The photobook world: Artists' books and forgotten social objects
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This volume sets out to challenge and ultimately broaden the category of the ‘photobook’. It critiques the popular art-market definition of the photobook as simply a photographer’s book, proposing instead to show how books and photos come together as collective cultural productions. Focusing on North American, British and French photobooks from 1920 to the present, the chapters revisit canonical works – by Claudia Andujar and George Love, Mohamed Bourouissa, Walker Evans, Susan Meiselas and...






















