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Transitions in Mid-Baroque Music: Style, Genre and Performance

By Carrie Churnside (Editor), Gregory Barnett (Contribution by), Rosalind Halton (Contribution by), Peter Holman (Contribution by), Alan Howard (Contribution by), Michael Klaper (Contribution by), Guido Olivieri (Contribution by), Samantha Owens (Contribution by), Michael Robertson (Contribution by), Kerala Kerala Snyder (Contribution by), Michael Talbot (Contribution by), Colin Timms (Contribution by), Andrew Woolley (Contribution by), Rodolfo Zitellini M.A. (Contribution by), Carrie Churnside (Contribution by)
Hardcover
$145.00
By Carrie Churnside (Editor), Gregory Barnett (Contribution by), Rosalind Halton (Contribution by), Peter Holman (Contribution by), Alan Howard (Contribution by), Michael Klaper (Contribution by), Guido Olivieri (Contribution by), Samantha Owens (Contribution by), Michael Robertson (Contribution by), Kerala Kerala Snyder (Contribution by), Michael Talbot (Contribution by), Colin Timms (Contribution by), Andrew Woolley (Contribution by), Rodolfo Zitellini M.A. (Contribution by), Carrie Churnside (Contribution by)
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Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period.

This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the mid-Baroque (c.1650-1710). The idea of musical transition during this period is evident in two principal ways: geographical and chronological (the two often overlap). Chapters examine geographical transi...

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