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In boyhood, Louis Zamperini was an incorrigible delinquent. As a teenager, he channeled his defiance into running, discovering a prodigious talent that had carried him to the Berlin Olympics. But when World War II began, the athlete became an airman, embarking on a journey that led to a doomed flight on a May afternoon in 1943. When his Army Air Forces bomber crashed into the Pacific Ocean, against all odds, Zamperini survived, adrift on a foundering life raft. Ahead of Zamperini lay thousands of miles of open ocean, leaping sharks, thirst and starvation, enemy aircraft, and, beyond, a trial even greater. Driven to the limits of endurance, Zamperini would answer desperation with ingenuity; suffering with hope, resolve, and humor; brutality with rebellion. His fate, whether triumph or tragedy, would be suspended on the fraying wire of his will.
Appearing in paperback for the first time—with twenty arresting new photos and an extensive Q&A with the author—Unbroken is an unforgettable testament to the resilience of the human mind, body, and spirit, brought vividly to life by Seabiscuit author Laura Hillenbrand.
Hailed as the top nonfiction book of the year by Time magazine • Winner of the Los Angeles Times Book Prize for biography and the Indies Choice Adult Nonfiction Book of the Year award
“Extraordinarily moving . . . a powerfully drawn survival epic.”—The Wall Street Journal
“[A] one-in-a-billion story . . . designed to wrench from self-respecting critics all the blurby adjectives we normally try to avoid: It is amazing, unforgettable, gripping, harrowing, chilling, and inspiring.”—New York
“Staggering . . . mesmerizing . . . Hillenbrand’s writing is so ferociously cinematic, the events she describes so incredible, you don’t dare take your eyes off the page.”—People
“A meticulous, soaring and beautifully written account of an extraordinary life.”—The Washington Post
“Ambitious and powerful . . . a startling narrative and an inspirational book.”—The New York Times Book Review
“Magnificent . . . incredible . . . [Hillenbrand] has crafted another masterful blend of sports, history and overcoming terrific odds; this is biography taken to the nth degree, a chronicle of a remarkable life lived through extraordinary times.”—The Dallas Morning News
“An astonishing testament to the superhuman power of tenacity.”—Entertainment Weekly
“A tale of triumph and redemption . . . astonishingly detailed.”—O: The Oprah Magazine
“[A] masterfully told true story . . . nothing less than a marvel.”—Washingtonian
“[Hillenbrand tells this] story with cool elegance but at a thrilling sprinter’s pace.”—Time
“Hillenbrand [is] one of our best writers of narrative history. You don’t have to be a sports fan or a war-history buff to devour this book—you just have to love great storytelling.”—Rebecca Skloot, author of The Immortal Life of Henrietta Lacks
About the Author
Laura Hillenbrand is the author of the #1 New York Times bestseller Seabiscuit: An American Legend, which was a finalist for the National Book Critics Circle Award, won the Book Sense Book of the Year Award and the William Hill Sports Book of the Year Award, landed on more than fifteen best-of-the-year lists, and inspired the film Seabiscuit, which was nominated for seven Academy Awards, including Best Picture. Hillenbrand’s New Yorker article, “A Sudden Illness,” won the 2004 National Magazine Award, and she is a two-time winner of the Eclipse Award, the highest journalistic honor in Thoroughbred racing. She and actor Gary Sinise are the co-founders of Operation International Children, a charity that provides school supplies to children through American troops. She lives in Washington, D.C.
Read an Excerpt
The One-Boy Insurgency
In the predawn darkness of August 26, 1929, in the back bedroom of a small house inTorrance, California, a twelve-year-old boy sat up in bed, listening. There was a sound coming from outside, growing ever louder. It was a huge, heavy rush, suggesting immensity, a great parting of air. It was coming from directly above the house. The boy swung his legs off his bed, raced down the stairs, slapped open the back door, and loped onto the grass. The yard was otherworldly, smothered in unnatural darkness, shivering with sound. The boy stood on the lawn beside his older brother, head thrown back, spellbound.
The sky had disappeared. An object that he could see only in silhouette, reaching across a massive arc of space, was suspended low in theair over the house. It was longer than two and a half football fields and as tall as a city. It was putting out the stars.
What he saw was the German dirigible Graf Zeppelin. At nearly 800 feet long and 110 feet high, it was the largest flying machine evercrafted. More luxurious than the finest airplane, gliding effortlessly over huge distances, built on a scale that left spectators gasping, it was, in the summer of '29, the wonder of the world.
The airship was three days from completing a sensational feat of aeronautics, circumnavigation of the globe. The journey had begun onAugust 7, when the Zeppelin had slipped its tethers in Lakehurst, New Jersey, lifted up with a long, slow sigh, and headed for Manhattan. On Fifth Avenue that summer, demolition was soon to begin on the Waldorf-Astoria Hotel, clearing the way for a skyscraper of unprecedented proportions, the Empire State Building. At Yankee Stadium, in the Bronx, players were debuting numbered uniforms: Lou Gehrig wore No. 4; Babe Ruth, about to hit his five hundredth home run, wore No. 3. On Wall Street, stock prices were racing toward an all-time high.
After a slow glide around the Statue of Liberty, the Zeppelin banked north, then turned out over the Atlantic. In time, land came below again: France, Switzerland, Germany. The ship passed over Nuremberg, where fringe politician Adolf Hitler, whose Nazi Party had been trounced in the 1928 elections, had just delivered a speech touting selective infanticide. Then it flew east of Frankfurt, where a Jewish woman named Edith Frank was caring for her newborn, a girl named Anne. Sailing northeast, the Zeppelin crossed over Russia. Siberian villagers, so isolated that they'd never even seen a train, fell to their knees at the sight of it.
On August 19, as some four million Japanese waved handkerchiefs and shouted "Banzai!" the Zeppelin circled Tokyo and sank onto a landing field. Four days later, as the German and Japanese anthems played, the ship rose into the grasp of a typhoon that whisked it over the Pacific at breathtaking speed, toward America. Passengers gazing from the windows saw only the ship's shadow, following it along the clouds "like a huge shark swimming alongside." When the clouds parted, the passengers glimpsed giant creatures, turning in the sea, that looked like monsters.
On August 25, the Zeppelin reached San Francisco. After being cheered down the California coast, it slid through sunset, into darkness and silence, and across midnight. As slow as the drifting wind, it passed over Torrance, where its only audience was a scattering of drowsy souls, among them the boy in his pajamas behind the house on Gramercy Avenue.
Standing under the airship, his feet bare in the grass, he was transfixed. It was, he would say, "fearfully beautiful." He could feel the rumble of the craft's engines tilling the air but couldn't make out the silver skin, the sweeping ribs, the finned tail. He could see only the blackness of the space it inhabited. It was not a great presence but a great absence, a geometric ocean of darkness that seemed to swallow heaven itself.
The boy's name was Louis Silvie Zamperini. The son of Italian immigrants, he had come into the world in Olean, New York, on January 26, 1917, eleven and a half pounds of baby under black hair as coarse as barbed wire. His father, Anthony, had been living on his own since age fourteen, first as a coal miner and boxer, then as a construction worker. His mother, Louise, was a petite, playful beauty, sixteen at marriage and eighteen when Louie was born. In their apartment, where only Italian was spoken, Louise and Anthony called their boy Toots.
From the moment he could walk, Louie couldn't bear to be corralled. His siblings would recall him careening about, hurdling flora, fauna, and furniture. The instant Louise thumped him into a chair and told him to be still, he vanished. If she didn't have her squirming boy clutched in her hands, she usually had no idea where he was.
In 1919, when two-year-old Louie was down with pneumonia, he climbed out his bedroom window, descended one story, and went on a naked tear down the street with a policeman chasing him and a crowd watching in amazement. Soon after, on a pediatrician's advice, Louise and Anthony decided to move their children to the warmer climes of California. Sometime after their train pulled out of Grand Central Station, Louie bolted, ran the length of the train, and leapt from the caboose. Standing with his frantic mother as the train rolled backward in search of the lost boy, Louie's older brother, Pete, spotted Louie strolling up the track in perfect serenity. Swept up in his mother's arms, Louie smiled. "I knew you'd come back," he said in Italian.
In California, Anthony landed a job as a railway electrician and bought a half-acre field on the edge of Torrance, population 1,800. He and Louise hammered up a one-room shack with no running water, an outhouse behind, and a roof that leaked so badly that they had to keep buckets on the beds. With only hook latches for locks, Louise took to sitting by the front door on an apple box with a rolling pin in her hand, ready to brain any prowlers who might threaten her children.
There, and at the Gramercy Avenue house where they settled a year later, Louise kept prowlers out, but couldn't keep Louie in hand. Contesting a footrace across a busy highway, he just missed getting broadsided by a jalopy. At five, he started smoking, picking up discarded cigarette butts while walking to kindergarten. He began drinking one night when he was eight; he hid under the dinner table, snatched glasses of wine, drank them all dry, staggered outside, and fell into a rosebush.
On one day, Louise discovered that Louie had impaled his leg on a bamboo beam; on another, she had to ask a neighbor to sew Louie's severed toe back on. When Louie came home drenched in oil after scaling an oil rig, diving into a sump well, and nearly drowning, it took a gallon of turpentine and a lot of scrubbing before Anthony recognized his son again. Thrilled by the crashing of boundaries, Louie was untamable. As he grew into his uncommonly clever mind, mere feats of daring were no longer satisfying. In Torrance, a one-boy insurgency was born.
If it was edible, Louie stole it. He skulked down alleys, a roll of lock-picking wire in his pocket. Housewives who stepped from their kitchens would return to find that their suppers had disappeared. Residents looking out their back windows might catch a glimpse of a long-legged boy dashing down the alley, a whole cake balanced on his hands. When a local family left Louie off their dinner-party guest list, he broke into their house, bribed their Great Dane with a bone, and cleaned out their icebox. At another party,he absconded with an entire keg of beer. When he discovered that the cooling tables at Meinzer's Bakery stood within an arm's length of the back door, he began picking the lock, snatching pies, eating until he was full, and reserving the rest as ammunition for ambushes. When rival thieves took up the racket, he suspended the stealing until the culprits were caught and the bakery owners dropped their guard. Then he ordered his friends to rob Meinzer's again.
It is a testament to the content of Louie's childhood that his stories about it usually ended with "...and then I ran like mad." He was often chased by people he had robbed, and at least two people threatened to shoot him. To minimize the evidence found on him when the police habitually came his way, he set up loot-stashing sites around town, including a three-seater cave that he dug in a nearby forest. Under the Torrance High bleachers, Pete once found a stolen wine jug that Louie had hidden there. It was teeming with inebriated ants. In the lobby of the Torrance theater, Louie stopped up the pay telephone's coin slots with toilet paper. He returned regularly to feedwire behind the coins stacked up inside, hook the paper, and fill his palms with change. A metal dealer never guessed that the grinning Italian kid who often came by to sell him armfuls of copper scrap had stolen the same scrap from his lot the night before. Discovering, while scuffling with an enemy at a circus, that adults would give quarters to fighting kids to pacify them, Louie declared a truce with the enemy and they cruised around staging brawls before strangers.
To get even with a railcar conductor who wouldn't stop for him, Louie greased the rails. When a teacher made him stand in a corner for spitballing, he deflated her car tires with toothpicks. After setting a legitimate Boy Scout state record in friction-fire ignition, he broke his record by soaking his tinder in gasoline and mixing it with match heads, causing a small explosion. He stole a neighbor's coffee percolator tube, set up a sniper's nest in a tree, crammed pepper-tree berries into his mouth, spat them through the tube, and sent the neighborhood girls running.
His magnum opus became legend. Late one night, Louie climbed the steeple of a Baptist church, rigged the bell with piano wire, strung the wire into a nearby tree, and roused the police, the fire department, and all of Torrance with apparently spontaneous pealing. The more credulous townsfolk called it a sign from God.
Only one thing scared him. When Louie was in late boyhood, a pilot landed a plane near Torrance and took Louie up for a flight. One might have expected such an intrepid child to be ecstatic, but the speed and altitude frightened him. From that day on, he wanted nothing to do with airplanes.
In a childhood of artful dodging, Louie made more than just mischief. He shaped who he would be in manhood. Confident that he was clever, resourceful, and bold enough to escape any predicament, he was almost incapable of discouragement. When history carried him into war, this resilient optimism would define him.
Louie was twenty months younger than his brother, who was everything he was not. Pete Zamperini was handsome, popular, impeccably groomed, polite to elders and avuncular to juniors, silky smooth with girls, and blessed with such sound judgment that even when he was a child, his parents consulted him on difficult decisions. He ushered his mother into her seat at dinner, turned in at seven, and tucked his alarm clock under his pillow so as not to wake Louie, with whom he shared a bed. He rose at two-thirty to run a three-hour paper route, and deposited all his earnings in the bank, which would swallow every penny when the Depression hit. He had a lovely singing voice and a gallant habit of carrying pins in his pant cuffs, in case his dance partner's dress strap failed. He once saved a girl from drowning. Pete radiated a gentle but impressive authority that led everyone he met, even adults, to be swayed by his opinion. Even Louie, who made a religion out of heeding no one, did as Pete said.
Louie idolized Pete, who watched over him and their younger sisters, Sylvia and Virginia, with paternal protectiveness. But Louie was eclipsed, and he never heard the end of it. Sylvia would recall her mother tearfully telling Louie how she wished he could be more like Pete. What made it more galling was that Pete's reputation was part myth. Though Pete earned grades little better than Louie's failing ones, his principal assumed that he was a straight-A student. On the night of Torrance's church bell miracle, a well-directed flashlight would have revealed Pete's legs dangling from the tree alongside Louie's. And Louie wasn't always the only Zamperini boy who could be seen sprinting down the alley with food that had lately belonged to the neighbors. But it never occurred to anyone to suspect Pete of anything. "Pete never got caught," said Sylvia. "Louie always got caught."
Nothing about Louie fit with other kids. He was a puny boy, and in his first years in Torrance, his lungs were still compromised enough from the pneumonia that in picnic footraces, every girl in town could dust him. His features, which would later settle into pleasant collaboration, were growing at different rates, giving him a curious face that seemed designed by committee. His ears leaned sidelong off his head like holstered pistols, and above them waved a calamity of black hair that mortified him. He attacked it with his aunt Margie's hot iron, hobbled it in a silk stocking every night, and slathered it with so much olive oil that flies trailed him to school. It did no good.
And then there was his ethnicity. In Torrance in the early 1920s, Italians were held in such disdain that when the Zamperinis arrived, the neighbors petitioned the city council to keep them out. Louie, who knew only a smattering of English until he was in grade school, couldn't hide his pedigree. He survived kindergarten by keeping mum, but in first grade, when he blurted out "Brutte bastarde!" at another kid, his teachers caught on. They compounded his misery by holding him back a grade.
He was a marked boy. Bullies, drawn by his oddity and hoping to goad him into uttering Italian curses, pelted him with rocks, taunted him, punched him, and kicked him. He tried buying their mercy with his lunch, but they pummeled him anyway, leaving him bloody. He could have ended the beatings by running away or succumbing to tears, but he refused to do either. "You could beat him to death," said Sylvia, "and he wouldn't say 'ouch' or cry." He just put his hands in front of his face and took it. As Louie neared his teens, he took a hard turn. Aloof and bristling, he lurked around the edges of Torrance, his only friendships forged loosely with rough boys who followed his lead. He became so germophobic that he wouldn't tolerate anyone coming near his food. Though he could be a sweet boy, he was often short-tempered and obstreperous. He feigned toughness, but was secretly tormented. Kids passing into parties would see him lingering outside, unable to work up the courage to walk in.
Table of Contents
1 The One-Boy Insurgency 3
2 Run Like Mad 20
3 The Torrance Tornado 30
4 Plundering Germany 44
5 Into War 60
6 The Flying Coffin 79
7 "This Is It, Boys" 201
8 "Only the Laundry Knew How Scared I Was" 121
9 Five Hundred and Ninety-four Holes 142
10 The Stinking Six 165
11 "Nobody's Going to Live Through This" 180
12 Downed 195
13 Missing at Sea 204
14 Thirst 220
15 Sharks and Bullets 240
16 Singing in the Clouds 252
17 Typhoon 267
18 A Dead Body Breathing 281
19 Two Hundred Silent Men 298
20 Farting for Hirohito 316
21 Belief 336
22 Plots Afoot 349
23 Monster 365
24 Hunted 380
25 B-29 395
26 Madness 413
27 Falling Down 432
28 Enslaved 441
29 Two Hundred and Twenty Punches 458
30 The Boiling City 470
31 The Naked Stampede 481
32 Cascades of Pink Peaches 493
33 Mother's Day 509
34 The Shimmering Girl 531
35 Coming Undone 550
36 The Body on the Mountain 564
37 Twisted Ropes 577
38 A Beckoning Whistle 586
39 Daybreak 601
What People are Saying About This
“Unbroken is too much book to hope for: a hell ride of a story in the grip of the one writer who can handle it. Killing sharks with his bare hands...outracing Olympic runners...outwitting one of the most notorious fiends to stalk Japan's POW camps – when it comes to courage, humanity, and impossible adventure, few will ever match "the boy terror of Torrance," and few but the author of Seabicuit could tell his tale with such humanity and dexterity. Laura Hillenbrand has given us a new national treasure.”
Christopher McDougall, author of Born to Run: A Hidden Tribe, Super Athletes, and the Greatest Race the World Has Never Seen
Reading Group Guide
A Conversation with Laura Hillenbrand
Random House Reader's Circle: Louie Zamperini is a larger-than-life figure. He enjoyed a measure of fame in his youth—both during his running career and after surviving the POW camps—but was relatively unknown in the second half of the twentieth century. How did you first learn about Louie? When did you realize there was a book in his story?
Laura Hillenbrand: My first book was about the Depression-era racehorse Seabiscuit. While working on it, I pored over 1930s newspapers. One day I was reading a 1938 clipping about the horse when I happened to turn the paper over and find a profile of a young running phenomenon named Louie Zamperini. I started reading. Louie had not yet gone to war, but his story was already so interesting that I jotted his name down in my Seabiscuit research notebook.
Later, I came across Louie’s name again, and this time I learned a little about his wartime odyssey. I was very intrigued, and when I finished writing Seabiscuit: An American Legend, I did some searching, found an address for Louie, and wrote him a letter. He wrote back, I called him, and I found myself in the most fascinating conversation of my life. He told me his story, and I was captivated.
So many elements of Louie’s saga were enthralling, but one in particular hooked me. He told of having experienced almost unimaginable abuse at the hands of his captors, yet spoke without self-pity or bitterness. In fact, he was cheerful, speaking with perfect equanimity. When he finished his story, I had one question: How can you tell of being victimized by such monstrous men, yet not express rage? His response was simple: Because I forgave them.
It was this, more than anything, that hooked me. How could this man forgive the unforgivable? In setting out to write Louie’s biography, I set out to find the answer.
RHRC: You’ve written about two exceptional, unlikely running sensations of the first half of the twentieth century, weaving deeply moving, inspirational narratives around them. What, to you, is a good subject—what do you look for?
LH: In times of extremity, ordinary individuals must reach into the depths of themselves, and there they find the true content of their character. Some find emptiness, frailty, even dark impulses. But others find wondrous virtues—courage, resourcefulness, self-sacrifice, daring, ingenuity, the will to soldier on when will is all they have left. These are the virtues that turn history, and these are the virtues that enable individuals to prevail in the supreme trials of their lives. It is in times of superlative hardship that individuals live their epic adventures, stories that thrill, fascinate, inspire, and illuminate. Theirs are the stories I’m drawn to.
I also think the best subjects offer the opportunity to use a small story to tell a much larger one. One could approach Seabiscuit as simply a rags-to-riches racehorse who lived seventy-five years ago. By itself, it’s a marvelous tale. But in his remarkable life, and in the lives of his automobile magnate owner, his frontiersman trainer, and his former prizefighting jockey, lies the far larger story of America in the Great Depression. I gathered as much detail as I could about the intimate lives of my subjects, but also backed up to show their context, the era of tremendous upheaval in which they were living, and the way in which they embodied the spirit and struggle of that era.
Louie, like Seabiscuit, is just one individual. But his odyssey carried him into the greatest cataclysm in history, giving me the chance to tell a tale vastly broader in scope than that of any single athlete or soldier, one encompassing Hitler’s Olympics, the Pacific war, and the experience of American military airmen, Japanese POW camp guards, prisoners of war, and veterans. You can’t truly understand an individual unless you understand the world he or she inhabits, and in illustrating that individual’s world, you will, hopefully, capture history in the accessible, tactile, authentic way in which the times were actually experienced. In Unbroken as in Seabiscuit, I tried to paint portraits not just of individuals, but of their times.
RHRC: After the publication of Unbroken, you received a number of letters from readers with family or friends—particularly fathers and grandfathers—who served in World War II. These readers frequently credited your book with giving them a new window into loved ones’ experience and suffering. Were you surprised? How did these letters change your perspective on Unbroken?
LH: Many, if not most, veterans and former POWs came home with overwhelming emotional wounds, and many never recovered. Among Pacific POWs, post-traumatic stress disorder was almost ubiquitous. A quarter of them became alcoholics, and some drank themselves to death. Many suffered from rage, anxiety, and depression; others isolated themselves. Some committed suicide. Louie, lost in alcoholism, rage, anxiety, nightmares, and flashbacks, was sadly typical.
For many men, the horrors they had experienced were too painful to articulate. Quite a few of the veterans I interviewed said they’d never before told their stories, even to those closest to them. Some wept as they shared memories that were, even after more than seventy years, still searingly painful. The wife of one former POW told me that memories of the war were such a torment to her husband that after he discussed it with anyone he needed three weeks to regain his emotional equilibrium.
The residual pain of the war took an enormous toll not only on the veterans, but on their loved ones. The manifestations of the veterans’ trauma was often destructive to their relationships, and because the veterans were so often unable to speak of what had happened to them, they were mysteries to those who needed them, and wanted to help and heal them. As Louie’s wife discovered, they were often unreachable.
Since Unbroken was released, I’ve been deluged with correspondence from family members of POWs, airmen, and other men who served in World War II. Many have spent their lives trying to understand the troubled minds of these men. Many suffered terribly from the damage the war did to their relationships—a husband who was distant and brooding, an uncle prone to violent outbursts, a father who drank, a grandfather who was irretrievably sad. But because many veterans were silent about the war, their loved ones never knew what they’d gone through. For these family members, Louie’s story was a revelation, a window into the pain their loved one carried out of that war. Over and over, their messages express compassion, newfound understanding, and, often, forgiveness. Reading these notes, which sometimes leave me in tears, is deeply gratifying.
All of my life I wondered why my father loved alcohol more than he loved me. I loved him so much and tried so hard to save him but I could not. His disease killed him 36 years ago.
I have seen all the war movies and all the documentaries but until I read your book I had no idea what my father must have endured. For sixty years I have had a love/hate relationship with him. It is taking me a long time to write this because the waves of grief and loss are washing over me now and the tears won’t stop. Maybe now I can finally forgive him and myself for what I could never begin to understand.
—Rev. Cheryl Hubbard (daughter of Irvin “Bill” Hime, Army Air Forces staff sergeant)
I feel like I discovered things about my Dad and why he did things he did. You see, he was a paratrooper in WWII, in the Philippines. He never wanted to talk about it. I feel that through Mr. Zamperini, he finally opened up and I am in awe. To say thank you just doesn’t seem enough, but it’s all I can say.
—Monica Meehan Berg (daughter of James L. Meehan, Army PFC)
I am the namesake of my uncle. . . who was captured in the Philippines, made the ‘Death March’, survived that and imprisonment there. . . . As with most of the Greatest Generation he would not speak of his captivity. . . . Your book conveyed an incredible, almost unbelievable experience; about halfway through I simply broke down in tears and began to really understand. I thank you so much for the legacy you have given to my family and the world.
—C. Ray Jones (nephew of Charlie R. Jones, Army sergeant)
Thank you to Louie and to Laura for bringing this story to light for those of us who have never heard it from our fathers. It shook me to my soul and will stay with me for a very long time.
—Lindi Clark (daughter of Richard Allen Marshall, Army sergeant)
1. Louie’s experiences are singular: It’s unlikely that one person will ever again be in a plane crash, strafed by a bomber, attacked by sharks, cast away on a raft, and held as a POW. And yet the word most often used to describe him is “inspiring.” What does Louie’s experience demonstrate that makes him so inspirational to people who will never endure what he did? What are the lessons that his life offers to all of us?
2. Is Louie a hero? How do you define heroism?
3. In Louie’s boyhood, he was severely bullied, then became a delinquent and hell-raiser. In these experiences, did he already display attributes that would help him survive his wartime ordeal? Did he also show weaknesses or tendencies that foreshadowed the struggles he would face postwar?
4. Do you think Louie’s athletic career helped prepare him for what he would face in war?
5. Louie was especially close to his brother, Pete, who devoted himself to him. If Pete hadn’t been there, what do you think would have become of Louie? Does Pete deserve credit for shaping Louie into a man who could endure and survive his Odyssean ordeal?
6. Hillenbrand explores the extraordinary risks faced by America’s World War II airmen: 52,000 men killed in combat, 36,000 killed in noncombat aircraft accidents, and a stunning 15,000 killed in stateside training—at times, an average of 19 per day. Men faced a 50 percent chance of being killed during combat tours of only 30 to 40 missions. Were you aware of the dangers faced by airmen in the Pacific war? What facts and stories were most surprising to you?
7. What are your feelings about Mac? Do you feel sympathy for him? Anger? If you endured the trauma of a plane crash and were placed in a situation that you knew very few men survived, might you have reacted as he did? In the end, do you think he redeemed himself?
8. When Louie, Phil, and Mac were on the raft, a key factor in their survival was optimism. All three men were young and able-bodied, veterans of the same training, experiencing the same hardships and traumas, yet Louie and Phil remained optimistic while Mac was hopeless, seemingly doomed by his pessimism. Why are some people hopeful and others not? How important are attitude and mind-set in determining one’s ability to overcome hardship?
9. What did you find most remarkable about the things Louie and Phil did to survive on the raft?
10. After more than forty-seven days on the raft, the men lost half their body weight and were rendered mere skeletons. Yet they refused to consider cannibalism, which had not been uncommon among castaways before them. Would you, in the same situation, ever consider cannibalism? If it could ensure that two men survived, when otherwise all three would almost certainly perish, would it be a moral decision?
11. Louie believed he was the beneficiary of several miracles, among them his escape from the wreckage of his plane, the fact that he and the other men were not hit with bullets when their rafts were strafed, and the appearance of the singers in the clouds. What is your interpretation of those experiences?
12. The POWs took enormous risks to carry out thefts, sabotage, and other acts of defiance. Men would risk their lives to steal items as trivial as pencil boxes. What benefit did they derive from defiance that was worth risking death, or severe beatings?
13. In the 1930s and 1940s, Germany and Japan carried out what are arguably among the worst acts of mass atrocity in history. What leads individuals, and even whole societies, to descend to such a level? What motivated the notoriously sadistic POW camp guards in Japan, particularly the Bird? Do you think we all carry the capacity for cruelty?
14. After the war, Louie would say that of all the horrors he witnessed and experienced in the war, the death of the little duck, Gaga, was the worst. Why was this event especially wrenching for him and the other POWs?
15. Louie, Frank Tinker, and William Harris planned to escape from Ofuna, walk across Japan, steal a boat, and make a run for China. It was a plan that very likely would have ended in their deaths. Was it foolish, or did it offer a psychological benefit that was worth the enormous risk?
16. Louie joined a plot to kill the Bird. Was he justified in doing so? Would it have been a moral act? Do you think Louie could have found peace after the war had he killed the Bird?
17. Unbroken reveals that, under the “kill-all order,” the Japanese planned to murder all POWs, a plan that was never carried out because of the dropping of the atomic bombs. The book also explores the lengths to which the Japanese were prepared to go to avoid surrender. How did the book make you feel about America’s use of the atomic bomb on Japan?
18. “Anger is a justifiable and understandable reaction to being wronged, and as the soul’s first effort to reassert its worth and power, it may initially be healing,” Laura Hillenbrand wrote in an article for Guideposts magazine. “But in time, anger becomes corrosive. To live in bitterness is to be chained to the person who wounded you, your emotions and actions arising not independently, but in reaction to your abuser. Louie became so obsessed with vengeance that his life was consumed by the quest for it. In bitterness, he was as much a captive as he’d been when barbed wire had surrounded him.” Do you agree?
19. Many of us struggle to forgive those who have wronged us, especially since forgiveness is often so difficult to find. What makes it so hard to let resentment go?
20. “What the Bird took from Louie was his dignity; what he left behind was a pervasive sense of helplessness and worthlessness,” Hillenbrand continued in her Guideposts article. “As I researched Louie’s life, interviewing his fellow POWs and studying their memoirs and diaries, I discovered that this loss of dignity was nearly ubiquitous, leaving the men feeling defenseless and frightened in a world that had become menacing. The postwar nightmares, flashbacks, alcoholism and anxiety that were endemic among them spoke of souls in desperate fear. Watching these men struggle to overcome their trauma, I came to believe that a loss of self-worth is central to the experience of being victimized, and may be what makes its pain particularly devastating.” Do you agree?
21. Hillenbrand wrote that among the former POWs she interviewed, forgiveness became possible once each POW had found a way to restore his sense of dignity. Was this what Billy Graham gave to Louie? If so, what was it about that experience, and that sermon, that gave Louie back his self-worth?
22. Do Louie Zamperini’s wartime and postwar experiences give you a different perspective on a loved one who was, or is, a veteran?
23. Why do you think most World War II literature has focused on the European war, with so little attention paid to the Pacific war?