Acoustic Territories, Second Edition: Sound Culture and Everyday Life
The revised edition of Acoustic Territories: Sound Culture and Everyday Life offers an expansive reading of auditory life. It provides a careful consideration of the performative dynamics inherent to sounding and listening, and discusses how sound studies may illuminate understandings of contemporary society. Combining research on urbanism, popular culture, street life and sonic technologies, Acoustic Territories opens up a range of critical perspectives—it challenges debates surrounding noise pollution and charts an "acoustic politics of space" by engaging auditory experience as found within particular cultural histories and related ideologies. Brandon LaBelle traces sound culture through a topographic structure: from underground territories to the home, and further, into the rhythms and vibrations of streets and neighborhoods, and finally to the sky itself as an arena of transmitted imaginaries.

The new edition includes an additional "global territory" of the relational, positioning acoustics as a range of everyday practices that rework dominant tonalities. Questions of orientation and emplacement are critically raised, reframing listening as multi-modal and intrinsic to resistant socialities and what the author terms "acts of compositioning." The book is fully updated to include new relevant research and references surfacing since 2010, as well as a new preface to the second edition. Acoustic Territories continues to uncover the embedded tensions and potentialities inherent to sound as it exists in the everyday spaces around us.

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Acoustic Territories, Second Edition: Sound Culture and Everyday Life
The revised edition of Acoustic Territories: Sound Culture and Everyday Life offers an expansive reading of auditory life. It provides a careful consideration of the performative dynamics inherent to sounding and listening, and discusses how sound studies may illuminate understandings of contemporary society. Combining research on urbanism, popular culture, street life and sonic technologies, Acoustic Territories opens up a range of critical perspectives—it challenges debates surrounding noise pollution and charts an "acoustic politics of space" by engaging auditory experience as found within particular cultural histories and related ideologies. Brandon LaBelle traces sound culture through a topographic structure: from underground territories to the home, and further, into the rhythms and vibrations of streets and neighborhoods, and finally to the sky itself as an arena of transmitted imaginaries.

The new edition includes an additional "global territory" of the relational, positioning acoustics as a range of everyday practices that rework dominant tonalities. Questions of orientation and emplacement are critically raised, reframing listening as multi-modal and intrinsic to resistant socialities and what the author terms "acts of compositioning." The book is fully updated to include new relevant research and references surfacing since 2010, as well as a new preface to the second edition. Acoustic Territories continues to uncover the embedded tensions and potentialities inherent to sound as it exists in the everyday spaces around us.

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Acoustic Territories, Second Edition: Sound Culture and Everyday Life

Acoustic Territories, Second Edition: Sound Culture and Everyday Life

by Brandon LaBelle
Acoustic Territories, Second Edition: Sound Culture and Everyday Life

Acoustic Territories, Second Edition: Sound Culture and Everyday Life

by Brandon LaBelle

Paperback(2nd ed.)

$37.95 
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Overview

The revised edition of Acoustic Territories: Sound Culture and Everyday Life offers an expansive reading of auditory life. It provides a careful consideration of the performative dynamics inherent to sounding and listening, and discusses how sound studies may illuminate understandings of contemporary society. Combining research on urbanism, popular culture, street life and sonic technologies, Acoustic Territories opens up a range of critical perspectives—it challenges debates surrounding noise pollution and charts an "acoustic politics of space" by engaging auditory experience as found within particular cultural histories and related ideologies. Brandon LaBelle traces sound culture through a topographic structure: from underground territories to the home, and further, into the rhythms and vibrations of streets and neighborhoods, and finally to the sky itself as an arena of transmitted imaginaries.

The new edition includes an additional "global territory" of the relational, positioning acoustics as a range of everyday practices that rework dominant tonalities. Questions of orientation and emplacement are critically raised, reframing listening as multi-modal and intrinsic to resistant socialities and what the author terms "acts of compositioning." The book is fully updated to include new relevant research and references surfacing since 2010, as well as a new preface to the second edition. Acoustic Territories continues to uncover the embedded tensions and potentialities inherent to sound as it exists in the everyday spaces around us.


Product Details

ISBN-13: 9781501336195
Publisher: Bloomsbury Academic
Publication date: 10/17/2019
Edition description: 2nd ed.
Pages: 248
Product dimensions: 6.00(w) x 9.00(h) x 0.52(d)

About the Author

Brandon LaBelle is Professor of New Media at The Art Academy, University of Bergen, Norway, as well as an artist and writer working with sound culture, voice, and questions of agency. His books Background Noise, Second Edition (2015) and Lexicon of the Mouth (2014) are published by Bloomsbury Academic. He is the editor of Errant Bodies Press, Berlin, and an associated Professor at the Autonimia Akadimia, Athens.

Table of Contents

Preface to the Second Edition
Introduction
Chapter 1: Underground: Busking, Acousmatics, and the Echo
Chapter 2: Home: Ethical Volumes of Silence and Noise
Chapter 3: Sidewalk: Steps, Gait, and Rhythmic Jourbaney-Forms
Chapter 4: Street: Auditory Latching, Cars, and the Dynamics of Vibration
Chapter 5: Shopping Mall: Muzak, Mishearing, and the Productive Volatility of Feedback
Chapter 6: Sky: Radio, Spatial Urbanism, and Cultures of Transmission
Epilogue: Queer Listening, Acoustic Justice, and Acts of Compositioning
Notes
Bibliography
Index

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