Yaqui Delgado Wants to Kick Your Ass

by Meg Medina

Overview

Winner of the Pura Belpré Author Award

“Honest and exquisitely crafted.” — Kirkus Reviews (starred review)

One morning before school, some girl tells Piddy Sanchez that Yaqui Delgado hates her and wants to kick her ass. Piddy doesn’t even know who Yaqui is, never mind what she’s done to piss her off. Word is that Yaqui thinks Piddy is stuck-up, shakes her stuff when she walks, and isn’t Latin enough with her white skin, good grades, and no accent. And Yaqui isn’t kidding around, so Piddy better watch her back. At first Piddy is more concerned with trying to find out more about the father she’s never met and how to balance honors courses with her weekend job at the neighborhood hair salon. But as the harassment escalates, avoiding Yaqui and her gang starts to take over Piddy’s life. Is there any way for Piddy to survive without closing herself off or running away? Who is Piddy and who does she want to be? The all-too-realistic winner of the 2014 Pura Belpré Author Award from Newbery Medalist Meg Medina celebrates its tenth anniversary with a paperback edition with French flaps featuring a note from the author and updated back matter.

Product Details

ISBN-13:	9780763671648
Publisher:	Candlewick Press
Publication date:	08/26/2014
Pages:	272
Product dimensions:	5.63(w) x 8.31(h) x 0.76(d)
Lexile:	HL670L (what's this?)
Age Range:	14 - 17 Years

About the Author

Meg Medina is a former National Ambassador for Young People’s Literature and the author of the Newbery Medal winner and Kirkus Prize finalist Merci Suárez Changes Gears, as well as its sequels, Merci Suárez Can’t Dance and Merci Suárez Plays It Cool. She is the author of the young adult novels Burn Baby Burn, which was long-listed for the National Book Award, short-listed for the Kirkus Prize, and a finalist for the Los Angeles Times Book Prize; Yaqui Delgado Wants to Kick Your Ass, winner of a Pura Belpré Author Award; and The Girl Who Could Silence the Wind, a Bank Street College Best Children’s Book of the Year. Her picture books include No More Señora Mimí, illustrated by Brittney Cicchese; Evelyn Del Rey Is Moving Away, illustrated by Sonia Sánchez; Mango, Abuela, and Me, illustrated by Angela Dominguez, which was both a Pura Belpré Author and Illustrator Award Honor Book; and Tía Isa Wants a Car, illustrated by Claudio Muñoz, which won the Ezra Jack Keats Writer Award. The daughter of Cuban immigrants, Meg Medina lives in Richmond, Virginia.

What People are Saying About This

From the Publisher

A nuanced, heart-wrenching and ultimately empowering story about bullying....Interweaving themes of identity, escapism and body image, Medina takes what could be a didactic morality tale and spins it into something beautiful: a story rich in depth and heart...Far more than just a problem novel, this book sheds light on a serious issue without ever losing sight of its craft.
—Kirkus Reviews

A powerful read! As tough and honest as its title, this novel takes an unflinching look at the unjust and cruel consequences of bullying. The story of Piddy Sanchez’s transformation is full of the kind of truth teen readers will instantly recognize. I highly recommend it.
—James Howe

I cried and cheered for Piddy in equal measure. Medina perfectly captures the devastating impact of bullying—and the powerful influence of kindness in recovery. I love this book and miss Piddy already!
—Jo Knowles

Poignant, powerful, pull-your-heart-apart sad, snort-out-your-nose funny—a nuanced, honest telling of how courage and choice can triumph over the hell of being bullied.
—Carrie Jones, Author of the Need series and co-editor of Dear Bully

Editorial Reviews

A nuanced, heart-wrenching and ultimately empowering story about bullying. . . . Interweaving themes of identity, escapism and body image, Medina takes what could be a didactic morality tale and spins it into something beautiful: a story rich in depth and heart...Far more than just a problem novel, this book sheds light on a serious issue without ever losing sight of its craft.
—Kirkus Reviews (starred review)

Medina emphasizes Piddy’s acute sense of isolation without overplaying it, and she absolutely respects the totality of Piddy’s quandary . . . The message here is that tough and unfair stuff is really tough and unfair, but it’s also survivable; that’s a takeaway that readers will recognize as both true and valuable.
—Bulletin of the Center for Children's Books (starred review)

Yaqui may think she’s tough, but it’s Piddy and some of the other female characters, namely Piddy’s mother and her mother’s flamboyant best friend Lila, who make more lasting impressions. Medina’s setting stands out as well . . . Teens will identify with Piddy’s struggle.
—The Horn Book (starred review)

The Latino cultural milieu adds a richness and texture that lifts this up above many problem novels. The plot points are dexterously intertwined, and the characters are distinct. A real bonus for those looking for a bullying book for older readers that is not simplistic.
—School Library Journal (starred review)

Yaqui Delgado Wants to Kick Your Ass should be taught in schools, read by counselors and parents, and used as a tool to discuss the importance of finding your voice, telling the truth and asking for help.
—Common Sense Media

Amid an explosion of bully books, Meg Medina's novel stands out for its honesty about girl-on-girl violence and its intelligent, insightful narrator. . . . Medina brilliantly captures the sense of foreboding that envelops bully victims.
—Shelf Awareness

A powerful read! As tough and honest as its title, this novel takes an unflinching look at the unjust and cruel consequences of bullying. The story of Piddy Sanchez’s transformation is full of the kind of truth teen readers will instantly recognize. I highly recommend it.
—James Howe

I cried and cheered for Piddy in equal measure. Medina perfectly captures the devastating impact of bullying—and the powerful influence of kindness in recovery. I love this book and miss Piddy already!
—Jo Knowles

Poignant, powerful, pull-your-heart-apart sad, snort-out-your-nose funny—a nuanced, honest telling of how courage and choice can triumph over the hell of being bullied.
—Carrie Jones, Author of the Need series and co-editor of Dear Bully

This is a charming, straightforward, captivating story with universal teen themes that should find a home in all high school fiction collections.
—Library Media Connection

Meg Medina is the author I studied, and still study, to learn how to write for children. Her ear is impeccable; the way she captures not only dialogue but also communicates adolescent feelings without being condescending nor pitching extra soft softballs. Few people get the balance of writing about and for teens right.
—Elizabeth Acevedo, New York Times bestselling author

Medina authentically portrays the emotional rigors of bullying through Piddy’s growing sense of claustrophobic dread, and even with no shortage of loving, supportive adults on her side, there’s no easy solution. With issues of ethnic identity, class conflict, body image, and domestic violence, this could have been an overstuffed problem novel; instead, it transcends with heartfelt, truthful writing that treats the complicated roots of bullying with respect.
—Booklist

The fast-moving plot explores family (especially mother–daughter) relationships, the importance of communication, and personal integrity. As Piddy witnesses and experiences abandonment, harassment, and brutalization, she realizes that her own reaction is most important. Her decision to make positive choices is a great example for teens. The story, fueled by the controversial title, holds cross-cultural appeal.
—VOYA

Piddy is a strong heroine whose sense of self is realistically jarred by her conflicting emotions. Medina effectively prods at the motivations behind bullying (without excusing it) and sensitively explores the delicate balance between belonging and maintaining individuality.
—Publishers Weekly

There’s a lot packed into this vibrant small book which will make it a favorite for teens. . . Lots of action with a realistic setting, dialogue, relationships, problems, and solutions make this book a winner. The cover—a blue locker with graffiti for the title—will attract reluctant readers. The content will keep them reading to the end and wanting more, especially to hear Yaqui’s story.
—SLJTeen

Books about bullying are on the rise as adults grapple with its causes and impact — and young people struggle to deal with it. This gritty novel manages to transcend the usual earnest fictional treatment by delivering a protagonist who is more than a mere victim and an ending that rings complicatedly true. . . . This unflinching novel, with its richly developed main character, deserves a place with two other nuanced bully books for teens: Rita Williams-Garcia’s JUMPED, a 2009 National Book Award finalist that explores the mindsets of bully, victim and bystander; and Adam Rex’s FAT VAMPIRE, in which a main character confronts her guilt as a cyberbully
—The Washington Post

From the Publisher

This gritty novel manages to transcend the usual earnest fictional treatment by delivering a protagonist who is more than a mere victim and an ending that rings complicatedly true…This unflinching novel, with its richly developed main character, deserves a place with two other nuanced bully books for teens: Rita Williams-Garcia's Jumped…and Adam Rex's Fat Vampire…

The Washington Post - Mary Quattlebaum

High school sophomore Piddy Sanchez can't catch a break. She's just moved and transferred schools, separating her from her best friend. Piddy's curvy figure attracts the attention of both boys and school bully Yaqui, who is jealous and won't accept ambitious and independent Piddy into her group of Latinas, and threatens to harm her. Piddy's life is complicated enough before Yaqui's cruel threats and violent attacks. Outside of school, Piddy works with a flamboyant family friend at a hair salon; has just discovered that her traditional mother may have secrets about Piddy's absent father; develops romantic feelings for a childhood friend; and worries if her dream of working with animals can come true. When Yaqui takes things too far, Piddy has to decide what she is willing to do to defend herself. Piddy is a strong heroine whose sense of self is realistically jarred by her conflicting emotions. Medina (The Girl Who Could Silence the Wind) effectively prods at the motivations behind bullying (without excusing it) and sensitively explores the delicate balance between belonging and maintaining individuality. Ages 14–up. Agent: Jennifer Rofé, Andrea Brown Literary Agency. (Mar.)

Publishers Weekly

A random student tells Piddy Sanchez that Yaqui Delgado is out to get her. Piddy has no idea who Yaqui is, but Yaqui apparently has quite a few problems with Piddy: Supposedly Piddy is stuck-up, shakes her stuff when she walks, and isn’t Latin enough with her white skin, good grades, and lack of accent. Roxanne Hernandez voices the personalities of the cast in a way that gives depth to the characters, especially Piddy’s mom. As Hernandez depicts how bullying can erode a person’s entire sense of self, the listener can hear Piddy losing herself a little at a time. A worthwhile listen. C.C. © AudioFile 2013, Portland, Maine

MAY 2013 - AudioFile

A nuanced, heart-wrenching and ultimately empowering story about bullying. When 15-year old Piedad Sanchez's mother moves them to another part of Queens, Piddy is unprepared for the bullying that awaits her at her new school. Yaqui Delgado doesn't know Piddy but decides she's stuck-up and shakes her ass when she walks—accusations weighty enough to warrant a full-fledged bullying campaign. As her torments escalate, readers feel the intensity of Piddy's terror in her increasingly panicked first-person narration. Interweaving themes of identity, escapism and body image, Medina takes what could be a didactic morality tale and spins it into something beautiful: a story rich in depth and heart. Piddy's ordeal feels 100-percent authentic; there are no easy outs, no simple solutions. Displaying a mature understanding of consequences and refreshingly aware (no deducing supporting characters' feelings before the protagonist, here), Piddy also exhibits an age-appropriate sense of vulnerability. The prose is both honest ("growing up is like walking through glass doors that only open one way—you can see where you came from but can't go back") and exquisitely crafted ("Fear is my new best friend. It stands at my elbow in chilly silence"). Far more than just a problem novel, this book sheds light on a serious issue without ever losing sight of its craft. (Fiction. 13-18)

Kirkus Reviews