While dance has always been as demanding as contact sports, intuitive boundaries distinguish the two forms of performance for men. Dance is often regarded as a feminine activity, and men who dance are frequently stereotyped as suspect, gay, or somehow unnatural. But what really happens when men dance?
When Men Dance offers a progressive vision that boldly articulates double-standards in gender construction within dance and brings hidden histories to light in a globalized debate. A first of its kind, this trenchant look at the stereotypes and realities of male dancing brings together contributions from leading and rising scholars of dance from around the world to explore what happens when men dance. The dancing male body emerges in its many contexts, from the ballet, modern, and popular dance worlds to stages in Georgian and Victorian England, Weimar Germany, India and the Middle East. The men who dance and those who analyze them tell stories that will be both familiar and surprising for insiders and outsiders alike.
|Publisher:||Oxford University Press, USA|
|Edition description:||New Edition|
|Product dimensions:||6.10(w) x 9.20(h) x 0.90(d)|
About the Author
Jennifer Fisher is Associate Professor of Dance, University of California - Irvine, and author of Nutcracker Nation: How an Old World Ballet Became a Christmas Tradition in the New World (2003).
Anthony Shay is Assistant Professor of Dance and Cultural Studies at Pomona College and author or editor of several books, including Choreographic Politics: State Folk Dance Ensembles, Representation, and Power (2003).
Table of Contents
PART I ISSUES IN THE PINK AND BLUE WEST
1. Maverick Men in Ballet: Rethinking the "Making it Macho" Strategy
2. What We Know About Boys Who Dance: The Limitations of Contemporary Masculinity and Dance Education
David Allan and Michel Gervais
3. Is Dance a Man's Sport Too? The Performance of Athletic-Coded Masculinity on the Concert Dance Stage
4. Transcending Gender in Ballet's LINES
Jill Nunes Jensen
5. The Performance of Unmarked Masculinity
PART II HISTORICAL PERSPECTIVES
6. Pricked Dances: The Spectator, Dance, and Masculinity in Early 18th Century England
John Bryce Jordan
7. Gender Trumps Race? Cross-dressing in Early Blackface Minstrelsy
Paul Babiak: Diary of "Channeling Juba" Rehearsals
8. Ausdruckstanz, Worker's Culture and Masculinity in Germany in the 1920s and 1930s
PART III LEGACIES OF COLONIALISM
9. Invented Hypermasculinity: Colonial Influences on Dance Styles in Egypt, Iran, and Uzbekistan
10. Native Motion and Imperial Emotion: Male Performers of the 'Orient' and the Politics of the Imperial Gaze
Stavros Stavrou Karayanni
11. Ibrahim Farrah: Dancer, Teacher, Choreographer, Publisher
12. From Gynemimesis to Hyper-Masculinity: The Shifting Orientations of Male Performers of South Indian Court Dance
Naatyaachaarya V.P. Dhananjayan
Appendix A: Notes on Personal Histories
Notes on contributors