Old Men at Midnight

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More About This Book

Overview

From the celebrated author of The Chosen and My Name Is Asher Lev, a trilogy of related novellas about a woman whose life touches three very different men—stories that encompass some of the profoundest themes of the twentieth century.

Ilana Davita Dinn is the listener to whom three men relate their lives.

As a young girl, she offers English lessons to a teenage survivor of the camps. In “The Ark Builder,” he shares with her the story of his friendship with a proud old builder of synagogue arks, and what happened when the German army invaded their Polish town.

As a graduate student, she finds herself escorting a guest lecturer from the Soviet Union, and in “The War Doctor,” her sympathy moves him to put his painful past to paper recounting his experiences as a Soviet NKVD agent who was saved by an idealistic doctor during the Russian civil war, only to encounter him again during the terrifying period of the Kremlin doctors’ plot.

And, finally, we meet her in “The Trope Teacher,” in which a distinguished professor of military history, trying to write his memoirs, is distracted by his wife’s illness and by the arrival next door of a new neighbor, the famous writer I. D. (Ilana Davita) Chandal.

Poignant and profound, Chaim Potok’s newest fiction is a major addition to his remarkable—and remarkably loved—body of work.

Editorial Reviews

Potok's novel is only briefly about old men at midnight. It's actually a collection of three linked novellas, all of which feature an inquisitive Jewish woman named Ilana Davita Dinn. In "The Ark Builder," an eighteen-year-old Ilana tutors a terrified concentration camp survivor fresh to New York from Poland. "The Trope Teacher" concerns a famous academic who becomes obsessed by the arrival next door of the famous novelist I.D. Chandal (actually Ilana). The most engrossing of these stories is "The War Doctor," in which Ilana is a young teacher at Columbia University who becomes involved with a recent KGB defector, Leon Shertov. Fascinated by Shertov's life, Ilana pesters him for details and written notes, which he steadfastly refuses to give. Later, a thick manuscript—his painful, riveting life story—appears in her mailbox. Potok never reveals much about Ilana, and her passivity seems a mere device that allows the author to spin tales of the people with whom she comes into contact. The stories themselves are masterfully written. This delicately realized book about history and memory is shot through with flashes of humanity.
—Chris Barsanti

Publishers Weekly
The ninth novel from Potok (The Chosen; My Name Is Asher Lev; etc.) is actually a series of three linked novellas, all of which vividly examine the horrors of war. The link is a woman, Ilana Davita Dinn, to whom three different men tell their stories. In "The Ark Builder," Davita, just out of high school in Brooklyn, gives English lessons to 16-year-old Noah Stremin in 1947. The only Jew from his Polish town to survive the Holocaust, he slowly opens up to Davita, telling her of his friendship with Reb Binyomin, the caretaker of his village's synagogue. As a graduate student in "The War Doctor," Davita encourages visiting lecturer Leon Shertov to write about his experiences under Stalin. A young soldier in World War I, Leon was saved by a Jewish doctor, whom he secretly taught to read Hebrew. Later, Leon became a KGB interrogator, and after World War II, he encounters the doctor again this time as a prisoner, a victim of Stalin's paranoid campaign against physicians. Finally Davita, now a successful author herself, befriends renowned history professor Benjamin Walter as he struggles to write his memoirs. She helps him to remember such pivotal events as his adolescent tutelage under Mr. Zapiski, who served in World War I with his father, as well as his own experiences in World War II. The stories Potok's men tell as they "roar with rage against the void" are as moving as they are riveting. Unfortunately, Davita's role as confessor reduces her to little more than a cipher, and it seems a mistake to have her narrate the first story (Potok at no point sounds like a 17-year-old girl). But "The War Doctor," the grimmest and most nuanced of the stories, alone is worth the price of admission.(Oct. 23) Copyright 2001 Cahners Business Information.

Product Details

  • ISBN-13: 9780345439987
  • Publisher: Random House Publishing Group
  • Publication date: 10/1/2002
  • Edition description: First Ballantine Edition
  • Edition number: 1
  • Pages: 304
  • Sales rank: 617,529
  • Product dimensions: 5.51 (w) x 8.20 (h) x 0.63 (d)

Meet the Author

Chaim Potok, trained as a rabbi and an editor, became an international success with his beloved first novel, The Chosen, and over the following thirty-odd years he gave us many other memorable works, both fiction and nonfiction. He died on July 23, 2002.

Read an Excerpt

1

Noah was brought to our brooklyn neighborhood by his aunt and uncle, and into my life by an announcement on the bulletin board of our synagogue: sixteen-year-old boy from europe needs english tutor.

This was early in the summer of 1947, two years after the end of the Second World War. No name, just a telephone number.

I called that night. A woman answered.

"Hello, who is it?" She sounded fretful, harried. "Who is calling, please?"

I said in Yiddish, "A good week."

There was a slight pause. "Ah, a good week," she said. Her tone softened.

I said in English, "My name is Davita Dinn. I'm calling about your request for an English tutor."

In the background I heard children crying. Turning away from the phone, she shouted something in Yiddish, which I did not understand. Into the phone she said, "You have done this before, teach English?"

"Yes. But not to a European survivor."

"How old are you?"

"Nearly eighteen."

"Where do you live?"

I told her.

"We will come to you. Is it all right tomorrow at three?"

I was alone when they arrived. Answering the front door bell, I saw a stocky, plain-looking woman in her thirties, garbed in a dark-gray dress that reached to below her knees. The dress had a frilly high neck and long sleeves. Standing a little behind and to her right was a thin boy in his teens, wearing a white long-sleeved shirt, dark trousers, and a dark skullcap.

I said, "Hello."

The woman said, "I am Sarah Polit."

"Come in."

We went into the living room. The afternoon sun fell on the pale-blue carpeting and the brick fireplace and the large painting of flowers on the wall.

The woman and the boy sat on the sofa. I took the easy chair across from them. The woman turned to the boy and spoke to him in Yiddish.

The boy had been staring at the fireplace. Now he looked at me, cleared his throat, and said something in Yiddish in a shaky voice.

I said, "I'm sorry, I don't understand Yiddish."

Sarah Polit said with surprise, "You speak no Yiddish?"

"My parents raised me in English."

"Your parents are in America a long time?"

"My mother came in early 1920. My father's family has been here since the seventeenth century."

"The seventeenth century?"

"Yes."

"What does your father do?"

"My father is dead."

"Ah, I am sorry."

The boy sat looking at the two of us. He had oval features: pallid skin across his cheekbones, a straight nose, a pointed chin. His hair was cut short and black, and his wide dark eyes darted from me to his aunt. I did not know how much of the conversation he understood.

Sarah Polit asked, "What did you say your name is?"

"Ilana Davita Dinn."

"Dinn is your father's name?"

"No, my stepfather's."

"What does your stepfather do?"

"He's an immigration lawyer."

She looked at my blond hair and blue eyes. "You observe the commandments?"

Her questions did not surprise me; she wanted to be sure about the kind of home to which she was entrusting the boy.

I told her that I observed the commandments.

"And you have taught English to people who have come from Europe?"

"Yes."

She was quiet.

I turned to the boy. "What's your name?"

The boy looked at his aunt.

"Tell her, Noah."

"I am call Noah Stremin."

"Where did you hear English?"

"American soldati after war."

Sarah Polit was looking closely at my blond hair and blue eyes. She asked, "What was your father? What did he do?"

"He was a journalist."

"What was his name?"

"Michael Chandal."

"You took your stepfather's name?"

"He gave me his name when he adopted me."

Sarah Polit sat back. I had the notion she had decided to ask no more questions. We were a religious family, and she was fortunate to have found us. Most teachers didn't want to work during the summer months; many took their families to bungalows in the country to get them away from the streets.

I asked, "Where in Europe are you from, Mrs. Polit?"

"I came in the twenties from a town called Kralov, not far from Cracow."

"I know about Cracow. About sixty thousand Jews."

"Well, Kralov had four thousand Jews, a Jewish market, small synagogues and schools, and a wooden synagogue. Both our families were from Kralov."

He was sitting next to her, looking at the carpet. His face without expression. It was not possible to tell if he understood what she was saying.

"There was a pogrom in Kralov in the late twenties, and my father sent me here to America. He, my mother, and my two brothers, they stayed. May their memories be for a blessing."

The boy raised his hands, turned them over, and looked at them. A grimace crossed his face. Putting his hands back on his knees, he sat staring at the fireplace.

Pronouncing the words with care, I asked him, "Noah, is there anything special you like to do?"

He raised his head and looked at me blankly.

"I thought we might start with words for something you enjoy doing."

Sarah Polit said, "He was three years in a slave labor camp and two years in a displaced persons camp. He just now arrived in America. He does not yet know what he likes."

"Can he come twice a week?"

"Twice a week. Yes."

"Sundays and Wednesdays."

"What do you charge?"

"Five dollars a lesson. We can start this Wednesday at three."

"What should he bring?"

"A notebook and a pencil."

"That's all?"

"For the time being."

"I thank you."

She spoke to the boy in Yiddish. He got off the sofa, and I saw him go through the entrance hallway to the front door. As he opened the door he gave me an over-the-shoulder look, and I felt his dark eyes on my face. He closed the door behind him.

Sarah Polit remained seated on the sofa, looking at the door. Then she turned to me.

"Noah is the only one who survived."

"The only one in his family? I am sorry."

"The only Jew in the town."

I felt cold to the bone.

"Four thousand Jews, and he is the only survivor. My husband and I, we say to ourselves God saved him for a reason."

I sat very still.

She rose from the sofa. "He knows, of course. He has terrible dreams." She looked around the room. "Tell me, is three o'clock the only time you have?"

"It's best for me."

She smoothed her dress. "He will be here on Wednesday, God willing. I thank you very much for your time."

She went out the door.

From the window of the living room I watched them walk along the street together in the hot shade of the early summer maple trees.

Table of Contents

The Ark Builder 1
The War Doctor 67
The Trope Teacher 161

Reading Group Guide

1. The Ark Builder

1. Is there a reason to connect Noah with the Biblical story of the ark? Given that water is not present in the story, what then is the metaphor of the flood?

2. Noah says to Rachel, "You have pictures, I have nothing." What does he mean by this and what is its significance?

3. Why wouldn't Noah draw his house when first asked? What is it about Rachel that was finally able to get him to draw?

The War Doctor

1. When Davita urges Leon Sherov to write his war stories down, he asks her, "Who needs stories of yet another Jew?" What is her answer? How would you have convinced him to tell his stories?

The Trope Teacher

1. Davita says to Benjamin, "Memory is like a ball of wooden thread, Benjamin. If the pen cannot unravel it, the voice can." What do you think she means by this statement?

2. The ram is a central metaphor in this story. Davita says, "I believe there is always a ram in the bush." Later on she comments, "Causes, connections, and rams. All over the place." What is the connection between these words and the long story that Benjamin finally learns about Mr. Zapiski?

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