Wringerby Jerry Spinelli, Cliff Nielsen
Palmer LaRue is running out of birthdays. For as long as he can remember, he's dreaded the day he turns ten -- the day he'll take his place beside all the other ten-year-old boys in town, the day he'll be a wringer. But Palmer doesn't want to be a wringer. It's one of the first things he learned about himself and it's one of the biggest things he has to hide. In… See more details below
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Palmer LaRue is running out of birthdays. For as long as he can remember, he's dreaded the day he turns ten -- the day he'll take his place beside all the other ten-year-old boys in town, the day he'll be a wringer. But Palmer doesn't want to be a wringer. It's one of the first things he learned about himself and it's one of the biggest things he has to hide. In Palmer's town being a wringer is an honor, a tradition passed down from father to son. Palmer can't stop himself from being a wringer just like he can't stop himself from growing one year older, just like he can't stand up to a whole town -- right? Newbery Medal winner Jerry Spinelli's most powerful novel yet is a gripping tale of how one boy learns how not to be afraid.
In the popular fund-raiser that caps the town of Waymer's annual, weeklong Family Fest, entrants gun down thousands of live pigeons, while, under the guidance of a "wringmaster," ten-year-old boys are enlisted to break the necks of birds that are only wounded. Even after winning acceptance (and a nickname, "Snots") from neighborhood bully Beans, and learning to join in the relentless harassment of his one-time friend, Dorothy Gruzik, Palmer regards his fast-approaching tenth birthday with dread. Then, like the Ancient Mariner's albatross, a pigeon appears at his bedroom window and moves in, calmly ignoring Palmer's halfhearted efforts to shoo it away. "Nipper" provides comic relief, both in its own behavior, and in Palmer's frantic attempts to conceal it from his parents and from Beans. He finds amore or lesssympathetic ear in Dorothy, who, after some fence-mending, gives him the support and impetus he needs to make his true feelings known. She even spirits Nipper out of town as Family Fest approaches, but unknowingly leaves the pigeon where it can be captured for the shootand the stage is set for a dramatic rescue. A story both comic and disturbing, this is lit by Palmer's growing courage and Dorothy's surprising loyalty.
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He did not want to be a wringer.
This was one of the first things he had learned about himself. He could not have said exactly when he learned it, but it was very early. And more than early, it was deep inside. In the stomach, like hunger.
But different from hunger, different and worse. Because it was always there. Hunger came only sometimes, such as just before dinner or on long rides in the car. Then, quickly, it was gone the moment it was fed. But this thing, there was no way to feed it. Well, one way perhaps, but that was unthinkable. So it was never gone.
In fact, gone was something it could not be, for he could not escape it any more than he could escape himself. The best he could do was forget it. Sometimes he did so, for minutes, hours, maybe even for a day or two.
But this thing did not like to be forgotten. Like air escaping a punctured tire, it would spread out from his stomach and be everywhere. Inside and outside, up and down, day and night, just beyond the foot of his bed, in his sock drawer, on the porch steps, at the edges of the lips of other boys, in the sudden flutter from a bush that he had come too close to. Everywhere.
Just to remind him.
This thing, this not wanting to be a wringer, did it ever knock him from his bike? Untie his sneaker lace? Call him a name? Stand up and fight?
No. It did nothing. It was simply, merely there, a whisper of featherwings, reminding him of the moment he dreaded above all others, the moment when the not wanting to be a wringer would turn to becoming one.
In his dreams the moment had already come. In his dreams he looks down to find hishands around the neck of the pigeon. It feels silky. The pigeon's eye is like a polished shirt button. The pigeon's eye is orange with a smaller black button in the center. It looks up at him. It does not blink. It seems as if the bird is about to speak, but it does not. Only the voices speak: "Wring it! Wring it! Wring it!"
He cannot. He cannot wring it, nor can he let go. He wants to let go, desperately, but his fingers are stone. And the voices chant: "Wring it! Wring it!" and the orange eye stares.
Sometimes he wished it would come after him, chase him, this thing he did not want to be. Then at least he could run from it, he could hide. But the thing never moved. It merely waited. Waited for him to come to it.
And he would. He would come to it as surely as nine follows eight and ten follows nine. He would come to it without having to pedal or run or walk or even move a muscle. He would fall smack into the lap of it without doing anything but breathe. In the end he would get there simply by growing one day older.
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