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The Who and Philosophy
By Scott Calef (Contribution by), Dan Dinello (Contribution by), Don Fallis (Contribution by), Catherine Villanueva Gardner (Contribution by), Rocco J. Gennaro (Contribution by), Casey Harison (Contribution by), Russell L. Johnson (Contribution by), Christopher Ketcham (Contribution by), William M. Knoblauch (Contribution by), S. Evan Kreider (Contribution by), Greg Littmann (Contribution by), Robert McParland (Contribution by), Casey Rentmeester (Contribution by), Peter Smith (Contribution by), Steven D. Williams (Contribution by), M. Blake Wilson (Contribution by), Tom Zlabinger (Contribution by), Rocco J. Gennaro (Editor), Casey Harison (Editor)
eBook
$117.00
By Scott Calef (Contribution by), Dan Dinello (Contribution by), Don Fallis (Contribution by), Catherine Villanueva Gardner (Contribution by), Rocco J. Gennaro (Contribution by), Casey Harison (Contribution by), Russell L. Johnson (Contribution by), Christopher Ketcham (Contribution by), William M. Knoblauch (Contribution by), S. Evan Kreider (Contribution by), Greg Littmann (Contribution by), Robert McParland (Contribution by), Casey Rentmeester (Contribution by), Peter Smith (Contribution by), Steven D. Williams (Contribution by), M. Blake Wilson (Contribution by), Tom Zlabinger (Contribution by), Rocco J. Gennaro (Editor), Casey Harison (Editor)
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The Who were one of the most memorable and influential of the 1960s British Invasion bands—memorable because of their loudness and because they destroyed instruments during performances, and influential because of their success in crafting “Power Pop” singles like “My Generation” and “I Can See for Miles,” long-playing albums Live at Leeds and Who’s Next, and the “rock operas” Tommy and Quadrophenia. The themes that principal songwriter Pete Townshend imparted into The Who’s music drew upon...