Vortex tells the story of Turk Findley, the protagonist introduced in Axis, who is transported ten thousand years into the future by the mysterious entities called "the Hypotheticals." In this future humanity exists on a chain of planets connected by Hypothetical gateways; but Earth itself is a dying world, effectively quarantined.
Turk and his young friend Isaac Dvali are taken up by a community of fanatics who use them to enable a passage to the dying Earth, where they believe a prophecy of human/Hypothetical contact will be fulfilled. The prophecy is only partly true, however, and Turk must unravel the truth about the nature and purpose of the Hypotheticals before they carry him on a journey through warped time to the end of the universe itself.
Vortex is thrilling and complex science fiction novel from Hugo Award-winning author Robert Charles Wilson.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
About the Author
Born in California, ROBERT CHARLES WILSON grew up in Canada. He is the author of many acclaimed SF novels including Darwinia, Blind Lake, Julian Comstock, and the Hugo Award–winning Spin.
Robert Charles Wilson was born in California and lives in Toronto. His novel Spin won science fiction’s Hugo Award in 2006. Earlier, he won the Philip K. Dick Award for his debut novel A Hidden Place; Canada’s Aurora Award for Darwinia; and the John W. Campbell Award for The Chronoliths.
Read an Excerpt
By Robert Charles Wilson, Teresa Nielsen Hayden
Tom Doherty AssociatesCopyright © 2011 Robert Charles Wilson
All rights reserved.
SANDRA AND BOSE
No more, Sandra Cole thought when she woke up in her sweltering apartment. Today was the last day she would drive to work and spend her day in the company of emaciated prostitutes, addicts in the first sweaty stages of withdrawal, chronic liars, petty criminals. Today was the day she would hand in her resignation.
She woke every weekday morning with the same thought. It hadn't been true yesterday. It wasn't true today. But someday it would be true. No more. She savored the idea as she showered and dressed. It kept her going through her first cup of coffee and a quick breakfast of yogurt and buttered toast. By then she had mustered the courage to face the day. To face the knowledge that nothing, after all, would change.
* * *
She happened to be passing the reception area at State Care when the cop brought in the boy to be registered for evaluation.
The boy would be her responsibility for the next week: his folder had already been attached to her morning case list. His name was Orrin Mather, and he was supposed to be nonviolent. In fact he looked terrified. His eyes were wide and moist and he darted his head left and right like a sparrow scouting for predators.
Sandra didn't recognize the cop who brought him in — he wasn't one of the regulars. In itself that wasn't unusual; delivering minor arrests to the Texas State Care intake facility wasn't high-prestige duty at the Houston Police Department. Oddly, though, this particular cop seemed personally concerned with his charge. The boy didn't cringe away but pressed close to him, as if for protection. The cop kept a steady hand on his shoulder and said something Sandra couldn't hear but which seemed to soothe the boy's anxiety.
They were a study in contrasts. The cop was tall, big-bodied but not fat, with a dark complexion, dark hair, dark eyes. The boy was six inches shorter, dressed in a prison-issue jumper that sagged over his skinny body. He was so pale he looked like he'd been living in a cave for the past six months.
The orderly on reception duty at State was Jack Geddes, a man plausibly rumored to moonlight as a bouncer in a downtown bar. Geddes was often rough with patients — too rough, in Sandra's opinion. He sprang forward from his place behind the reception desk as soon as he registered Orrin Mather's agitation, quickly followed by the duty nurse with her armamentarium of sedatives and needles.
The cop — and this was very unusual — placed himself squarely between Orrin and the orderly. "None of that ought to be necessary," he said. His voice was Texas with a hint of something foreign. "I can escort Mr. Mather wherever you need him to go."
Sandra stepped forward, slightly embarrassed that she hadn't spoken first. She introduced herself as Dr. Cole and said, "The first thing we'll need to do is an intake interview. Do you understand, Mr. Mather? That happens in a room down the corridor. I'll ask you some questions and take down your information. Then we'll assign you a room of your own. Do you understand?"
Orrin Mather took a steadying breath and nodded. Geddes and the nurse backed off, Geddes looking a little annoyed. The cop gave Sandra an evaluative look.
"I'm Officer Bose," he said. "Dr. Cole, can I have a word with you once you get Orrin settled?"
"That might take some time."
"I'll wait," Bose said. "If you don't mind."
And that was the most unusual thing of all.
* * *
Daytime temperatures in the city had topped 100 degrees Fahrenheit for ten consecutive days now. The State Care evaluation facility was air-conditioned, often to the point of absurdity (Sandra kept a sweater in her office), but only a trickle of cool air forced its way through a ceiling grate into the room that was reserved for intake interviews. Orrin Mather was already sweating when Sandra took the chair across the table from him. "Morning, Mr. Mather," she said.
He relaxed a little at the sound of her voice. "You can call me Orrin, ma'am." His eyes were blue and his big lashes looked incongruous in his angular face. A gash in his right cheek was healing into a scar. "Most everybody does."
"Thank you, Orrin. I'm Dr. Cole, and we'll be talking together over the next few days."
"You're the one who decides who keeps me."
"In a way, that's true. I'll be doing your psychiatric evaluation. But I'm not here to judge you, do you understand? I'm here to find out what kind of help you need and whether we can give it to you."
Orrin nodded once, ducking his chin to his chest. "You decide whether I go to a State Care camp."
"Not just me. The whole staff is involved, one way or another."
"But you're the one I talk to?"
"For now, yes."
"Okay," he said. "I get it."
There were four security cameras in the room, one in each corner where the walls met the ceiling. Sandra had seen recordings of her own and other sessions and knew how she would look on the monitors in the adjoining room: foreshortened and prim in a blue blouse and skirt, her ID badge dangling on a lanyard around her neck as she leaned across the plain pine table. The boy would be reduced by the alchemy of closed-circuit video to a generic interviewee. Though she really ought to stop thinking of Orrin Mather as a boy, as young as he looked. He was nineteen, according to his file. Old enough to know better, as Sandra's mother used to say. "You're originally from North Carolina, Orrin, is that right?"
"I guess it says so in those papers you're looking at."
"Do the papers have it right?"
"Born in Raleigh and lived there, yes, ma'am, all my life till I came to Texas."
"We'll talk about that later on. For now I just need to be sure I have the basics right. Do you know why the police took you into custody?"
He lowered his gaze. "Yes."
"Can you tell me about it?"
"That's the legal word. What would you call it?"
"I don't know. Sleeping in an alley, I guess. And getting beat up by those men."
"It's not a crime to get beaten up. The police took you into custody for your own protection, didn't they?"
"I suppose they did. I was pretty bloody when they found me. I didn't do anything to provoke those fellas. They just set on me because they were drunk. They tried to get my satchel, but I didn't let them. I wish the police had come along a little earlier."
A police patrol had found Orrin Mather semiconscious and bleeding on a sidewalk in southwest Houston. No address, no identification, and no apparent means of support. Under the vagrancy laws written in the aftermath of the Spin, Orrin had been taken into custody for evaluation. His physical injuries had been easy enough to treat. His mental state was an open question, however, one which Sandra was expected to resolve over the course of the next seven days. "You have family, Orrin?"
"Just my sister Ariel back in Raleigh."
"And the police have contacted her?"
"They say so, yes, ma'am. Officer Bose says she's coming by bus, to get me. That's a long trip, that bus trip. Hot this time of year I expect. Ariel don't care for hot weather."
She would have to ask Bose about that. Usually, if a family member was willing to assume responsibility, there was no need for a vag case to end up in State Care. There were no violent acts in Orrin's arrest record, and he was clearly aware of his situation, not obviously delusional. At least not at the moment. Though there was something uncanny about him, Sandra thought. (An unprofessional observation, which she would not record in her notes.)
She began with the standard interview from the Diagnostic and Statistical Manual. Did he know the date and so forth. Most of his answers were straightforward and coherent. But when she asked him whether he heard voices, Orrin hesitated. "Guess I don't," he said at last.
"Are you sure? It's okay to talk about these things. If there's a problem, we want to help you with it."
He nodded earnestly. "I know that. It's a hard question, though. I don't hear voices, ma'am, no, not exactly ... but I write things sometimes."
"What kind of things?"
"Things I don't always understand."
Here, then, was the entry point.
Sandra added a note to Orrin's file — poss. delusions, written — for later exploration. Then, because the subject was obviously distressing to him, she smiled and said, "Well, that's enough for now." Half an hour had passed. "We'll talk again soon. I'll have an orderly escort you to the room where you'll be staying over the next few days."
"I'm sure it's very nice."
Compared to the back alleys of urban Houston, maybe it would be. "The first day at State can be hard for some people, but trust me, it's not as bad as seems. Evening meals are at six in the commissary."
Orrin looked doubtful. "Is that like a cafeteria?"
"Can I ask you, is it loud in there? I don't care for noise when I eat."
The patient commissary was a zoo and generally sounded like one, though the staff made sure it was safe. Sensitivity to noise, Sandra added to her notes. "It can get a little loud, yes. Do you think you can deal with it?"
He gave her a downcast look but nodded. "I'll try. Thank you for warning me up front — I appreciate it."
One more lost soul, more fragile and less combative than most. Sandra hoped a week in State would do Orrin Mather more good than harm. But she wouldn't have cared to lay odds on it.
* * *
The remanding officer was still waiting when she left the interview room, much to Sandra's surprise. It was customary for cops to dump a case and walk away. State Care had begun its institutional existence as a means of relieving the overloaded prison system during the worst years of the Spin and after. That emergency had ended a quarter of a century ago, but State still served as a dumping ground for trivial offenders with obvious head issues. It was a convenient arrangement for the police, less so for the overextended and underfunded State Care staff. There was seldom any follow-up from law enforcement. As far as the police were concerned, a transfer was a closed file — or worse, a flushed toilet.
Bose's HPD uniform was crisp despite the heat. He started to ask her about her impressions of Orrin Mather, but because it was past time for lunch, and her afternoon schedule was heavily booked, Sandra invited him to join her in the cafeteria — the staff cafeteria, not the patient commissary Orrin Mather would almost certainly find distressing.
She took her usual Monday soup and salad and waited while Bose did the same. It was late enough that they had no trouble finding a free table. "I want to do some follow-up on Orrin," Bose said.
"That's a new one."
"We don't generally get a whole lot of follow-up from HPD."
"I guess not. But there are some unanswered questions in Orrin's case."
It was "Orrin," she noticed, not "the prisoner" or "the patient." Clearly, Officer Bose had taken a personal interest. "I didn't see anything too unusual in his file."
"His name came up in connection with another case. I can't talk about that in any detail, but I wanted to ask ... did he mention anything about his writing?"
Sandra's interest ticked up a notch. "Very briefly, yes."
"When he was taken into custody Orrin was carrying a leather satchel with a dozen lined notebooks inside, all of them filled with writing. That's what he was defending when he was attacked. Orrin's generally a cooperative guy, but we had to struggle to get the notebooks away from him. He needed to be reassured that we'd keep them safe and give them back as soon as his case was resolved."
"And did you? Give them back, I mean?"
"Not yet, no."
"Because if Orrin is so concerned with those notebooks they might be pertinent to my evaluation."
"I understand that, Dr. Cole. That's why I wanted to talk to you. The thing is, the contents are relevant to another case HPD is dealing with. I'm having them transcribed, but it's a slow process — Orrin's handwriting isn't easy to decipher."
"Can I see the transcripts?"
"That's what I came here to suggest. But I need to ask a favor of you in return. Until you've looked at the whole document, can we keep this matter out of official channels?"
It was an odd request and she hesitated before answering. "I'm not sure what you mean by official channels. Any pertinent observation goes into Orrin's evaluation. That's nonnegotiable."
"You can make any observation you like, as long as you don't copy or quote directly from the notebooks. Just until we resolve certain issues."
"Orrin's under my care for just seven days, Officer Bose. At the end of that time I have to submit a recommendation." A recommendation that would change Orrin Mather's life drastically, she did not add.
"I understand, and I'm not trying to interfere. Your evaluation is what I'm interested in. What I'd like to get from you, informally, is your opinion of what Orrin wrote. Specifically the reliability of it."
At last Sandra began to understand. Something Orrin had written was potential evidence in a pending case, and Bose needed to know how trustworthy it (or its author) was. "If you're asking me for testimony in a legal proceeding —"
"No, nothing like that. Just a back-channel opinion. Anything you can tell me that doesn't violate patient confidentiality or any other professional concerns you have."
"I'm not sure —"
"You might understand a little better once you've read the document."
It was Bose's earnestness that finally persuaded her to agree, at least tentatively. And she was genuinely curious about the notebooks and Orrin's attachment to them. If she discovered something clinically relevant she would feel no compunction about disregarding any promise she made to Bose. Her first loyalty was to her patient, and she made sure he understood that.
He accepted her conditions without complaint. Then he stood up. He had left his salad unfinished, a bed of lettuce from which he had systematically extracted all the cherry tomatoes. "Thanks, Dr. Cole. I appreciate your help. I'll email you the first pages tonight."
He gave her an HPD card with his phone and an email address and his full name: Jefferson Amrit Bose. She repeated it to herself as she watched him disappear into a throng of white-clad clinicians at the commissary door.
* * *
After a day of routine consultations Sandra drove home under the long light of the setting sun.
Sunset often made her think of the Spin. The sun had aged and expanded during the radically foreshortened years of the Spin, and although it looked prosaic enough in the western sky, that was an engineered illusion. The real sun was an aged and bloated monster, furiously dying at the heart of the solar system. What she saw on the horizon was what remained of its lethal radiation after it had been filtered and regulated by the inconceivably powerful technology of the Hypotheticals. For years now — for all of Sandra's adult life — humanity had been living on the sufferance of those alien and voiceless beings.
The sky was a hard blue, obscured to the southeast by clouds like glassy coral growths. One hundred five degrees Fahrenheit in downtown Houston according to the weather report, just as it had been yesterday and the day before. The talk on the newscasts was all about the ongoing White Sands launches, rockets that injected sulfur aerosols into the upper atmosphere in an attempt to slow global warming. Against that pending apocalypse (which was none of their doing) the Hypotheticals had offered no defense. They would protect the Earth from the swollen sun, but the CO content of the atmosphere, apparently, was none of their business. It was, self-evidently, mankind's business. And yet the tankers continued creeping up the Houston Ship Channel with their cargoes of oil, plentiful and cheap now that Equatorian crude had begun to flow from the new world beyond the Arch. Two planets' worth of fossil fuels to cook ourselves with, Sandra thought. The car's laboring air conditioner hummed a rebuke to her hypocrisy, but she couldn't bring herself to forego the rush of cool air.
Ever since she finished her internship at UCSF and went to work for State Care, Sandra had spent her days rendering pass/fail verdicts over troubled minds, applying tests most functional adults easily passed. Is the subject oriented to time and place? Does the subject understand the consequences of his actions? But if she could give the same test to humanity as a whole, Sandra thought, the outcome would be very much in doubt. Subject is confused and often self-destructive. Subject pursues short-term gratification at the expense of his own well-being.
By the time she reached her apartment in Clear Lake night had fallen and the temperature had dropped a trivial degree or two. She microwaved dinner, opened a bottle of red wine, and checked to see if Bose's email had reached her yet.
It had. A few dozen pages. Pages Orrin Mather had supposedly written, but she saw at once how unlikely that was.
She printed the pages and settled down in a comfortable chair to read them.
My name is Turk Findley, the document began.
Excerpted from Vortex by Robert Charles Wilson, Teresa Nielsen Hayden. Copyright © 2011 Robert Charles Wilson. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Chapter One. Sandra and Bose,
Chapter Two. Turk Findley's Story,
Chapter Three. Sandra and Bose,
Chapter Four. Treya's Story / Allison's Story,
Chapter Five. Sandra and Bose,
Chapter Six. Turk Findley's Story,
Chapter Seven. Sandra and Bose,
Chapter Eight. Allison's Story,
Chapter Nine. Sandra and Bose,
Chapter Ten. Turk's Story,
Chapter Eleven. Sandra and Bose,
Chapter Twelve. Turk's Story,
Chapter Thirteen. Sandra and Bose,
Chapter Fourteen. Turk's Story,
Chapter Fifteen. Sandra and Bose,
Chapter Sixteen. Turk's Story,
Chapter Seventeen. Sandra and Bose,
Chapter Eighteen. Allison's Story,
Chapter Nineteen. Sandra and Bose,
Chapter Twenty. Turk's Story,
Chapter Twenty-One. Sandra and Bose,
Chapter Twenty-Two. Allison's Story,
Chapter Twenty-Three. Sandra and Bose,
Chapter Twenty-Four. Turk's Story,
Chapter Twenty-Five. Sandra and Bose,
Chapter Twenty-Six. Allison's Story,
Chapter Twenty-Seven. Sandra and Bose,
Chapter Twenty-Eight. Allison's Story,
Chapter Twenty-Nine. Sandra and Bose,
Chapter Thirty. Turk's Story,
Chapter Thirty-One. Sandra,
Chapter Thirty-Two. Isaac's Story / Orrin's Story / The Sum of All Paths,
By Robert Charles Wilson from Tom Doherty Associates,
Most Helpful Customer Reviews
Excellent finish to this trilogy. I wasn't sure how he was going to wrap of this into a coherent conclusion but he did it expetly. As usual, the writing was spot on - prose contributed to the story without distraction. Pacing was also very good - we discover character "back"-stories in appropriately short chapters as the tale unfolds. BRAVO!
This last book in the trilogy was in some ways the most interesting. It carries over some characters from the second book, but tells a very different story. The scientific ideas and theories woven into the story are fascinating and thought-provoking. I believe any lover of science-fiction will very much enjoy this journey. The three books are very different in content, but similar in style. I liked them very much. Michael Travis Jasper, author of the novel "To Be Chosen"
This book is the final work in a trilogy which was begun by mysterious aliens - labelled as the Hypotheticals, because they remained unseen - transporting the Earth via an enclosing 'time bubble' into the far future, when the Sun is swelling and dying. Technology pretty much halts in the upheaval and Earth is left in chaos.A colony on Mars, however, benefited as time flowed slower there and technology advanced again. A Martian arrived on Earth bringing the knowledge of human immortality but was mysteriously killed. Mars is then shut off in its own 'time bubble' but knowledge of the immortality treatment gets out...Later, a giant Archway appeared in the Indian Ocean and offered access to a sequence of empty planets similar to Earth, and these are slowly explored and exploited for their resources, or used as hiding places by various groups. There are two narratives in this latest, and final, installment. One is a story set on Earth and involves a psychiatrist, Sandra Cole, being given responsibility for a homeless boy, Orin Mather, by an unusually caring and interested policemen, Bose. The odd thing about Orin is that he writes a journal, about the adventures of two characters called Turk Findley and Allison Pearl. This is the other narrative strand. Turk Findley, a pilot with secrets, who appears earlier in this trilogy, awakens during a battle taking place at the Archway to Earth. A giant flying habitat has been attacked and brought down. Turk meets a woman from the habitat, which she calls Vox. She has two personalities, a Vox and a human one, 'Allison Pearl', and the latter gradually takes control. Vox is repaired and they go aboard but the people of Vox are cultists, all wired together to share feelings, of which the most powerful is to meet the Hypotheticals. Vox's treatment of those not sharing this goal is ruthless and Turk and Allison learn to dissemble as they secretly plan to escape. Both narratives converge. Turk's motivations are revealed through a pivotal early experience. His actions on Vox precipitate the final crisis, after another earlier character is encountered who serves as a narrator of the conclusion.I found this final volume to be a let down. Nothing much is moved forward in our knowledge of things since the first novel. While the human stories are well told (as ever with this author) the three novels could have been compressed into a single volume. The main point of this last last novel seems to be a rather tired warning about global warming, as the Earth that that the Vox journey through is dead through over-use of oil etc imported to Earth from planets connected via the Gateway. Compressing things would have sharpened the impact of the story.
Very solid ending to a very solid trilogy. This book explores very different aspects from the last two while still dealing with the Hypotheticals and continuing the story of Turk. If you liked the first book, you will definitely like this one. The book resorts back to the first person viewpoint, bouncing between two narratives, a style that really helped make the first one enjoyable.
In Houston, a few decades after the end of the Spin, a vagrant is brought to a psychiatric facility for evaluation. An odd conspiracy swirls around him. He has been writing--channeling--the story of a man flung forward to the far future, when a floating community returns to a ravaged Earth in search of union with the Hypotheticals. The two stories continue in parallel, gradually intertwining.We finally find out who the Hypotheticals are and what they want with humanity. But the human story, particularly the "21st century" one, is far more interesting.
Conclusion of the trilogy which began with spin and continued with Axis. This novel starts slowly, and operates from two perspectives. This is confusing at first, but the story is, as is usual with all of Wilson's novels, a gripping one.
i have read all his books and would not hesitate to tell others that these are books that will capture your imagination and keep you interested, fixated from start to finish. good scifi and great writing.
This book is quite confusing, introducing more and more complex theories and situations that can only be called bizarre. By the conclusion of this book, time has sped up so much that it is difficult to grasp what the author is trying to say. It left me more lost that before I started the second book. Very unique writing style tells events from several characters viewpoints, but leaves you wondering and doubting the validity of any of them.
Don't buy this book if you intend to read it electronically. B&N once again screwed it up. It's 256 blank pages.