Words No Bars Can Hold: Literacy Learning in Prison

by Deborah Appleman

Overview

Incarcerated bodies, liberated minds: a narrative of literacy education behind bars.

Words No Bars Can Hold provides a rare glimpse into literacy learning under the most dehumanizing conditions. Deborah Appleman chronicles her work teaching college- level classes at a high- security prison for men, most of whom are serving life sentences. Through narrative, poetry, memoir, and fiction, the students in Appleman’s classes attempt to write themselves back into a society that has erased their lived histories.


The students’ work, through which they probe and develop their identities as readers and writers, illuminates the transformative power of literacy. Appleman argues for the importance of educating the incarcerated, and explores ways to interrupt the increasingly common journey from urban schools to our nation’s prisons. From the sobering endpoint of what scholars have called the “school to prison pipeline,” she draws insight from the narratives and experiences of those who have traveled it.

Product Details

ISBN-13:	9780393713671
Publisher:	Norton, W. W. & Company, Inc.
Publication date:	06/18/2019
Pages:	160
Sales rank:	1,200,240
Product dimensions:	6.10(w) x 9.40(h) x 0.90(d)

About the Author

Deborah Appleman lives in Minnesota and is the Hollis L. Caswell Professor of Educational Studies and director of the summer writing program at Carleton College. Since 2007, she has taught language, literature, and creative writing courses at a high-security prison for men in the upper Midwest.

Table of Contents

Foreword

Acknowledgments

Prelude: Education: Life or Death

1. A Tough Sell: Education and Incarceration

2. The Geography of Incarceration: The Glass Bubble in the Big House

3. Of Freire and Frost: Reading the World Behind Bars

4. "No Hugs for Thugs": Surveillance and Control

5. "I Write Myself Out of Prison": Rewriting the Self

6. Writing in the Dark: Profiles of Incarcerated Learners

7. "What If I Had Started to Write in High School?": Interrupting the School-to-Prison Pipeline

8. "Songs from the Genius Child": Words No Bars Can Hold

Epilogue: Thoughts Beyond the Bars: The Dark and the Light

References

Selections of Writing by Incarcerated Writers

Index

Editorial Reviews

Words No Bars Can Hold is a guidebook for those looking to improve education within correctional institutions as well as for those of us working to keep students far away from the school-to-prison pipeline.

Carl Jago

Makes the argument — based on the personal experience of the writer, a Carleton College professor, of teaching creative writing in prison — that liberal education is what even the most hardened criminals need.

The Chronicle of Higher Education

Deborah Appleman's outstanding scholarship on literacy instruction spans decades. In this book, she writes about teaching college literature and writing courses in a high-security prison. But her revelations about the transformative power of education also speak to the necessity of changing teaching in our schools...Appleman's book is important, not just for those who teach in prisons, but also for those who want to understand how to break the school-to-prison pipeline.

Rethinking Schools

Reading it, we learn so much about the power of writing, about teaching, about what education makes possible, and about the urgent human capacity to define who we are.

Mike Rose

I anticipate this will become a seminal text for those who want to educate men in one of our nation's darkest spaces.

Alfred W. Tatum

Words No Bars Can Hold: Literacy Learning in Prison sharpens our analysis and does the necessary work to break our hearts. Written with a fluid and accessible voice, this essential text invites a wide range of readers to view radical literacy work as a key tool to strengthen national movements to end our prison nation.

Erica R. Meiners

The result is an eloquent meditation on how the art of narrative defines what it is we mean by education itself.

Daniel Karpowitz

An educator cannot read this book without being challenged to see all people differently, to recognize his or her complicity in the prison industrial complex, and to insist on literacy instruction rooted in agency, voice, power, and love.

Ernest Morrell

2019-11-13
A literature teacher recounts her considerable experience instructing high-security prisoners and argues for a rehabilitation program that includes the liberating effect of creative writing.

Despite "incontrovertible evidence" that access to education can significantly reduce criminal recidivism, Appleman (co-author: Teaching Literature to Adolescents, 3rd Edition, 2016, etc.) concedes that convincing the public that convicts should be treated to what many regard as a forfeited privilege is a "tough sell." Nevertheless, this is precisely the position she passionately—and inspiringly—defends. While most of the limited education provided for prisoners is vocational in nature, the author contends that an introduction to literature—in particular, the exercise of creative writing—can transform an inmate's life. She avers that the "pedagogy of creative writing, with its emphasis on identity construction and narration, seems to provide opportunities for self-reflection as well as powerful clues to where the life courses of these incarcerated students might have been altered." Appleman thoughtfully discusses her own experience teaching creative writing at a high-security correctional facility and poignantly relates not only the successes she witnessed, but also the limitations of an "environment that is not conducive to learning." She includes profiles of some of her "incarcerated learners" as well as exemplary excerpts of their writing. Finally, she furnishes a bracingly honest reflection on the "school-to-prison pipeline," what she considers "one of the most urgent educational issues of our time." She discusses the possibility that a well-guided encounter with literature and writing could open up new ways of thinking—and ultimately choosing—for disadvantaged youngsters trapped in a grim cycle of self-destruction.

Appleman's meditation is stirringly hopeful but not naively idealistic: She never denies the "brutal realities of the carceral state and the complexity of the population of those who live behind bars." She also astutely explores the fundamental inhospitableness of prison to creative learning. A penitentiary is dehumanizing and despotic while education is humanizing and emancipating. Still, her argument is a ringing testament to the "transformative power of literacy" and the extent to which education can provide a "kind of oasis, or a glass bubble that floats fragilely in this sea of indignity." The author writes not only lucidly, but also with great elegance and power. Her position is based on her profound experience as an instructor and a lover of literature—she has taught 150 incarcerated men. The writing samples she provides are simply extraordinary, not only because of their philosophical and poetical quality, but also because of the insights the writers demonstrate into their lamentable plights. Appleman does more than argue that these men, many of whom have committed heinous crimes and will never be released, are still human beings capable of moral redemption: She shows readers this through their writing. Moreover, the author makes a convincing case for the power of stories, not just to entertain and distract, but also to reimagine the writers' very selves and supply the sources for inspiration that sometimes life itself refuses.

An affecting meditation on the ability of literature to empower inmates who are too often dismissively diminished by society.

Kirkus Reviews

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