The Marble Wilderness: Ruins and Representation in Italian Romanticism, 1775-1850

In this 1987 text, by focusing on rhetoric, Dr Springer distinguishes between the encomiastic mode of the Papacy and the exhortatory mode of the Risorgimento. Springer shows that instead of concentrating on the pathos of the absence implicit in the ruined landscape of Rome, both the Church and its democratic opposition celebrated antiquity as a presence. Whereas the Church assembled the spoils of pagan Rome in the Vatican museums as proof of its temporal power, lay patriots from Foscolo to ...