The Language of New Media

The Language of New Media

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Product Details

ISBN-13: 9780262296915
Publisher: MIT Press
Publication date: 02/22/2002
Series: Leonardo
Sold by: Barnes & Noble
Format: NOOK Book
Pages: 400
File size: 2 MB
Age Range: 18 Years

About the Author

Lev Manovich is Professor of Visual Arts, University of California, San Diego. His book The Language of New Media (MIT Press, 2001) has been hailed as "the most suggestive and broad ranging media history since Marshall McLuhan."
Sean Cubitt is Professor of Film and Television at Goldsmiths, University of London. He is the author of The Cinema Effect and the coeditor of Relive: Media Art Histories, both published by the MIT Press.

What People are Saying About This

Tom Gunning

The Language of New Media, Manovich surpasses previous prophets of the new media by uncovering the way that what is new is often rooted in a transformation and rediscovery of the slumbering utopian energies of the past. Manovich not only describes the recent history of new media, but its foundations, and its intellectual and aesthetic debts to such aspects of media history as russian constructivism and early cinema. Striking while the media is still hot, Manovich sees creative possibilites and transformation, yet never falls into the trap of thinking new media have no history or have single-handedly created a new world. His vision is unique, risky, and compelling.

N. Katherine Hayles

Lev Manovich's The Language of New Media is a major event for those of us interested in understanding the nature of electronic literature and art. Deeply informed by an intimate knowledge of computer programming, architecture, and procedures, The Language of New Media combnies theoretical sophistication with rigorous inquiry into electronic processes of signification. Among its contributions are a much more precise vocabulary of New Media than is currently in use within cultural and literary studies; original and brilliant insights into the relation between narrative and database; and a comprehensive treatment of the means by which the cybernetic circuit between user and computer transfigures reading and writing. This is essential reading for anyone interested in literary and artistic uses of new media.

Jay David Bolter

This is simply the best book that I have read on the aesthetics of new media. Other authors have often made exaggerated and superficial claims about the novelty of art and design in the new digital technologies. Manovich offers us instead a sober and yet always fresh and exciting analysis of the relationships between new media and their predecessors, especially cinema. As a practicing artist as well as a theorist and historian of media, Manovich can explain the continuities with the past. This sense of history enables him to argue convincingly for the qualities of new media that he believes are truly new.

Sara Diamond

Spend some of your precious time with this book, as time, in every sense, will prove that its succinct and careful analysis of new media is the most fundamental yet dynamic yet made. Lev Manovich's book is an intelligent object; its fractals capacitate a complex, yet accessible linguistic gateway to the history of new media forms, pushing these out of isolation towards tgeir relevant epistemologies in cinema, software development, programming languages, writing and communications theory, yet acknowledging unique qualities. It is a must for filmmakers, communications theorists, television producers, computer scientists, programmers, cultural critics, artists, cultural historians, and designers.

From the Publisher

The Language of New Media, Manovich surpasses previous prophets of the new media by uncovering the way that what is new is often rooted in a transformation and rediscovery of the slumbering utopian energies of the past. Manovich not only describes the recent history of new media, but its foundations, and its intellectual and aesthetic debts to such aspects of media history as russian constructivism and early cinema. Striking while the media is still hot, Manovich sees creative possibilites and transformation, yet never falls into the trap of thinking new media have no history or have single-handedly created a new world. His vision is unique, risky, and compelling.

Tom Gunning, Professor Art History and Cinema and Media, University of Chicago

This is simply the best book that I have read on the aesthetics of new media. Other authors have often made exaggerated and superficial claims about the novelty of art and design in the new digital technologies. Manovich offers us instead a sober and yet always fresh and exciting analysis of the relationships between new media and their predecessors, especially cinema. As a practicing artist as well as a theorist and historian of media, Manovich can explain the continuities with the past. This sense of history enables him to argue convincingly for the qualities of new media that he believes are truly new.

Jay David Bolter, Wesley Chair of New Media, Georgia Institute of Technology, author with Richard Grusin of Remediation

Spend some of your precious time with this book, as time, in every sense, will prove that its succinct and careful analysis of new media is the most fundamental yet dynamic yet made. Lev Manovich's book is an intelligent object; its fractals capacitate a complex, yet accessible linguistic gateway to the history of new media forms, pushing these out of isolation towards tgeir relevant epistemologies in cinema, software development, programming languages, writing and communications theory, yet acknowledging unique qualities. It is a must for filmmakers, communications theorists, television producers, computer scientists, programmers, cultural critics, artists, cultural historians, and designers.

Sara Diamond, Artistic Director, Media and Visual Arts, The Banff Centre

Lev Manovich's The Language of New Media is a major event for those of us interested in understanding the nature of electronic literature and art. Deeply informed by an intimate knowledge of computer programming, architecture, and procedures, The Language of New Media combnies theoretical sophistication with rigorous inquiry into electronic processes of signification. Among its contributions are a much more precise vocabulary of New Media than is currently in use within cultural and literary studies; original and brilliant insights into the relation between narrative and database; and a comprehensive treatment of the means by which the cybernetic circuit between user and computer transfigures reading and writing. This is essential reading for anyone interested in literary and artistic uses of new media.

N. Katherine Hayles, Professor of English, and Design and New Media, University of California

Endorsement

Lev Manovich's The Language of New Media is a major event for those of us interested in understanding the nature of electronic literature and art. Deeply informed by an intimate knowledge of computer programming, architecture, and procedures, The Language of New Media combnies theoretical sophistication with rigorous inquiry into electronic processes of signification. Among its contributions are a much more precise vocabulary of New Media than is currently in use within cultural and literary studies; original and brilliant insights into the relation between narrative and database; and a comprehensive treatment of the means by which the cybernetic circuit between user and computer transfigures reading and writing. This is essential reading for anyone interested in literary and artistic uses of new media.

N. Katherine Hayles, Professor of English, and Design and New Media, University of California

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