The Korean Wave: Evolution, Fandom, and Transnationality
By Anthony Y. H. Fung (Contribution by), Seok-Kyeong Hong (Contribution by), Luling Huang (Contribution by), Dal Yong Jin (Contribution by), Hyeri Jung (Contribution by), Bora Kang (Contribution by), Ju Oak Kim (Contribution by), Eunbyul Lee (Contribution by), Hyangjin Lee (Contribution by), Lisa Yuk-ming Leung (Contribution by), Wonjung Min (Contribution by), Mi-Sook Park (Contribution by), Yong-Jin Won (Contribution by), Kyong Yoon (Contribution by), Tae-Jin Yoon (Contribution by), Qian Zhang (Contribution by), Tae-Jin Yoon (Editor), Dal Yong Jin (Editor)
eBook
$49.45
By Anthony Y. H. Fung (Contribution by), Seok-Kyeong Hong (Contribution by), Luling Huang (Contribution by), Dal Yong Jin (Contribution by), Hyeri Jung (Contribution by), Bora Kang (Contribution by), Ju Oak Kim (Contribution by), Eunbyul Lee (Contribution by), Hyangjin Lee (Contribution by), Lisa Yuk-ming Leung (Contribution by), Wonjung Min (Contribution by), Mi-Sook Park (Contribution by), Yong-Jin Won (Contribution by), Kyong Yoon (Contribution by), Tae-Jin Yoon (Contribution by), Qian Zhang (Contribution by), Tae-Jin Yoon (Editor), Dal Yong Jin (Editor)
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Since the Korean Wave phenomenon started in 1997, Hallyu has undergone many changes. Geographically, while Asia has been the largest cultural market for the Korean cultural industries, other parts of society, including North America, Europe, the Middle East, and Latin America have gradually admitted Korean popular culture. The components of the Korean Wave have also greatly expanded. Hallyu originally implied the exports of a few cultural products, such as television dramas, popular music, ...























