A Post-May Adolescence: Letter to Alice Debord

by Olivier Assayas, Adrian Martin (Translator), Rachel Zerner (Translator)

Overview

Olivier Assayas is best known as a filmmaker, yet cinema makes only a late appearance in this volume. A Post-May Adolescence is an account of a personal formation, an initiation into an individual vision of the world. It is, equally, a record of youthful struggle. Assayas' reflective memoir takes the reader from the massive cultural upheaval of France in May 1968 to the mid-1990s, when the artist made his first autobiographical film about his teenage years, L'Eau froide. The movement of thought and creation known as Situationism is the golden thread that connects and, in part, inspires his memoir. This book also includes two essays by Assayas on the aesthetic and political legacy of Guy Debord, who played a decisive role in shaping the author's understanding of the world and his path towards an extremely personal way of making films. A Post-May Adolescence was first published in French in 2005. Its expanded English edition makes a valuable companion to the first English-language monograph on Assayas' body of work, Olivier Assayas, edited by Kent Jones, also published by the Austrian Film Museum.

Product Details

ISBN-13:	9783901644443
Publisher:	Austrian Film Museum
Publication date:	07/03/2012
Series:	Austrian Film Museum Books
Edition description:	New Edition
Pages:	104
Product dimensions:	6.50(w) x 7.80(h) x 0.60(d)

About the Author

Olivier Assayas (born 1955) is one of the most widely celebrated filmmakers working today. He began his career in 1980 as a critic for the legendary Cahiers du Cinéma and has since published several books, such as Conversation avec Ingmar Bergman and Éloge de Kenneth Anger. In 2009, Gallimard published Présences, a collection of his essays. His new film Aprés-Mai (Something in the Air) is closely related to A Post-May Adolescence and will be released in late 2012.

Editorial Reviews

Assayas' voice is clear, urgent, and persuasive. For him the matter at hand, the subject that keeps slipping away, is the story of how he came to know the work of Guy Debord. This is nothing less that the story of his life.

Film Quarterly

A thoughtful, personal survey of Assayas's career by American critics edited by Jones and an English translation of Assayas's 2002 memoir A Post-May Adolescence: Letter to Alice Debord, both published in handsome volumes by the Austrian Film Museum, expose this tension in Assayas's work: between a desire for risk and a sensitive intelligence resistant to easy solutions; between allegiance to cinema 'degree zero,' a cinema of presence, and a romantic fascination with the passage of time...The slim memoir, packaged with two additional essays by Assayas on Debord, is a valuable companion to the Jones collection, which is often in explicit dialogue with Assayas's analysis of his own work.

Film Comment