When a headstrong beauty clashes with the man she once loved, she’s determined that the spirit of Christmas will open his mind, heal his heart, and perhaps give them a reason to celebrate—for many seasons
to come . . .
As far as Ethan Fortescue is concerned, his family’s seat in Cornwall is only a source of torment, one that he’s managed to avoid for two years. Now that he’s the Earl of Devon however, he can close the door on his haunted past by locking up the cursed place for good. But upon arriving at Cleves Court, he is shocked to find the house aglow with Christmas celebrations, filled with music and laughter. And right at the center of the holiday madness is the infuriating—and eternally tempting—Theodosia Sheridan . . .
Thea has always loved the town of Cleves, especially at the holidays. As a girl, she also loved Ethan with all her heart. It’s painful to see how his brother’s tragic death has embittered him. Still, she will do anything to make sure the town thrives—even if it means going to battle with Ethan to save Cleves Court. Now she has only until Twelfth Night to make a Christmas miracle happen—by proving that his childhood home can be a source of love and wonder. But before long, she finds herself wondering if she’s trying to save the house—or its handsome master…
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Christmas Eve, 1816, 7:00 p.m.
Somewhere between the Duke's Head Inn and here, he'd fallen off the edge of England and into the deepest pit of hell.
Hell, or Cornwall. Same bloody thing.
The Duke's Head.
Ethan snorted. Pity he wasn't in the mood for a laugh, because that was damn amusing. The Duke's Head was the only inn in the tiny village of Cleves, and it was the last place a duke would be caught dead, with or without his head.
His horse stumbled as Ethan led him around another of Cornwall's endless muddy puddles. Christ, it was dark here. He wouldn't have believed any place in England could be this dark if he hadn't seen it himself. Or not seen it, as it happened, because it was too bloody dark to see bloody anything. Well, except for his flask. He could see that because he had it clutched in his hand, and a bloody good thing too, because a man doomed to spend Christmas in the wilds of bloody Cornwall bloody well better keep a flask to hand at all times.
He paused to count, the flask hovering in front of his lips.
Six bloodies in less than a minute.
There was a chance — just the merest possibility, of course — he wasn't overflowing with the joys of the season.
Ah, well. At least he was overflowing with whiskey.
He tipped the silver flask to his lips and took another swallow. What he lacked in Christmas cheer he more than made up for in drink, and it wasn't as if any of the servants left at Cleves Court were in a position to scold him for his drunkenness. He was the Earl of bloody Devon now, and in the year since he'd become his lordship, he'd discovered earls were permitted to behave rather badly, indeed. Not as badly as marquesses and dukes, but badly enough, and no one seemed to trouble themselves much about it.
Perhaps that's how his father had become such a wastrel. Too much ... Earling? Earlishness? Lordshippery? Ethan frowned. It was one of those, but it didn't matter which. Whatever you called it, it amounted to the same thing — some earl or other had behaved badly, so the new earl was obliged to ride to bloody Cornwall in the cold and dark to clean up the disaster the previous wastrel of an earl had left behind.
That it would be a disaster, Ethan hadn't the slightest doubt. The last time he'd been to his country seat it was teetering on the edge of disreputable, and that was two years ago. He hadn't the faintest idea why his father hadn't shut the cursed place down altogether as he'd promised he would, but whatever whim had moved the old earl was no doubt fleeting, like most of his whims.
God knew once his father abandoned something, he never looked back.
He'd have forgotten all about the place the moment he returned to London, and by now the old pile would be collapsing into rubble. With only a handful of servants left to tend to it, it would be dark and freezing, and likely damp as well, with cobwebs thick enough to smother Ethan in his sleep, and servants who hadn't the faintest notion how to look after an earl.
What if they led him to some godforsaken room with damp walls, uncarpeted floors and mice-infested sheets? What if they didn't even have sheets, or proper lamps or candles? Or, dear God, what if he should run out of whiskey while he was trapped in that old tomb, and was forced into tedious sobriety?
Damn it, perhaps he should have dragged Fenton with him to Cornwall, after all. He'd considered it, but Cleves Court was barely civilized. His fussy London valet would be in fits of horror over the savagery of it all, and Ethan didn't want another useless servant about, wringing his hands and making things difficult. This visit was bound to be unpleasant enough without Fenton's hysterics to contend with.
No, it was best to keep things simple. Wrestle his way through the wilds of Cornwall to Cleves Court, issue orders for the house to be closed at once, stay long enough to see those orders carried out, then get back to London before his supply of whiskey was depleted.
But he'd have to see to it he had a proper bedchamber. He was an earl, after all, and accustomed to his comforts. He'd need something with sheets and without mice, and he'd prefer better music, as well, instead of that incessant picking on the pianoforte keys, but he supposed it was too much to ask anyone at Cleves Court would know how to play the pianoforte —
Music? What the devil?
Ethan brought his horse to a halt and stared down at the flask in his hand. Good Lord, how much whiskey had he drunk? He was so far in his cups he must be hallucinating, because there wasn't a blessed thing for miles around here aside from Cleves Court, and the music couldn't be coming from there.
It was damned odd, but it seemed as if someone at Cleves Court was playing the pianoforte. If you could call it playing, that is. Pick, pick, pick. He couldn't quite decipher the song, but it was something irritatingly festive. Without realizing he did it, he began to hum along under his breath, trying to place it.
Four calling birds, three French hens ...
Oh, Christ. It was the Twelve bloody Days of bloody Christmas. Christmas music in general was intolerable, but he loathed this song in particular. A man might be partial to milkmaids, and eight of them at once could prove amusing, but what the devil was he to do with French hens and a bloody partridge? They'd only get in the way.
Ah, well. It was nothing more whiskey couldn't cure.
Ethan drained his flask and urged his horse forward, but once he crested the hill he stopped a second time, his gaze frozen on his ancestral estate nestled at the notch in the hill just below him.
Light spilled from every downstairs window and cast a cheerful glow onto the drive in front of the house, which was crowded with wagons and carriages. Even from this distance he could see people passing to and fro in front of the windows, and hear voices and an occasional shriek of muffled laughter. The delectable scent of sugared apples and roasted meat drifted through the air, and Ethan's stomach let out an insistent growl.
Laughter, music, and sugared sweets? He might be in his cups, but he wasn't so foxed he couldn't see what was right in front of his eyes. Some presumptuous devil was running amok at his estate, without his knowledge or permission.
Ethan tucked his flask into his pocket, kicked his horse into a run, and shot down the hill toward the house. Damnation. He'd only just arrived, and already he was being thrown headlong into sobriety.
A few coachmen were loitering in the drive, but they were distracted by cups of ale, so he dismounted and tied his horse himself, grumbling at the neglect. What bloody good was it being the earl if he didn't get to shout orders, and then stand back like a proper aristocrat while the servants rushed about in a panic to do his bidding?
He strolled through the front door, squinting at the sudden light. Christ. It appeared they did have candles and lamps at Cleves Court, because the place was brighter than a London ballroom. A dozen or so people hung about, and the entire entryway was smothered in kissing balls and evergreens.
Bloody hell. It looked as if Christmas had gotten foxed, and then cast up its accounts all over Cleves Court.
There was a rather nice-looking Christmas punch on a table at his elbow, so Ethan snatched up a glass. Whiskey was preferable, but he'd drunk it all, so the punch would have to do.
He raised the glass to his lips, took a healthy swallow, spluttered, and then stared down at the glass, aghast. For God's sake, who made a punch without brandy? It was a disgraceful waste of perfectly good fruit —
"Who d'ye think ye are? That's my punch ye just drunk."
Ethan dropped the glass onto the table and turned to find a thin, dark- haired boy at his elbow. "Who the devil are you?"
Instead of disappearing as a figment of one's imagination should, the boy jabbed his thumb into his chest. "Why, I'm Henry Munro." He announced this as if everyone in their right mind should know who Henry Munro was. "Who're you?"
"The Earl of Devon." Everyone in his right mind should know who that was, but if Ethan expected the boy to blanch with terror to find the master of the house had suddenly appeared in his midst, he was disappointed.
"What, yer a lordship? I've not got much use fer lordships, meself." Henry took in his depleted glass of punch, and gave Ethan a disgusted look. "'Specially those what drink my punch."
"That's my punch. Didn't you hear what I just said? I'm Lord Devon." Ethan waved a hand around the room. "Lord Devon. This is my house. Every glass of punch in the bloody place belongs to me."
He sounded like a two-year-old whining over a toy, but for God's sake, who was this demonic imp, and what was he doing here? And didn't anyone in this house recognize the name Devon?
"Aw right then, guv. No need to take on like that."
The boy grabbed what was left of his punch and tried to dart away, but Ethan snatched him up by the collar and hauled him back. "Who's in charge here?"
"I thought ye said this was yer house."
"It is, but —"
"Ye don't know who's in charge of yer own house?" Henry wriggled loose from Ethan's grip and eyed him, looking less impressed with every passing second.
Damnation. As much as Ethan hated to admit it, the boy had a point. "I've been away. Is it Mrs. Hastings still?"
It seemed unlikely Mrs. Hastings — or Mrs. Hastens, he couldn't quite recall — was the authoress of all this offensive merriment. A vague image of a gray-haired lady with lace collars and dozens of iron keys at her hip rose in Ethan's mind. She had to be at least sixty years old by now. Perhaps she'd gone senile.
"Mrs. who? Never 'eard of 'er."
Ethan's eyebrows shot up. What, the boy hadn't even heard of Mrs. Hastings? What had happened to his bloody housekeeper? "Well, who then, Henry? If it's not Mrs. Hastings, then who's responsible for this house?"
"Same person what's always been responsible, guv."
Ethan grasped the boy's collar again, ready to shake the answer out of him. "And who would that be?"
Before Henry could reply, a maid appeared and held out a tray to Ethan with a smile. "Punch, sir?"
"No! No bloody punch. I'm Lord Devon, just arrived."
"Lord Devon? Oh, no. That is ... oh, dear, the earl himself." The maid's face went white and she sank into a hasty curtsey, still clutching the tray. "I, ah — welcome home, your lordship."
Cleves Court wasn't his bloody home anymore, and in another few weeks it wouldn't be anyone else's either, but the maid would find that out soon enough. "What's your name?"
"Becky, sir — that is, my lord."
"Becky, you will tell me at once who's responsible for this madness."
Becky shifted from foot to foot, looking uncomfortable. "Um, our housekeeper, your lordship, just as she is every year."
Ethan gritted his teeth. "Would you be so kind as to tell me where I might find the housekeeper?"
"Let's see. The last time I saw her she was in the kitchens, but I think she may have gone back to the drawing room. I'd be happy to take you to her, sir —"
But Becky got no further, for at that moment a child darted through the drawing-room door, his head down, and slammed right into the back of her, sending the tray in her hands to the floor with a crash of shattering glass. Becky let out a despairing wail as punch splattered everywhere.
The floor, the walls — Christ, even the kissing balls were dripping with it.
Ethan might have laughed if it hadn't been for his boots, which were now splattered with sticky punch. He'd managed to make it through every muddy inch of bloody Cornwall with the pristine shine still on his boots, but the second he set foot in this godforsaken house they were ruined. Damn it, a man's boots were sacred —
"George Munro! You naughty boy! Look at what you've made me do!"
George Munro? Ethan stared at the child who'd come to a screeching halt in the middle of the hallway. He was an exact replica of Henry, who'd taken one look at the mess and doubled over with laughter.
Dear God, there were two of them.
George Munro was no fool. He glanced at the mayhem he'd caused, turned on his heel, and fled. Becky made a grab for him, but the boy, who had apparently perfected his escape technique, leapt nimbly out of her reach.
"Come back here this instant, George!"
George did not come back, and Becky chased after him, leaving Ethan standing in a puddle of brandy-less punch and a pile of broken glasses. Such a scene would have reduced Fenton to tears, but Ethan simply stepped over the mess, made his way toward the drawing room, and found a place at the back of the crowd, near the door.
The housekeeper would have to appear eventually, and when she did she'd find one furious earl in ruined boots waiting for her.
There were a great many servants rushing about — far more than he'd expected to see at Cleves Court — and a great number of guests, as well. A few of them looked vaguely familiar, but damned if he could say what any of their names were. They were all having a grand time of it, and looked quite at home, as if they spent every evening at Cleves Court, drinking his liquor and smashing his crystal to bits.
Not that he gave a damn about the crystal, or anything else in this house. He didn't intend to take so much as a teaspoon from here back to London with him. Tomorrow he'd order everything packed away forever. They were welcome to smash every glass in the house until then, and the windows too, if they liked.
"Oh, here comes the housekeeper with the bowl of brandy," a lady next to him whispered to her companion. "It's so pretty when it's lit, isn't it, with the blue flames?"
A flutter of excitement passed over the knot of people gathered in the drawing-room, and a hush fell as the servants lowered the lamps and doused the candles. Every head turned toward the door, the faces alight with anticipation. The children were wriggling with excitement, and the adults were nearly as enthusiastic.
Despite himself, Ethan felt a twinge of anticipation. They'd played Snapdragon in this very room when he was a boy. He straightened from his slouch against the wall to get a better look, but the servants had plunged the room into near darkness, and he couldn't see a bloody thing.
"Over here, ma'am!" George Munro, who'd evidently escaped his pursuer, was hopping up and down and waving his arms in the air. "I've been a very good boy!"
Ethan snorted aloud at this blatant falsehood, but the sound was swallowed by another childish voice, this one raised in outrage. "Ye haven't been a good boy, George. Ye made Becky drop the glasses and they all smashed to bits! Ye're naughty, and ye don't deserve any raisins!"
"Quiet, Henry, ye tell-tale!"
A furious shriek followed this insult, and Ethan turned just in time to see Henry leap upon George's back and the two tumble to the floor in a tangle of limbs. He watched them with a grin, because a brawl was good fun — especially one so indecorous as to happen in the midst of a Christmas Eve party — but this one was even more impressive because the two boys looked so much alike, it was impossible to tell where one ended and the other began.
"Henry, George, you will stop that scuffling at once."
A tall, slender woman with dark hair passed near Ethan, carrying a large glass bowl in her hands. She was looking down, and he couldn't see her face, but one thing was certain.
She wasn't Mrs. Hastings.
His memories of that good lady were indistinct, but he was damn sure her scent hadn't made his mouth water. This lady smelled of warm, rich brandy, with a faint hint of cinnamon and vanilla, and her voice — low and faintly husky, but utterly feminine — tugged on him, as if a hook had caught at the memories buried deep inside him and was trying to drag them out through his chest.
They two boys climbed off each other, but Henry couldn't quite hold in his ire. "Aw, but Miss Sheridan, he called me a —"
"At once, Henry, or no raisins for either of you."
Ethan might have laughed at the chastened expression on the boys' faces, but he wasn't looking at them anymore.
He was looking at her.
He went still, his mind reeling with shock. There had only ever been one Miss Sheridan, and there'd never be another — not for Cleves Court, and not for him.
Thea was here.
Theodosia Sheridan, his childhood playmate, then his dearest friend, and then, when he was fourteen, the year Ethan was sent away from Cleves Court for good, his first love.
Excerpted from "Twelfth Night with the Earl"
Copyright © 2017 Anna Bradley.
Excerpted by permission of KENSINGTON PUBLISHING CORP..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
I loved all these books but I must say this is my favorite.I WISH IT WAS LONGER BY ABOUT 5 MARTHA SHOULD HAVE HER OWN BOOK
At first, Ethan seems reprehensible but must be given a chance. He is not what he seems for good reason. Loved the children and their interaction with Thea and Ethan! Also enjoy the touches of humor that Anna Bradley incorporates in her novels as she does so well in this one! LORRAINE
I loved this quick read that stars Ethan Fortescue, Earl of Devon, and his best friend from childhood. We first met Devon in the previous book in the series, Lady Charlotte's First Love, as Charlotte's friend and suitor. I didn't like him much at the beginning of that story, but grew to love him as the story progressed and we learned more about him. I was really excited to see that Bradley had written his HEA. Ethan is a man that is hurting over the losses in his life and just wants to forget that part of his life. But when he goes home to shutdown his childhood home, he is greeted with Christmas cheer lead by his childhood friend, Thea. She wants him to remember all the good times they had and not the sadness. Can she get him to reconsider closing down the home and finding his HEA? I have absolutely LOVED this series and I hope that Bradley has more stories for us as I have simply adored them!! If you haven't already read the other books in the series, go out and get them now!!
This is a fun, sweet and entertaining read. Ethan plans to close of his family seat in Cornwall as it is an unhappy place for him. When he arrives near Christmas time he is surprised to find it filled with people and Christmas decoration. Thea and Ethan grew up together and Thea has always loved Cleves Court. Can she give Ethan some new memories to associate with his home? Great characters, entertaining story. An enjoyable read.
Ethan Fortescue, Earl of Devon, is headed to his childhood home, Cleves Court, to close it for good. He doesn’t want to ever live there again as his childhood memories are not all happy ones. He assumes the house will be empty or maybe just a caretaker. Imagine his surprise when he arrives at a Christmas Eve party. In his house with children running around! Theodosia Sheridan, once his childhood friend and first love, is now the housekeeper at Cleves. Thea has brought the house back to life and he doesn’t like it. She has 3 orphans staying there as the orphanage is being repaired. Thea doesn’t want him to shut down the only home she’s known and talks Ethan into keeping the house open for 12 days. Thea hopes Ethan remembers the good times in his childhood. He doesn’t like being there with the bad memories. He does remember his love for Thea and needs her to face his ghosts. Surprisingly, he puts up with the children and begins to spend time with them. Much more happening in this wonderful novella that I won’t spoil. Of course, there is a HEA but the enjoyment is in getting there. I highly recommend this book. Thanks to the author and publisher for the ARC. No one asked me to write this review.
Twelfth Night by Anna Bradley Sutherland Sisters #3 Not really the story of a Sutherland sister although Ethan, the hero of this book, did appear in a previous book and I liked him quite a bit upon meeting him then. I have to say he was definitely unlikable, at least at first, in this novella but it was easy to warm up to him as the story progressed. Ethan heads home to close down one of his estates only to find someone he knew well in the house and holding a party…and according to my notes…he behaves as a “pompous jerk” when first he steps into the room. With the housekeeper a young woman he knew well and held in his mind as his “first love” loving the house he only holds horrible memories of the two definitely butt-heads as they spend time under the same roof. The question is whether or not he can overcome his beliefs and guilt related to the past and if so move forward into a positive future…and if he can…will it be with Thea, his housekeeper or with someone else entirely. Enjoyable holiday romance that does end on a happy note for all – I would like to thank NetGalley and Kensington – Lyrical Press for the ARC – This is my honest review. 3-4 Stars