The Historian's Two Bodies: The Reception of Historical Texts in France, 1701-1790

The discipline of history defines itself in terms of proof not trust. However, in the eighteenth century it became embarrassingly clear that the capacity of the past to appear as a totality under the critical control of the present eluded historical practice at every stage from research to judgement and to the critical reception of that judgement. Was history a practical but uncritical resource (the ’Temple of Fame’), or a self-enclosed critical project ever shy of ultimate truth? Technical...