The Shooting of Rabbit Wells: A White Cop, a Young Man of Color, and an American Tragedy; with a New Introduction by the Author
260
The Shooting of Rabbit Wells: A White Cop, a Young Man of Color, and an American Tragedy; with a New Introduction by the Author
260Paperback(Reprint)
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Overview
On a frigid winter’s night in 1973, William “Rabbit” Wells, a young man of mixed race, was shot and killed by a white policeman named William Sorgie outside a bar in Bernardsville, New Jersey. The shooting, later ruled an accident, stunned local residents and the nation.
For thirty years, author William Loizeaux, who went to high school with Rabbit, hasn’t been able to forget what happened. With clear-eyed compassion and unsparing honesty, The Shooting of Rabbit Wells re-creates the lives of both victim and killer, and the forces that brought them together. At the story’s center is Rabbit Wells himself. Part African-American, part Cherokee, part white, Rabbit never knew his father and was neglected by his mother. Here is a memoir, a biography, and the story of a writer’s search for the scattered remains of a catastrophe. A stirring and powerful document, it is also a work of terrible beauty: by giving us the life of Rabbit Wells, Loizeaux makes us understand—and feel—how unacceptable and irreparable the loss was, and how deeply the bullet that killed him is lodged in the American identity.
Product Details
| ISBN-13: | 9781628725957 |
|---|---|
| Publisher: | Arcade |
| Publication date: | 09/29/2015 |
| Edition description: | Reprint |
| Pages: | 260 |
| Product dimensions: | 5.50(w) x 8.25(h) x 0.90(d) |
About the Author
Read an Excerpt
CHAPTER 1
Olcott Square
I have always liked coming into the area that I call home, which includes the small, clustered communities of Basking Ridge, Bernardsville, Liberty Corner, and Millington, New Jersey. It is the hills that most affect me. They are not dramatic, not aspiring. They are rounded like old men's shoulders, formed some two hundred million years ago and worn down ever since by wind, water, and even a glacier — all of it sculpting a gentle place of brooks, ravines, and ridges. In recorded history, the Leni-Lenape Indians, part of the Algonquin nation, first inhabited the forested hills. Then the early colonists, Scotch Presbyterians, began farming and dotting them with log and stone houses and churches, some of which still stand. Roads followed the graceful contours of the land, often along old Indian paths. In the 1840s, the great stone grist mills were built along the brooks and the Passaic River. By 1872, a single train track wound through the ravines, bringing the very rich, by 1900, to mansions and estates in the higher elevations. Then, after mid-century, came the growing migration of upper-and middle-class people leaving the crowded, troubled eastern cities for a safe, spacious suburban life in neat homes on one-and two-acre lots that spread out from the towns.
It is a pleasant, ordered, accommodating landscape with by and large decent and well-meaning people who find room in these hills to be themselves and to get along with one another. When I visit there, often harried and ill at ease in the world, I am for a time becalmed. Those hills in their old, familiar spaces. Soft and congenial, they seem to remind me that this is a place where, if I changed my life, I might still belong. The air is cleaner and drier than where I now live. Roads are less congested, lawns immaculate. At dusk the deer still emerge from the woods, and by 10 P.M., when I go out walking, the hills are dark and quiet.
In the smoothed lap of one of these hills, just a mile from Basking Ridge where my parents still live, is the center of Bernardsville, called Olcott Square. The square is actually a triangle, defined by the skewed crossing of three roads that didn't quite meet at one point. In the middle of the square stands a tall flagpole on a small green, around which cars slow and disperse, now with the aid of a traffic light. The sidewalks are clean and uncrowded. Shoppers walk briskly, yet pause to exchange greetings. Bordering the square stand neat brick storefronts, most with striped awnings shading their windows: Mansfield's Pharmacy, Autumn House Furniture, Diehl's Jewelers, and Sussman's Clothes, where my mother — incredibly, in her seventies now — still buys buttons and thread.
So this is hardly the sort of place where you'd expect to find violent death and disorder. But at 12:30 A.M. on January 13, 1973, a young man with whom I went to school was shot and killed by a Bernardsville patrolman, his blood pooling on the sidewalk across the square from Sussman's. In a lurid flash that lit up the storefronts, a human life was lost, other lives were thrown into anguish, and a community nestled among gentle hills found itself swept up in the great troubles of our time. In the aftermath, angry crowds filled the square. Riot police with loaded shotguns stood outside the storefronts. Issues of race, class, and the rippling effects of the Vietnam War broke openly upon us. The violence of "elsewhere" had happened here, in the very heart of town. Life as we knew it — or as we thought we knew it — would never be quite the same.
There is no outward sign of any of this now, unless of course you were to travel south for a mile to Somerset Hills Memorial Park, and find section 10, lot 264, grave 2: a small bronze marker, flat on the ground, about the size of a doormat, mostly covered by weeds. And if we care to look, there are other reminders in places closer to the heart. There are people today who, as they walk in Olcott Square, carry photographs of the dead young man in the worn plastic leaves of their wallets. Others keep the things he wrote, the things he made, or the gifts he gave to them in drawers and cubbyholes. And still others, many others, carry his memory, a persistent, painful, fragile thing that still brings laughter, consternation, and tears of love and rage.
His name was William Samuel Wells, though we all knew him as "Rabbit," the name in fact on his grave. He was different from most of us: a multiracial kid from the streets of Trenton, walking the halls of a suburban high school of middle-class white kids. He was tall and strong, with freckles splashed across his cheekbones, slightly hooded brown eyes, long lashes, a gap-toothed smile, and by our junior year, he had grown that afro, like some strange, dark halo.
He was handsome, a year older, cooler than most everyone else in our class. I remember him as a senior, in 1970–71, in a fringed leather jacket, boots, and jeans. He listened to Hendrix and Sly and the Family Stone. He read Eldridge Cleaver and Martin Buber, and wrote poetry on cafeteria napkins. He had a certain bravado, something a little exaggerated in the way he'd stroll into a classroom, slightly late, maybe with a pencil behind his ear, poking out through his bushy hair. Because he could never hide, he must have felt he was always on stage. He was the kind of guy that, if he were anywhere around, you always knew he was there.
All these years later I've come back to Rabbit because he keeps coming back to me. I didn't know him well. We were never close friends. Yet while so many other memories have faded, his recurs vividly and with a pang to which I am still unaccustomed. His name appears in my notebooks and diaries. I've talked about him to whomever would listen. His life and death haven't settled. And now that I live in a mixed neighborhood outside of Washington, D.C., where race is an issue of everyday life, he comes back with even greater insistence. When I think of my hometown and all that was good, safe, and nurturing there, his story imposes. He is as present for me as those rolling hills, or the bright awnings in Olcott Square, or the twang of bullfrogs through my old bedroom window. How could his death have happened amid such beauty and apparent benevolence, and in a place I still call "mine"?
Rabbit's life was neither celebrated nor well-documented, and yet the loss of it carries a weight and significance that do not lie quietly buried. In this book I have tried to recover his life and to understand why it came to an end. I have returned to the places he lived and walked again on the streets, through the fields, and among some of the rooms where he walked and ran. Though most records of his life have been lost or destroyed, I have found some of his poetry, artwork, and a few official documents. I have spoken at length with the policeman who shot him and with those who saw him die. But mainly this book grew from the rich memories of the kids — now adults — he went to school with, and of their parents who took him in and called him family. Had they not held fast to him in their minds, there would be little to tell.
This is a particular and local story, but in it are echoes of our national life: of our efforts at racial harmony and of the persistence of prejudice and devastation. At a time when "integration" no longer embodies a dream and "community" can mean a walled, racial enclave, his story has something to tell about the difficult necessity for engagement, tolerance, and compassion.
CHAPTER 2Bonnie Brae, 1966
I begin by thinking of how Rabbit first came to town, a fourteen-year-old, in the fall of 1966. Most of what I know or can imagine about his life then comes from my conversations with his cousin Donald Baker, and with his friends, and from a state summary of his confidential foster care records.
I see him in the back seat of a shiny white car with the state seal of New Jersey on its doors. He is a big, gangly kid, yet just now he seems small in the wide seat. On his lap sits a canvas duffel bag, about two feet long, whose leather handles he holds tightly in his palms. His hair is nappy and short. His skin has the hue and smoothness of coffee with cream. As he looks out his side window without altering his gaze, his freckled face is open, apparently impassive, and there is the sense that even as he takes in the streaming landscape, he is lost inside himself. If someone spoke or touched his arm, he might not even notice.
Probably the driver is an official from the Mercer County Youth House, a juvenile correctional facility outside of Trenton, where Rabbit had been confined for a month. And per normal procedure, a social worker, with a pen and a crisp folder in her lap, is sitting in the front passenger seat. This is not the only time that Rabbit has been driven in such a car by people he barely knows, but this is the first time that any of these trips has taken quite so long. They are passing through hills where there aren't many buildings. They have been on the road for an hour.
His very first trip was in a car like this. It took place on June 7, 1955, when he was three years old and the New Jersey Bureau of Children's Services was driving him to his first foster family. He must have been terribly afraid and confused, and when he turned to look out the back window he may not have had the sensation that he was moving, but that his mother in the doorway with her crumpled face was oddly receding, getting smaller, without her arms or legs doing anything, or a hand rising to wave. In that doorway of the row house on Perry Street, Trenton, she was small and round, her lips sealed inside her mouth, a look all sad and worn.
Now, as again Rabbit is being driven somewhere, I imagine he remembers his mother standing in that doorway not so much with that old sting in his throat, as with a grudging acceptance, like a giving in, that doesn't feel very good either. Outside his window, the hills, like waves, rise and fall, and telephone wires bounce. In the fields, there are fences and grazing horses, and he thinks he smells burning leaves. They've told him of course; they've shown him on a map. But what he keeps thinking is, Where are they taking me?
"Pretty nice country, eh, William?" asks the thick-shouldered man who is driving.
In the back seat, Rabbit doesn't know what to say. The clothes they have given him don't quite fit. They itch him under his arms.
"You know, you're pretty lucky to be coming here, all things considered."
Rabbit wishes the man wouldn't call him "William" — he was "Billy" then, or "Bill." And he wishes the man hadn't said "all things considered," because it makes him think of all the things that had gotten him into this fix in the first place.
"Guilty as charged," Judge J. Willison Noden had said. "Incorrigible and runaway." I doubt that Rabbit knew what "incorrigible" meant, but he knew a good bit about "runaway." Twice, at ten and twelve years old, he had run away from his first foster parents. According to the state — and this is as specific as the record gets — they "became quite upset" and Rabbit was moved to another foster family. Then, three times, all within a couple of months, he ran away from that family as well. They were all too strict, he had told his case worker. They just didn't understand. The last time his foster father had tried to ground him, Rabbit was out the upstairs bathroom window and back on the street in seconds. For eight days they couldn't catch him, and when they did he wasn't running anymore. He was sleeping in a shed. From there he had landed in Juvenile Court and then the Mercer County Youth House, which was actually a jail.
Now he is on probation. His social worker had been unable to place him in another foster home. "So this is it," she'd have told him when they had gotten into the car. "Bill, this is your last chance. Understand?"
It hadn't always been this way for Rabbit. For so long things seemed to have gone pretty well. For nine years, from age three to twelve, he had lived near Trenton with his first foster family, a black family, whose identity, because of their privacy interest, has been withheld from me. The state says that at eight years old, he was "very happy" and "his foster family was very fond of him." His "standing and deportment" in elementary school were consistently "good" or "excellent." He regularly attended Witherspoon Methodist Church and collected merit badges as a Boy Scout. As late as January 1965, he was on the honor roll at Trenton Junior School #5.
As he sits silently now in the moving car, all that must seem like another life. Outside, the fields give way to big houses with winding driveways and mailboxes, some with pictures of pheasants and hunting dogs. He sees a neat park with a pond, benches, and a wooden bandstand. There's an old stone train station and a bank with a clock. A policeman directs cars around a grassy circle with a tall flagpole in the middle. Awnings shade the storefront windows. Women clutch children and wicker purses. From station wagons, teenagers spill out, chattering, shoving, some with freckles as big as Rabbit's, none with his hair or skin.
Just a mile away, they drive through another town center, with a green, a big church with a gold-domed steeple and white columns, and more quaint shops. This is Basking Ridge, a colonial town named for the deer seen basking in the sun on the ridge. They pass clapboard houses, wide lawns, and then they are heading again toward open, rolling fields. They go over the Passaic River. They weave down a road beside a stone wall and pass a water tower. At last they turn into a long, straight lane. Tall trees spaced at regular intervals line either side. It feels like entering a tunnel, though light shivers through yellow leaves.
BONNIE BRAE FARM FOR BOYS, the sign reads. EST. 1916.
"Bonnie Brae," the social worker explains, "means beautiful hillside."
At the end of the lane, they approach some buildings that the man who is driving refers to as "cottages." But they are huge, three-story, brick-and-stucco Tudor dormitories, like no houses Rabbit has ever seen. One is where Rabbit will live, with fifteen other boys and two "cottage parents." This, as long as he doesn't screw up, will be his home for the next four years.
They park at the Turrell Administration Building and get out in the bright sun. All around are fields, some dotted with bales of hay. It is such a sudden, glaring openness that for an instant Rabbit feels an urge to take cover; he'd like to nestle somewhere.
"You all right?" the social worker asks. Her hand touches his shoulder.
Rabbit nods and follows them inside, big and uneasy, his eyes on the carpet ahead of him. He meets Robert West, the assistant director, who welcomes him and gives him the usual spiel for all the new boys. Rabbit is entering another environment, "another family," as the Bonnie Brae brochures explain. Here he will live "a more wholesome life" and no longer need the "ways of the street." Here he will be provided for: food, clothing, medical care, and counseling. Bonnie Brae is a working farm, and like all the other hundred or so boys, Rabbit will do daily farm chores, and thereby "develop character." He will also take classes, participate in sports and recreational programs, and if he does well and proves responsible, he might enter the local public school and eventually "fit into the community at large."
Rabbit says yes, he understands, but keeps his eyes on the carpet. While the social worker and the man from the Youth House remain in the office to take care of paperwork, Bob Saracino, the recreation director, leads Rabbit on a short walking tour. I have spoken with Bob. He is retired now, living in Oregon, though he still thinks a lot about Bonnie Brae, he says, and remembers Rabbit well. "He was a big frightened kid when he arrived, more frightened than most. He was reluctant to open up or bond with anyone, yet when he did, when he took that plunge, it was usually for keeps."
With Bob, Rabbit visits the barn, chicken coop, and cow pastures — things he has never seen, or smelled, close-up before. Down a hill from the barn are acres of tan corn and hay, a pond with rowboats, and an orchard where stepladders stand beneath splayed apple trees. He visits classrooms, the new Buttenheim Gym and recreation hall. Outside again, he watches guys his age playing soccer on a football field. They wear matching yellow sweatshirts and shorts. A few kids, he notices, look like him, some a little lighter, some darker; all are shouting and wildly sprinting. I can do that, he thinks.
Back at the parking lot, he shakes hands with the man from the Youth House and with the social worker, who says she will see him next week. From the back seat, he gets his duffel bag with all his things inside: a change of clothes, sneakers, toothbrush, a bar of soap in a plastic bag, a pack of cigarettes hidden in a sock; in the matching sock are a flattened nickel that once he had put on a train track and a rumpled, wallet-size photo of himself when he was ten years old. I am guessing at most of the contents of his bag, except for the photograph, which I've seen. That I'm sure he had.
(Continues…)
Excerpted from "The Shooting of Rabbit Wells"
by .
Copyright © 2015 William Loizeaux.
Excerpted by permission of Skyhorse Publishing.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Introduction to the 2015 Edition,
Acknowledgments,
Olcott Square,
Bonnie Brae, 1966,
On the Border,
Newspaper Title Winner,
Billy Sorgie,
At Irene's,
Eroded Bones,
January 7, 1969, LZ Center,
The Reverend,
Quiet Thoughts,
What Holds,
The Hut,
Around Town,
In the Basement,
(W)Retch,
Ravine Lake,
Dreaming of Light,
The Heart,
Postscript,