What a Wonderful World

by George David Weiss, Bob Thiele, Ashley Bryan (Illustrator)

Overview

What simpler way could there be to express to children the beauty and the harmony in the world around them than through the lyrics of this song by George David Weiss and Bob Thiele, made famous by the great Louis Armstrong? And what better visual accompaniment than the bright colorful artwork by award-winning Ashley Bryan depicting children of many backgrounds (and Louis Armstrong himself) performing a puppet show that brings the lyrics to life. Here is a book of brightness, wonder, and hope to be shared by all.

Product Details

ISBN-13:	9780689800870
Publisher:	Atheneum Books for Young Readers
Publication date:	03/01/1995
Series:	Jean Karl Bks.
Pages:	32
Product dimensions:	10.00(w) x 12.00(h) x 0.40(d)
Lexile:	BR (what's this?)
Age Range:	4 - 8 Years

About the Author

Ashley Bryan (1923–2022) grew up to the sound of his mother singing from morning to night, and he shared the joy of song with children. A beloved illustrator, he was named a Newbery Honoree for his picture book, Freedom Over Me. He also received the Coretta Scott King—Virginia Hamilton Lifetime Achievement Award, the Laura Ingalls Wilder Award, was a May Hill Arbuthnot lecturer, a Coretta Scott King Award winner, and the recipient of countless other awards and recognitions. His books include Freedom Over Me; Sail Away; Beautiful Blackbird; Beat the Story-Drum, Pum Pum; Let It Shine; Ashley Bryan’s Book of Puppets; and What a Wonderful World. He lived in Islesford, one of the Cranberry Isles off the coast of Maine.

Editorial Reviews

Launching off from the lyrics immortalized by Louis Armstrong, Bryan (The Story of Thunder and Lightning) spins a utopian confection of racial harmony and collaboration. The song extols the pleasures of this ``wonderful world'': ``I hear babies cry, I watch them grow./ They'll learn much more than I'll ever know,/ and I think to myself, `What a wonderful world.'" Bryan illustrates the lyrics by means of a puppet show performed by a cross-cultural group of children and a smiling black man with a trumpet (presiding adults will have to identify the figure as Armstrong; there's not even an explanatory note in the book). Fittingly, Bryan's gouache and tempera paints are as bright and varied as a rainbow, but even with the lyrics they don't tell a coherent story. Bursting with its upbeat message, this seems like a picture-book cross between ``Up with People'' and ``It's a Small World.'' Ages 4-8. (Mar.)

Publishers Weekly - Publisher's Weekly

PreS-Gr 2-Those of us familiar with the music of Louis Armstrong may cringe somewhat at this earnest, albeit colorful interpretation of his famous song. Bryan's vibrant, neon-colored illustrations tell a story of kids making puppets that will act out the lyrics-``I see skies of blue and clouds of white, the bright, blessed day, the dark, sacred night.'' Multicultural puppets and ``Satchmo'' dance away as the children behind the stage wave clouds, flowers, rainbows, and other props. The usual picture-book crowd is too young to know of Louis Armstrong or his nickname, and those who are old enough and do know of him may not especially want to think of him as a puppet. The song is a celebration of the world and its varied inhabitants and each page in the book reflects this, but all of these well-meaning parts-the lyrics that express a true emotion; the bright, upbeat illustrations; and the celebration of diversity-don't make a successful whole.-Jane Marino, Scarsdale Public Library, NY

School Library Journal

Made famous by the late Louis Armstrong, this Weiss and Thiele song is interpreted in carnival colors by Bryan. A group of multiracial children use a puppet stage with banners flying and puppets (including a Louis Armstrong lookalike) in a wide variety of hues to dramatize the songs' lyrics. Smiling children, glowing yellows and pinks, and brilliantly colored pastoral settings make this more than a tribute to Armstrong, to whom it is dedicated. In the deft hands of artist Bryan, it is a song of joy from the lyricists who wrote it, the man who sang it, and the artist who envisioned it.

Janice Del Negro