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Theatre History Studies 2016, Vol. 35

By Sara Freeman (Editor), Sara Freeman (Contribution by), Jennifer Douglas (Contribution by), Karen Bamford (Contribution by), Brian E. G. Cook (Contribution by), Ann Haugo (Contribution by), Chandra Owenby Hopkins (Contribution by), Rhona Justice-Malloy (Contribution by), Jozefina Komporaly (Contribution by), Karin Maresh (Contribution by), Irma Mayorga (Contribution by), Sheila Rabillard (Contribution by), Rebecca Rovit (Contribution by), Margaret Savilonis (Contribution by), Arden Elizabeth Thomas (Contribution by), Steve Tillis (Contribution by), Scott Venters (Contribution by), Jennifer Worth (Contribution by), Jay Ball (Contribution by), Amanda Boyle (Contribution by), Alex Cahill (Contribution by), Rachel Price Cooper (Contribution by), Danny Devlin (Contribution by), Jennifer Goff (Contribution by), Stuart J. Hecht (Contribution by), Scott C. Knowles (Contribution by), Patrick M. Konesko (Contribution by), Felicia Hardison Londré (Contribution by), Duygu Erdogan Monson (Contribution by), Patrick J. Murray (Contribution by), Wes D. Pearce (Contribution by), Kate Roark (Contribution by), Emily A. Rollie (Contribution by), Michelle Salerno (Contribution by), Claire Syler (Contribution by), Sara Freeman (Introduction)
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By Sara Freeman (Editor), Sara Freeman (Contribution by), Jennifer Douglas (Contribution by), Karen Bamford (Contribution by), Brian E. G. Cook (Contribution by), Ann Haugo (Contribution by), Chandra Owenby Hopkins (Contribution by), Rhona Justice-Malloy (Contribution by), Jozefina Komporaly (Contribution by), Karin Maresh (Contribution by), Irma Mayorga (Contribution by), Sheila Rabillard (Contribution by), Rebecca Rovit (Contribution by), Margaret Savilonis (Contribution by), Arden Elizabeth Thomas (Contribution by), Steve Tillis (Contribution by), Scott Venters (Contribution by), Jennifer Worth (Contribution by), Jay Ball (Contribution by), Amanda Boyle (Contribution by), Alex Cahill (Contribution by), Rachel Price Cooper (Contribution by), Danny Devlin (Contribution by), Jennifer Goff (Contribution by), Stuart J. Hecht (Contribution by), Scott C. Knowles (Contribution by), Patrick M. Konesko (Contribution by), Felicia Hardison Londré (Contribution by), Duygu Erdogan Monson (Contribution by), Patrick J. Murray (Contribution by), Wes D. Pearce (Contribution by), Kate Roark (Contribution by), Emily A. Rollie (Contribution by), Michelle Salerno (Contribution by), Claire Syler (Contribution by), Sara Freeman (Introduction)
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Essays in part one of Theatre History Studies, Vol. 35 address theatrical production in very specific historical contexts, among them German theatre “from the rubble of Berlin” and German nationalist mass spectacles. Essays in part two are devoted to the theme of “Rethinking the Maternal” in contemporary and historical theatre. Also included is the Robert A. Schanke Award-winning essay “Whispers from a Silent Past: Inspiration and Memory in Natasha Tretheway’s Native Guard,” a keynote essay...

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