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Worlds Enough: The Invention of Realism in the Victorian Novel

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A short, provocative book that challenges basic assumptions about Victorian fiction

Now praised for its realism and formal coherence, the Victorian novel was not always great, or even good, in the eyes of its critics. As Elaine Freedgood reveals in Worlds Enough, it was only in the late 1970s that literary critics constructed a prestigious version of British realism, erasing more than a century of controversy about the value of Victorian fiction.

Examining criticism of Victorian novels since ...