Curves and Angles by Brad Leithauser, Paperback | Barnes & Noble
Curves and Angles

Curves and Angles

by Brad Leithauser
     
 

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Brad Leithauser’s “most satisfying collection in years” (Library Journal), a bracing poetic journey that begins in a warm, peopled world and concludes in a cooler and more private place, embracing love of the human and natural world in all its states.

Overview

Brad Leithauser’s “most satisfying collection in years” (Library Journal), a bracing poetic journey that begins in a warm, peopled world and concludes in a cooler and more private place, embracing love of the human and natural world in all its states.

Editorial Reviews

From the Publisher
“There’s a down-to-earth wisdom in the way Brad Leithauser sees the transcendent in everyday experience: Instead of trying to make it happen, he lets it happen.” —Katie Peterson, Chicago Tribune

“Why devote oneself to that aggressively minor genre, poetry, when novels and screenplays and tell-all memoirs get more notice and make more money? Brad Leithauser answers that question in Curves and Angles.” The New York Times Book Review

Product Details

ISBN-13:
9780375711428
Publisher:
Knopf Doubleday Publishing Group
Publication date:
09/23/2008
Pages:
96
Product dimensions:
5.70(w) x 8.20(h) x 0.30(d)

Read an Excerpt

NOT LUNAR EXACTLY
(Detroit, 1948)

New, and entirely new to the neighborhood—
One August day, it came to their own street:
the Nutleys brought home a television!
Nights now, the neighbors began to meet more often than before, out walking,
walking past the Nutleys, who, on display behind their picture window, sat frozen in their chairs, watching their television, which lay off to the side, just out of view,
so you couldn’t make out what it was they were watching but only them watching, the four Nutleys, in a blue glow that was lunar but not lunar exactly.

That was the summer we all watched the Nutleys–no,
we all watched “The Nutleys,”
which was the one great show of the summer, it ran for weeks,
with its four silent stars behind glass, until nights went cold and damp and we turned to our cars if we ventured out after dark,
and then–three in a row–
the Daleys, the Floods, the Markses took the plunge, they brought home the glow,
and the Nutleys, suddenly,
belonged to a new community.

FROM HERE TO THERE

There are those great winds on a tear
Over the Great Plains,
Bending the grasses all the way
Down to the roots
And the grasses revealing
A gracefulness in the wind’s fury
You would not otherwise
Have suspected there.

And there’s the wind off the sea
Roiling the thin crowns of the great
Douglas firs on the cragged
Oregon coast, uprooting
Choruses of outraged cries,
As if the trees were unused
To bending, who can weather
Such storms for a century.

And–somewhere between those places,
Needing a break–we climb out stiff
From our endless drive to stand, dwindled,
On a ridge, holding hands,
In what are foothills only because
The neighboring mountains are
So much taller, and there are the breezes,
Contrarily pulled, awakening our faces.

SON

Memory buries its own,
And of what now forever must be
The longest day of his life
What mostly remained was a blur
Under too-bright lights–so he
Could scarcely tell if the things
Sharpest in his mind were
Nothing but fantasies, sewn
Afterwards, out of grief,
And guilt’s imaginings.

Yet it seemed memory called up
(After the interminable birth,
As his finger stroked the arm
Of a child who would not last
Even one whole day
And all of its time on earth
Ministered to by vast
Machines that couldn’t mend the harm
In a single transcription slip
In reams of DNA)

A look so haunted, so
Haunting, he would not confess
(Not even later, to his wife)
How it stayed with him, on him: the slow
Flicker in a watery eye,
The mute call–through all
The exhausted hopefulness
The condemned come to know
In the end–from animal to animal,
Imploring, Please save my life.

NORTH-LOOKING ROOM

In a seldom-entered attic you force a balky door,
disclosing a room made brilliant by an orange tree whose branches bear

no fruit but maple leaves;
We’re in New England, after all.
Though rippling foliage fills the pane, the flush that tints the wall

will last a week or two, no more.

*

And this conception, if consoling,
of a high, untenanted room lit solely by a tree houses as well–at least for those

who’d sidestep round the fear that in the give-and-take of calls to answer, calls to make,
we lose the light most dim, most clear–

a reprimand no breeze can shake.

OVER LABRADOR

When miles of perfect whiteness
Gave way to a whiteness below
(Snowed-under hills of a cloudlike brightness
Under cloudbanks heaped like snow),

By either light
How fulfilling to contemplate
Domains so evenly claimworthy–
Unpeopled, complete.

Meet the Author

Brad Leithauser is the author of five previous books of poetry, five novels, a book of essays, and a novel in verse. After many years of teaching at Mount Holyoke College, he is now a professor in the Writing Seminars at Johns Hopkins University. He and his wife, the poet Mary Jo Salter, divide their time between Amherst, Massachusetts, and Baltimore, Maryland.

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