I finished reading The Operator in an unstoppable rush and it was every bit as glorious, gossipy, delicious, and perfect as I’d hoped. Absolutely heaven!
"Berg's debut novel captures the plucky spirit of a 1950's telephone operator, the charm of a Midwest small town, and the secrets that threaten to change both of them forever . . . . Fans of Fannie Flagg or Katerina Bivald's The Readers of Broken Wheel Recommend will soak up the small town flavor.
I finished reading The Operator in an unstoppable rush and it was every bit as glorious, gossipy, delicious, and perfect as I’d hoped. Absolutely heaven!” — Jill Mansell, New York Times and USA Today bestselling author of Maybe This Time
"In this well-plotted comic drama of small-town life, Berg combines the technicolour gloss of a Cary Grant film with the humdrum humour of Garrison Keillor. She keeps the surprises coming right until the end." — Daily Mail (UK)
"Funny, sweet, secretive, and full of fascinating 1930s, '40s, and '50s period details. . . . A poignant look at life in a small town with its nosy neighbors, thorny families, imperfect romances, scandalous pasts, and gratifyingly just desserts. Nothing is as simple—nor as dreadful—as it seems." — Laurie Frankel, New York Times bestselling author
"Berg's debut novel captures the plucky spirit of a 1950's telephone operator, the charm of a Midwest small town, and the secrets that threaten to change both of them forever . . . . Fans of Fannie Flagg or Katerina Bivald's The Readers of Broken Wheel Recommend will soak up the small town flavor. — Booklist
"A perfect evocation of small town America, complete with all its bitchy rivalry, petty snobberies, secret affairs and a few seismic scandals." — Sunday Mirror
"With great humor and insight, The Operator by Gretchen Berg delivers a vivid look inside the heads and hearts of a group of housewives and pokes at the absurdities of 1950s America, a simpler time that was far from simple. Think 'The Marvelous Mrs. Maisel' in the suburbs — with delicious turns of jealousy, infidelity, bigotry, and embezzlement thrown in for good measure. The Operator is irresistible!" — Kathryn Stockett, author of the New York Times bestselling novel The Help
“Berg's storytelling is warm, sympathetic and witty. . . . There are more than enough quotable lines to fill a couple of reviews.” — Kirkus Reviews
“[W]hat began as an unassuming story about life in a small town turns into an exploration of identity and family in 1950s Ohio. . . . highlights the diversity of life experiences often overlooked in recollections of the time. This original look at Midwestern life is recommended.” — Historical Novel Society
“The Operator is a fun, light and intriguing story, [with] several edge-of-your-seat moments . . . Berg does succeed at making the reader want to keep turning the pages to find out Vivian’s big secret – as well as the consequences when all is revealed.” — Associated Press
"A compelling debut novel." — Minneapolis Star Tribune
"With great humor and insight, The Operator by Gretchen Berg delivers a vivid look inside the heads and hearts of a group of housewives and pokes at the absurdities of 1950s America, a simpler time that was far from simple. Think 'The Marvelous Mrs. Maisel' in the suburbs — with delicious turns of jealousy, infidelity, bigotry, and embezzlement thrown in for good measure. The Operator is irresistible!"
"Berg's debut novel captures the plucky spirit of a 1950's telephone operator, the charm of a Midwest small town, and the secrets that threaten to change both of them forever . . . . Fans of Fannie Flagg or Katerina Bivald's The Readers of Broken Wheel Recommend will soak up the small town flavor.
"A compelling debut novel."
"Funny, sweet, secretive, and full of fascinating 1930s, '40s, and '50s period details. . . . A poignant look at life in a small town with its nosy neighbors, thorny families, imperfect romances, scandalous pasts, and gratifyingly just desserts. Nothing is as simple—nor as dreadful—as it seems."
"A perfect evocation of small town America, complete with all its bitchy rivalry, petty snobberies, secret affairs and a few seismic scandals."
[W]hat began as an unassuming story about life in a small town turns into an exploration of identity and family in 1950s Ohio. . . . highlights the diversity of life experiences often overlooked in recollections of the time. This original look at Midwestern life is recommended.
The Operator is a fun, light and intriguing story, [with] several edge-of-your-seat moments . . . Berg does succeed at making the reader want to keep turning the pages to find out Vivian’s big secret – as well as the consequences when all is revealed.
Narrator Allyson Ryan deftly captures the mix of insight and humor in this first novel about the power of gossip and small-town life in the 1950s. With characterizations that are sharp without being unkind, she introduces us to the inhabitants of Wooster, Ohio, where conventionality dominates the social order on the surface of things. Underneath, of course, people are complicated. Few know that better than the telephone switchboard operators, particularly Vivian Dalton, who habitually listens to the calls she connects. One day, she hears a piece of gossip that will upend her life and her family’s position in town. Ryan reads with sympathy and drollness as the people’s long-held assumptions shift and the social order becomes a lot less orderly. A.C.S. © AudioFile 2020, Portland, Maine
Narrator Allyson Ryan deftly captures the mix of insight and humor in this first novel about the power of gossip and small-town life in the 1950s. With characterizations that are sharp without being unkind, she introduces us to the inhabitants of Wooster, Ohio, where conventionality dominates the social order on the surface of things. Underneath, of course, people are complicated. Few know that better than the telephone switchboard operators, particularly Vivian Dalton, who habitually listens to the calls she connects. One day, she hears a piece of gossip that will upend her life and her family’s position in town. Ryan reads with sympathy and drollness as the people’s long-held assumptions shift and the social order becomes a lot less orderly. A.C.S. © AudioFile 2020, Portland, Maine
2020-01-26
Berg’s debut is set in an age when telephones were novel.
If you want to make a phone call in 1952, you’ll lift the receiver and hear an operator say “Number, please.” And if you live in Wooster, Ohio, that operator might well be Vivian Dalton. She’ll listen in on your conversation even though she knows she shouldn’t, always hoping to hear “something scandalous.” Her Pawpy had advised “Just don’t get caught,” but her dead granny’s advice (ignored) was better: “Be careful what you wish for.” Vivian wishes for gossip about rich Betty Miller, whose “life was always perfectly in place,” but Betty has a delicious secret about Edward Dalton that’s sure to ruin Vivian’s life. Vivian never finished high school and frets that her bright teenage daughter, Charlotte, will exceed her in life. The narrative is sprinkled with dictionary definitions of fancy words Vivian doesn’t know, like “privy” and “myriad.” She thinks the school has assigned pornography to Charlotte when she sees The Myth of Sisyphus and thinks it’s about syphilis. Meanwhile, Betty is ever so full of herself because her father owns a bank and the ladies of Wooster always accept her written invitations. She briefly considers calling her Christmas party “Savior’s Celebratory Soirée.” Then she hosts a special afternoon tea to reveal the news about Vivian’s husband to a group of ladies “well versed in the art of displaying false concern.” Berg’s storytelling is warm, sympathetic, and witty—Vivian's "fear had eaten her common sense like it was a casserole,” and her “rage had melted and cooled a little into a hardened shell of shame and humiliation.” Vivian hires a private investigator to look into her husband’s past and consequently deletes chocolate from all her recipes. (Well, it makes sense to her.)
There are more than enough quotable lines to fill a couple of reviews.
