there is no substitute for the integrating and deepening that happens in a thorough rewrite. Quite often, I am also doing research at this stage, to make the story's characters and places feel true. That, indeed, is the ultimate test. Paradoxical as it may sound, good fiction is true on many levels. That's right! Fiction must feel true. On the levels of the senses, the emotions, the intellect, and the soul, a story ought to win the reader's belief. Characters, if well developed, become so real that they can walk right off the page for both writer and reader. That is true regardless of whether the character is a man, woman, child, tree, mountain, or magical snow crystal. Sometimes I stop writing the story I am crafting and write a brief biographical sketch of one character just to get to know that character better. How do I know when a character is fully formed? When I can, at last, hear his or her voice. No aspect of a character's description is as revealing as the voice. And then, if that voice is true, the newly-created character will lean over to me and whisper his or her deepest secret. Now, at last, the book is a thriving young tree, though it has yet to bear fruit. I still need to do more revising but at this point the work is quite delicate, just trimming a few branches. Neuroscience is just beginning to illuminate how our brains work. But we do know this about writing: Connecting with both the left and right halves of the brain is crucial, for the creative process is both rational and metaphorical, logical and mysterious. Finally, the tree stands fully grown. It reaches high and has surprisingly deep roots. Maybe it also holds a wondrous crop of fruit. And perhaps, when the wind whistles through its branches, it brings to mind some secret, half-remembered song. Best wishes from your fellow writer, T.A. Barron