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Theory and Method in Historical Ethnomusicology
By Keith Howard (Foreword by), Keith Howard (Contribution by), Jonathan McCollum (Contribution by), David G. Hebert (Contribution by), Judah M. Cohen (Contribution by), Ann E. Lucas (Contribution by), Chris Goertzen (Contribution by), Daniel Neuman (Contribution by), Diane Thram (Contribution by), Jonathan McCollum (Editor), David G. Hebert (Editor)
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By Keith Howard (Foreword by), Keith Howard (Contribution by), Jonathan McCollum (Contribution by), David G. Hebert (Contribution by), Judah M. Cohen (Contribution by), Ann E. Lucas (Contribution by), Chris Goertzen (Contribution by), Daniel Neuman (Contribution by), Diane Thram (Contribution by), Jonathan McCollum (Editor), David G. Hebert (Editor)
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Historical ethnomusicology is increasingly acknowledged as a significant emerging subfield of ethnomusicology due to the fact that historical research requires a different set of theories and methods than studies of contemporary practices and many historiographic techniques are rapidly transforming as a result of new technologies. In 2005, Bruno Nettl observed that “the term ‘historical ethnomusicology’ has begun to appear in programs of conferences and in publications” (Nettl 2005, 274), a...
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