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A Critical Companion to Mel Gibson
By Yaakov Ariel (Contribution by), Sarah Baker (Contribution by), Adam Barkman (Contribution by), Katherine Cottle (Contribution by), Eileen M. Harney (Contribution by), Brett A. Houk (Contribution by), Graham Lee (Contribution by), Douglas C. Macleod Jr. (Contribution by), Andrea Mancini (Contribution by), Heather McKillop (Contribution by), Josh Morrison (Contribution by), Todd G. Morrison (Contribution by), Anneke Murley-Evenden (Contribution by), Kandice M. Parker (Contribution by), Peter Piatkowski (Contribution by), Amanda Rutherford (Contribution by), Antonio Sanna (Contribution by), Adam Barkman (Editor), Antonio Sanna (Editor)
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By Yaakov Ariel (Contribution by), Sarah Baker (Contribution by), Adam Barkman (Contribution by), Katherine Cottle (Contribution by), Eileen M. Harney (Contribution by), Brett A. Houk (Contribution by), Graham Lee (Contribution by), Douglas C. Macleod Jr. (Contribution by), Andrea Mancini (Contribution by), Heather McKillop (Contribution by), Josh Morrison (Contribution by), Todd G. Morrison (Contribution by), Anneke Murley-Evenden (Contribution by), Kandice M. Parker (Contribution by), Peter Piatkowski (Contribution by), Amanda Rutherford (Contribution by), Antonio Sanna (Contribution by), Adam Barkman (Editor), Antonio Sanna (Editor)
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The twelve essays in A Critical Companion to Mel Gibson offer various interpretations of Mel Gibson’s work, treating this prolific but controversial figure not only as a filmmaker but as a historian, religious thinker, and social philosopher. From The Man Without a Face and Braveheart to The Passion of the Christ, Apocalypto, and Hacksaw Ridge, this interdisciplinary collection mines Gibson’s life and oeuvre for insight into existential problems, Aristotelian virtues, the politics of film, ...
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