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Theatre History Studies 2015, Vol. 34

By Elizabeth Reitz Mullenix (Editor), Alan Sikes (Contribution by), Andrew Gibb (Contribution by), Nicole Berkin (Contribution by), Megan E. Geigner (Contribution by), Heidi L. Nees (Contribution by), Sharon Marie Carnicke (Contribution by), Jonathan Chambers (Contribution by), Miriam Chirico (Contribution by), Meredith Conti (Contribution by), Jerry Dickey (Contribution by), Julia Fawcett (Contribution by), Iris Fischer (Contribution by), Brett D. Johnson (Contribution by), Emeline Jouve (Contribution by), Valerie Joyce (Contribution by), Keith Byron Kirk (Contribution by), Jenna L. Kubly (Contribution by), Martha S. LoMonaco (Contribution by), Scott Magelssen (Contribution by), Theresa J. May (Contribution by), Lance Mekeel (Contribution by), Beliza Torres Narváez (Contribution by), Tavia Nyong'o (Contribution by), Alexis Riley (Contribution by), Kristen Rogers (Contribution by), Cindy Rosenthal (Contribution by), Judith Sebesta (Contribution by), Teresa Stankiewicz (Contribution by), Kevin J. Wetmore Jr. (Contribution by), Harvey Young (Contribution by)
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By Elizabeth Reitz Mullenix (Editor), Alan Sikes (Contribution by), Andrew Gibb (Contribution by), Nicole Berkin (Contribution by), Megan E. Geigner (Contribution by), Heidi L. Nees (Contribution by), Sharon Marie Carnicke (Contribution by), Jonathan Chambers (Contribution by), Miriam Chirico (Contribution by), Meredith Conti (Contribution by), Jerry Dickey (Contribution by), Julia Fawcett (Contribution by), Iris Fischer (Contribution by), Brett D. Johnson (Contribution by), Emeline Jouve (Contribution by), Valerie Joyce (Contribution by), Keith Byron Kirk (Contribution by), Jenna L. Kubly (Contribution by), Martha S. LoMonaco (Contribution by), Scott Magelssen (Contribution by), Theresa J. May (Contribution by), Lance Mekeel (Contribution by), Beliza Torres Narváez (Contribution by), Tavia Nyong'o (Contribution by), Alexis Riley (Contribution by), Kristen Rogers (Contribution by), Cindy Rosenthal (Contribution by), Judith Sebesta (Contribution by), Teresa Stankiewicz (Contribution by), Kevin J. Wetmore Jr. (Contribution by), Harvey Young (Contribution by)
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Volume 34 of Theatre History Studies revisits the foundations of theatre, explores the boundaries and definitions of theatre, and illuminates how writing about the history of theatre is itself a form of historiography.

The five essays are arranged chronologically, starting with Alan Sikes’s discussion of the Abydos Passion Play. Sikes challenges the long-held interpretation of that ritualized annual reenactment of the death, dismemberment, and return to life of Egyptian god-king Osiris as ...

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