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The wounds of nations: Horror cinema, historical trauma and national identity

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The wounds of nations: Horror cinema, historical trauma and national identity explores the ways in which the unashamedly disturbing conventions of international horror cinema allow audiences to engage with the traumatic legacy of the recent past in a manner that has serious implications for the ways in which we conceive of ourselves both as gendered individuals and as members of a particular nation-state.

Exploring a wide range of stylistically distinctive and generically diverse film texts...