The Wild Horses of Hiroshima

“Think of a city whose inhabitants respect more than each other and their own interests. Its destruction would not be a crime against humanity but a crime against life. They might not bomb such a city.

“There is no moral reason for humanity to continue, if its ends are limited to itself. And this is how we must stop seeing ourselves. This is why we destroy each other. If we disregard the life around us, why should we not be equally disregarded?”

- Mura, a young performance artist, in The Wild Horses of Hiroshima

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The Wild Horses of Hiroshima

“Think of a city whose inhabitants respect more than each other and their own interests. Its destruction would not be a crime against humanity but a crime against life. They might not bomb such a city.

“There is no moral reason for humanity to continue, if its ends are limited to itself. And this is how we must stop seeing ourselves. This is why we destroy each other. If we disregard the life around us, why should we not be equally disregarded?”

- Mura, a young performance artist, in The Wild Horses of Hiroshima

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The Wild Horses of Hiroshima

The Wild Horses of Hiroshima

by Paul Xylinides
The Wild Horses of Hiroshima

The Wild Horses of Hiroshima

by Paul Xylinides

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Overview

“Think of a city whose inhabitants respect more than each other and their own interests. Its destruction would not be a crime against humanity but a crime against life. They might not bomb such a city.

“There is no moral reason for humanity to continue, if its ends are limited to itself. And this is how we must stop seeing ourselves. This is why we destroy each other. If we disregard the life around us, why should we not be equally disregarded?”

- Mura, a young performance artist, in The Wild Horses of Hiroshima


Product Details

BN ID: 2940046365580
Publisher: Paul Xylinides
Publication date: 10/23/2014
Sold by: Smashwords
Format: eBook
File size: 319 KB

About the Author

This profile has to reach as far back as it can since, in this case, meaning begins there. No one knows my grandfather’s original name. At an undetermined age, he fled Russia’s civil wars in the early 20th century and arrived in Greece where he fashioned an identity for himself that was unique and yet of its place. Xylinides, translating as one occupied in some fashion or other with wood (ξύλο), now supplies the nom de plume for whatever I write. I owe the sentiment of this borrowed name to a man whose choices in the face of historical upheaval and existential threat ultimately provided for the existence of myself and others. He died leaving no other record than his forged identity soon after the birth of his daughter.

Wherever we find ourselves vast historical winds have deposited us and we remain either subject to their reach or within their unrelenting grip. Residence: Montreal. Education: McGill University, M.A. (English Literature). Mentor: David G. Taylor: Painter, teacher, writer.

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