During the First World War and its immediate aftermath, hundreds of women wrote thousands of poems on multiple themes and for many different purposes. Women’s poetry was published, sold (sometimes to raise funds for charities as diverse as ‘Beef Tea for Troops’ or ‘The Blue Cross Fund for Warhorses’), read, preserved, awarded prizes and often critically acclaimed. Tumult and Tears will demonstrate how women’s war poetry, like that of their male counterparts, was largely based upon their day-to-day lives and contemporary beliefs. Poems are placed within their wartime context. From war worker to parent; from serving daughter to grieving mother, sweetheart, wife; from writing whilst within earshot of the guns, whilst making the munitions of war, or whilst sitting in relative safety at home, these predominantly amateur, middle-class poets explore, with a few tantalising gaps, nearly every aspect of women’s wartime lives, from their newly public often uniformed roles to their sexuality.
|Publisher:||Pen and Sword|
|Product dimensions:||6.10(w) x 9.20(h) x 0.50(d)|
About the Author
Dr Vivien Newman is a respected expert on women in the First World War, with a particular interest in uncovering the lives of women overlooked by other historians. She is on the judging panel for the annual war poetry competitions organised by Never Such Innocence and has previously published four titles with Pen & Sword.
Table of Contents
Chapter 1 When 'Pierrot Goes Forward, What of Pierrette?' 1
Chapter 2 The Power of the Cross: Religion in Women's Poetry 36
Chapter 3 'Lay Your Head on the Earth's Breast': Nature in Women's War Poetry 59
Chapter 4 'I've Worn a Khaki Uniform … Significant Indeed': Serving Women's Poetry 81
Chapter 5 Giving Sorrows Words: Grief in Women's Poetry 112
Conclusion 'Whose the harder part?" 151
Appendix 1 Biographies of the poets 159
Appendix 2 The Publishers 195
Appendix 3 The Birmingham War Poetry Scrapbooks Collection 203