The Exotic Self: Mexican and Brazilian Modernists Abroad and at Home

When Europeans and North Americans listen to music by Latin American composers, what do they hear? What, for that matter, do these composers' compatriots hear? The answer, historically, has been the sound of the nation. Scholars, critics, patrons, and audiences have often suggested that Latin American music either does or ought to reflect an aesthetic supposedly inherent in Latin American cultures and even bodies. Marshaling historically informed close readings of musical text, The Exotic S...