The Intensive-Image in Deleuze's Film-Philosophy

This book argues that the intensive—image constitutes an important cinematic category that prompts a rethinking of Deleuze’s taxonomy of images in his Cinema 1: The Movement—Image and Cinema 2: The Time—Image. Escobar explores the proposition that the notion of intensity has the potential to change the way in which we think about Deleuze’s classification of films as signifying two separate periods, the classical period of the movement—image and the modern period of the time—image, thereby b...