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Visual and Plastic Poetics: From Brazilian Concretism to the Chilean Neo-Avant-Garde

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Characteristically a-syntactic and focusing on the word and poem as object, Brazilian concrete poetry (1950s onward) creatively and often playfully performs a critique of the ways in which we interact with language and literature. The concretist techniques move beyond the Brazilian borders to the Chilean neo-avant-garde of the 1970s and 1980s. Robinson for the first time demonstrates how three Chilean experimental poets, Cecilia Vicuña (1947-), Juan Luis Martínez (1942-1993) and Rodrigo Lir...