Victorian Classical Burlesques: A Critical Anthology

Victorian Classical Burlesques: A Critical Anthology

by Laura Monros-Gaspar


$32.36 $35.95 Save 10% Current price is $32.36, Original price is $35.95. You Save 10%.
View All Available Formats & Editions
Eligible for FREE SHIPPING
  • Want it by Wednesday, October 24  Order now and choose Expedited Shipping during checkout.


Victorian Classical Burlesques: A Critical Anthology by Laura Monros-Gaspar

The Victorian classical burlesque was a popular theatrical genre of the mid-19th century. It parodied ancient tragedies with music, melodrama, pastiche, merciless satire and gender reversal. Immensely popular in its day, the genre was also intensely metatheatrical and carries significance for reception studies, the role and perception of women in Victorian society and the culture of artistic censorship.

This anthology contains the annotated text of four major classical burlesques: Antigone Travestie (1845) by Edward L. Blanchard, Medea; or, the Best of Mothers with a Brute of a Husband (1856) by Robert Brough, Alcestis; the Original Strong-Minded Woman (1850) and Electra in a New Electric Light (1859) by Francis Talfourd. The cultural and textual annotations highlight the changes made to the scripts from the manuscripts sent to the Lord Chamberlain's office and, by explaining the topical allusions and satire, elucidate elements of the burlesques' popular cultural milieu.

An in-depth critical introduction discusses the historical contexts of the plays' premieres and unveils the cultural processes behind the reception of the myths and original tragedies. As the burlesques combined spectacular effects with allusions to contemporary affairs, ambivalent and provocative attitudes to women, the plays represent an essential tool for reading the social history of the era.

Product Details

ISBN-13: 9781472537867
Publisher: Bloomsbury Academic
Publication date: 10/22/2015
Series: Bloomsbury Studies in Classical Reception Series
Pages: 312
Product dimensions: 6.10(w) x 9.10(h) x 0.70(d)

About the Author

Laura Monrós-Gaspar is lecturer at the University of Valencia, Spain. Her publications include Cassandra the Fortune-Teller: Prophets, Gipsies and Victorian Burlesque (2011), Casandra de Florence Nightingale (2011), Nineteenth-century Literature: A Reader (2012) and Persiguiendo a Safo: escritoras victorianas y mitología clásica (2012).

Table of Contents

List of Illustrations
1. Why Classical burlesque?
1.1. Enacting the past and the present
1.2. Texts and Contexts
1.3. Note on the texts and this edition
1.4. List of Representative Nineteenth-Century Classical Burlesques
2. Antigone Travestie, Edward Litt Leman Blanchard (1845)
3. Alcestis; or the Original Strong-Minded Woman, Francis Talfourd (1850)
4. Medea; or the Best of Mothers with a Brute of a Husband, Robert Brough (1856)
5. Electra in a New Electric Light, Francis Talfourd (1859)

Customer Reviews

Most Helpful Customer Reviews

See All Customer Reviews