Twenty-One Stories
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These wide-ranging tales of menace, tragedy, and comedy offer ample proof that "in the short story, as well as the novel, Graham Greene is the master" (The New York Times).
In "The End of the Party," a game of hide-and-seek takes a terrifying turn in the dark. In "The Innocent," a romantic gets a rude awakening when he finds a hidden keepsake from a childhood crush. A husband's sexual indiscretion is revealed in a most public and embarrassing way in "The Blue Film." A rebellious teen's fligh...























