The Little Magazine in Contemporary America

by Ian Morris (Editor), Joanne Diaz (Editor)

Overview

Little magazines have often showcased the best new writing in America. Historically, these idiosyncratic, small-circulation outlets have served the dual functions of representing the avant-garde of literary expression while also helping many emerging writers become established authors. Although changing technology and the increasingly harsh financial realities of publishing over the past three decades would seem to have pushed little magazines to the brink of extinction, their story is far more complicated.

In this collection, Ian Morris and Joanne Diaz gather the reflections of twenty-three prominent editors whose little magazines have flourished over the past thirty-five years. Highlighting the creativity and innovation driving this diverse and still vital medium, contributors offer insights into how their publications sometimes succeeded, sometimes reluctantly folded, but mostly how they evolved and persevered. Other topics discussed include the role of little magazines in promoting the work and concerns of minority and women writers, the place of universities in supporting and shaping little magazines, and the online and offline future of these publications.

Selected contributors
Betsy Sussler, BOMB; Lee Gutkind, Creative Nonfiction; Bruce Andrews, L=A=N=G=U=A=G=E; Dave Eggers, McSweeney’s; Keith Gessen, n+1; Don Share, Poetry; Jane Friedman, VQR; Amy Hoffman, Women’s Review of Books; and more.
 

Product Details

ISBN-13:	9780226120492
Publisher:	University of Chicago Press
Publication date:	04/10/2015
Pages:	264
Product dimensions:	5.90(w) x 8.90(h) x 0.60(d)

About the Author

Ian Morris has taught courses on literature, writing, and publishing at Lake Forest College in Illinois and Columbia College Chicago. He was managing editor of TriQuarterly magazine for over a decade and is the founding editor of Fifth Star Press and the author of the novel When Bad Things Happen to Rich People.


Joanne Diaz is associate professor of English at Illinois Wesleyan University. She was an assistant editor at TriQuarterly and is the author of two collections of poetry, The Lessons and My Favorite Tyrants.

Table of Contents

Preface Ian Morris Joanne Diaz vii

Introduction: A Decade or So of Little Magazines: One Reader's Perspective Jeffrey Lependorf 1

Part 1 The Editor as Visionary

This History of BOMB Betsy Sussler 19

The Life of Ontario Review (1974-2008) Greg Johnson 28

The Word Sacred Is Not Misplaced Dave Eggers 35

On n+1 Keith Gessen 38

Part 2 Politics, Culture, and the Little Magazine

Callaloo: A Journal of Necessity Charles Henry Rowell 51

Critical Thinking from Women Amy Hoffman 65

The Bitch Interview Lisa Jervis Andi Zeisler Joanne Diaz 70

The World Doesn't Stop for Derek Walcott, or: An Exchange between Coeditors Gerald Maa Lawrence-Minh Bùi Davis 83

Part 3 Innovation and Experimentation: The Literary Avant-Garde

Exquisite Corpse Andrei Codrescu 97

L=A=N=G=U=A=G=E Bruce Andrews 106

Publishing Is Personal Rebecca Wolff 124

This Being 2015 Ander Monson 130

Part 4 The University Magazine

War of the Words: Fighting for a Journal and a Genre Lee Gutkind 143

Decent Company between the Covers Cara Blue Adams 155

Alaska Quarterly Review and the Literary Tonic Ronald Spatz 166

Making a Living and a Life in Little Magazines Carolyn Kuebler 175

Part 5 Today's Magazines and the Future

About At Length Jonathan Farmer 189

Summoning the Bard: The Twenty-First-Century Literary Magazine on the Web Rebecca Morgan Frank 198

The Future of the Gatekeepers Jane Friedman 209

Poetry Magazine: On Making It New Don Share 218

Contributors 225

Index 231

Editorial Reviews

It’s been thirty-five years since the last comprehensive examination of little magazines, during which time the advent of the Internet and evolving publishing constrictions have presented unique challenges to these little engines that could. Morris and Diaz’s anthology…addresses these challenges and the ways in which many little magazines have turned them into advantages, including the opportunity for more and specialized promotion and differentiation. Public discussion and debate is essential to literary and artistic work, and these essays speak to the opportunity for this collective conversation to reach a wider audience in the digital age. The Little Magazine in Contemporary America is a welcome and compelling update, one that offers substantive hope for the future and continued significance of its subject.”

Newcity

“The Little Magazine in Contemporary America is an important book—one that is long overdue. It provides a different perspective on the role of little magazines that is valuable and not readily available anywhere elsewhere. Particularly impressive are Jane Friedman’s and Don Share’s essays, which wrap up the entire volume brilliantly, both giving a sense of the potential for independent magazines in the future while acknowledging the rich history of the past.

Jodee Stanley

"The Little Magazine in Contemporary America is a fascinating set of responses to the two great changes in writing and reading since 1980.  The first is the internet, which has given a new face to the drive of letters toward action-for-change, enabling immediate distribution of readers’ insights in answer to the work of artists—and in answer to postings by other web readers.  A little magazine today can speak to audiences who never read the magazine itself; they can gather around the magazine’s comment sites for warmth, argument, and validation. The second great change in the world of letters during the past 35 years is the transformative effect of creative nonfiction as a cross-genre mode.  For it has encouraged heady mixtures and a renewal of rhetorical poise in the art of many fine poets and prose writers, breathing delight into the work of making it new."

Northwestern University Mary Kinzie

"The Little Magazine in Contemporary America, a much more manageable collection of interviews and essays that was published in April, looks at the years since then, the years that included—so say the book’s editors, Ian Morris and Joanne Diaz— “the end of the ascendancy of print periodicals,” meaning that the best small litmags have moved online....A new journal needs a reason to exist: a gap that earlier journals failed to fill, a new form of pleasure, a new kind of writing, an alliance with a new or under-chronicled social movement, a constellation of authors for whom the future demand for work exceeds present supply, a program that will actually change some small part of some literary readers’ tastes. None of this has changed with the rise of the Web. Nor has the other big truth about little magazines which emerges from Diaz and Morris’s book, or from a day spent with anybody who runs one: it’s exhausting, albeit exciting, to do it yourself."

The New Yorker

"Little magazines are crucial to the literary health of our country. Today, we are inundated with a bottom-line publishing ideal. In the face of conglomerate money culture, we need our littles more than ever. This book is essential."

founder and editor of Pushcart Press Bill Henderson

"At the zenith of print culture, modernist writers aspired to renew civilization or dynamite it, to subvert consumer capitalism or make a name or a buck from it, in a relatively new print genre—the little magazine. Morris and Diaz have now asked a score of the little magazine editors and writers who have shaped our own literary culture to reflect on the present and future of the genre “during the most radical paradigm shift since the invention of movable type.” This collection reassures us that the internet not only affords new modes of writing and reading but also leaves plenty of room for print experiments—from zines and boxes of printed documents to the survivals of modernist-era or university-based magazines.  Future readers will look back to The Little Magazine in Contemporary America as a key document of the American literary periodicals of our age."

Pennsylvania State University Mark Morrisson

"Little magazines, known for their experimental nature and independent spirit, are the focus of this absorbing collection of essays, written by leading editors working over the past thirty years. This fascinating anthology brings to life the literary, cultural, and political landscapes intrinsic to avant-garde publications and deepens our understanding of their immense significance. This book takes its rightful place on library shelves next to earlier classics The Little Magazine: A History and Bibliography and The Little Magazine in America.  It’s an indispensable tool for scholars and a great read!"

New York Public Library Karen Gisonny

A thoughtful and much-needed champion of the vitality and creativity of literary journals today.

The Paris Review

"The Little Magazine in Contemporary America is a fascinating set of responses to the two great changes in writing and reading since 1980. The first is the internet, which has given a new face to the drive of letters toward action-for-change, enabling immediate distribution of readers' insights in answer to the work of artists--and in answer to postings by other web readers. A little magazine today can speak to audiences who never read the magazine itself; they can gather around the magazine's comment sites for warmth, argument, and validation. The second great change in the world of letters during the past 35 years is the transformative effect of creative nonfiction as a cross-genre mode. For it has encouraged heady mixtures and a renewal of rhetorical poise in the art of many fine poets and prose writers, breathing delight into the work of making it new."-- "Mary Kinzie, Northwestern University"

"The Little Magazine in Contemporary America is an important book--one that is long overdue. It provides a different perspective on the role of little magazines that is valuable and not readily available anywhere elsewhere. Particularly impressive are Jane Friedman's and Don Share's essays, which wrap up the entire volume brilliantly, both giving a sense of the potential for independent magazines in the future while acknowledging the rich history of the past."-- "Jodee Stanley, University of Illinois, Champaign-Urbana"

"The Little Magazine in Contemporary America, a much more manageable collection of interviews and essays that was published in April, looks at the years since then, the years that included--so say the book's editors, Ian Morris and Joanne Diaz-- "the end of the ascendancy of print periodicals," meaning that the best small litmags have moved online....A new journal needs a reason to exist: a gap that earlier journals failed to fill, a new form of pleasure, a new kind of writing, an alliance with a new or under-chronicled social movement, a constellation of authors for whom the future demand for work exceeds present supply, a program that will actually change some small part of some literary readers' tastes. None of this has changed with the rise of the Web. Nor has the other big truth about little magazines which emerges from Diaz and Morris's book, or from a day spent with anybody who runs one: it's exhausting, albeit exciting, to do it yourself."-- "The New Yorker"

"A thoughtful and much-needed champion of the vitality and creativity of literary journals today."-- "The Paris Review"

"At the zenith of print culture, modernist writers aspired to renew civilization or dynamite it, to subvert consumer capitalism or make a name or a buck from it, in a relatively new print genre--the little magazine. Morris and Diaz have now asked a score of the little magazine editors and writers who have shaped our own literary culture to reflect on the present and future of the genre "during the most radical paradigm shift since the invention of movable type." This collection reassures us that the internet not only affords new modes of writing and reading but also leaves plenty of room for print experiments--from zines and boxes of printed documents to the survivals of modernist-era or university-based magazines. Future readers will look back to The Little Magazine in Contemporary America as a key document of the American literary periodicals of our age."-- "Mark Morrisson, Pennsylvania State University"

"It's been thirty-five years since the last comprehensive examination of little magazines, during which time the advent of the Internet and evolving publishing constrictions have presented unique challenges to these little engines that could. Morris and Diaz's anthology...addresses these challenges and the ways in which many little magazines have turned them into advantages, including the opportunity for more and specialized promotion and differentiation. Public discussion and debate is essential to literary and artistic work, and these essays speak to the opportunity for this collective conversation to reach a wider audience in the digital age. The Little Magazine in Contemporary America is a welcome and compelling update, one that offers substantive hope for the future and continued significance of its subject."
-- "Newcity"

"Little magazines are crucial to the literary health of our country. Today, we are inundated with a bottom-line publishing ideal. In the face of conglomerate money culture, we need our littles more than ever. This book is essential."-- "Bill Henderson, founder and editor of Pushcart Press"

"Little magazines, known for their experimental nature and independent spirit, are the focus of this absorbing collection of essays, written by leading editors working over the past thirty years. This fascinating anthology brings to life the literary, cultural, and political landscapes intrinsic to avant-garde publications and deepens our understanding of their immense significance. This book takes its rightful place on library shelves next to earlier classics The Little Magazine: A History and Bibliography and The Little Magazine in America. It's an indispensable tool for scholars and a great read!"-- "Karen Gisonny, New York Public Library"

From the Publisher

"The Little Magazine in Contemporary America, a much more manageable collection of interviews and essays that was published in April, looks at the years since then, the years that included—so say the book’s editors, Ian Morris and Joanne Diaz— “the end of the ascendancy of print periodicals,” meaning that the best small litmags have moved online....A new journal needs a reason to exist: a gap that earlier journals failed to fill, a new form of pleasure, a new kind of writing, an alliance with a new or under-chronicled social movement, a constellation of authors for whom the future demand for work exceeds present supply, a program that will actually change some small part of some literary readers’ tastes. None of this has changed with the rise of the Web. Nor has the other big truth about little magazines which emerges from Diaz and Morris’s book, or from a day spent with anybody who runs one: it’s exhausting, albeit exciting, to do it yourself."

The New Yorker