In Writing through Jane Crow, Ayesha Hardison examines African American literature and its representation of black women during the pivotal but frequently overlooked decades of the 1940s and 1950s. At the height of Jim Crow racial segregationa time of transition between the Harlem Renaissance and the Black Arts movement and between World War II and the modern civil rights movementblack writers also addressed the effects of "Jane Crow," the interconnected racial, gender, and sexual oppression that black women experienced. Hardison maps the contours of this literary moment with the understudied works of well-known writers like Gwendolyn Brooks, Zora Neale Hurston, Ann Petry, and Richard Wright as well as the writings of neglected figures like Curtis Lucas, Pauli Murray, and Era Bell Thompson.
By shifting her focus from the canonical works of male writers who dominated the period, the author recovers the work of black women writers. Hardison shows how their texts anticipated the renaissance of black women’s writing in later decades and initiates new conversations on the representation of women in texts by black male writers. She draws on a rich collection of memoirs, music, etiquette guides, and comics to further reveal the texture and tensions of the era.
A 2014 CHOICE Outstanding Academic Title
|Publisher:||University of Virginia Press|
|Product dimensions:||8.90(w) x 6.00(h) x 0.80(d)|
|Age Range:||18 Years|
About the Author
Ayesha K. Hardison is Associate Professor of English at Ohio University.
Table of Contents
Introduction: Defining Jane Crow 1
1 At the Point of No Return: A Native Son and His Gorgon Muse 25
2 Gender Conscriptions, Class Conciliations, and the Bourgeois Blues Aesthetic 54
3 "Nobody Could Tell Who This Be": Black and White Doubles and the Challenge to Pedestal Femininity 85
4 "I'll See How Crazy They Think I Am": Pulping Sexual Violence, Racial Melancholia, and Healthy Citizenship 117
5 Rereading the Construction of Womanhood in Popular Narratives of Domesticity 144
6 The Audacity of Hope: An American Daughter and Her Dream of Cultural Hybridity 174
Epilogue: Refashioning Jane Crow and the Black Female Body 203
Works Cited 249