The Zoomorphic Imagination in Chinese Art and Culture
By Jerome Silbergeld (Editor), Eugene Y. Wang (Editor), Sarah Allan (Contribution by), Qianshen Bai (Contribution by), Susan Bush (Contribution by), Daniel Greenberg (Contribution by), Carmelita (Carma) Hinton (Contribution by), Judy Chungwa Ho (Contribution by), Kristina Kleutghen (Contribution by), Kathlyn Liscomb (Contribution by), Jennifer Purtle (Contribution by), Henrik H. Sørensen (Contribution by)
Hardcover
$75.00
By Jerome Silbergeld (Editor), Eugene Y. Wang (Editor), Sarah Allan (Contribution by), Qianshen Bai (Contribution by), Susan Bush (Contribution by), Daniel Greenberg (Contribution by), Carmelita (Carma) Hinton (Contribution by), Judy Chungwa Ho (Contribution by), Kristina Kleutghen (Contribution by), Kathlyn Liscomb (Contribution by), Jennifer Purtle (Contribution by), Henrik H. Sørensen (Contribution by)
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China has an age-old zoomorphic tradition. The First Emperor was famously said to have had the heart of a tiger and a wolf. The names of foreign tribes were traditionally written with characters that included animal radicals. In modern times, the communist government frequently referred to Nationalists as “running dogs,” and President Xi Jinping, vowing to quell corruption at all levels, pledged to capture both “the tigers” and “the flies.” Splendidly illustrated with works ranging from Bro...






















