Nebula, Locus, and Alex Award-winner P. Djèlí Clark returns to his popular alternate Cairo universe for his fantasy novel debut, A Master of Djinn
Cairo, 1912: Though Fatma el-Sha’arawi is the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities, she’s certainly not a rookie, especially after preventing the destruction of the universe last summer.
So when someone murders a secret brotherhood dedicated to one of the most famous men in history, al-Jahiz, Agent Fatma is called onto the case. Al-Jahiz transformed the world fifty years ago when he opened up the veil between the magical and mundane realms, before vanishing into the unknown. This murderer claims to be al-Jahiz, returned to condemn the modern age for its social oppressions. His dangerous magical abilities instigate unrest in the streets of Cairo that threaten to spill over onto the global stage.
Alongside her Ministry colleagues and a mysterious person from her past, Agent Fatma must unravel the mystery behind this imposter to restore peace to the city – or face the possibility he could be exactly who he seems…
A Master of Djinn is poised to launch P. Djèlí Clark’s SFF career to new heights as the highly-anticipated debut readers are clamoring for.
Novellas by P. Djèlí Clark
The Black God's Drums
The Haunting of Tram Car 015
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
|Publisher:||Tom Doherty Associates|
About the Author
Born in New York and raised mostly in Houston, P. DJÈLÍ CLARK spent the formative years of his life in the homeland of his parents, Trinidad and Tobago. P. Djèlí Clark is the author of the novellas The Black God’s Drums, winner of a 2019 Alex Award from the American Library Association; The Haunting of Tram Car 015; and A Dead Djinn in Cairo. His short story “The Secret Lives of the Nine Negro Teeth of George Washington” (Fireside Fiction) has earned him both a Nebula and Locus award. He is loosely associated with the quarterly FIYAH: A Magazine of Black Speculative Fiction and an infrequent reviewer at Strange Horizons. He currently resides in New England and ruminates on issues of diversity in speculative fiction.