To All Appearances: Ideology and Performance

First published in 1992, To All Appearances is a book in which ideology and performance shadow each other, in a theoretical inquiry which ranges widely across historical periods and cultures. The author’s concerns—which include the social meaning of illusion and the cultural manifestation of power—take the reader from Jacobean drama to the pageantry of Robert Wilson; from Eleanora Duse to Laurie Anderson; from the puppet theater of Kleist to Kantor’s theater of the dead; and from the Kutiya...