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All the Years Combine: The Grateful Dead in Fifty Shows

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A Grateful Dead concert, Ray Robertson argues, is life.

Like life, it can be alternately compelling and lackluster; familiar and foreign; occasionally sublime and sometimes insipid. Although the Grateful Dead stopped the day Jerry Garcia’s heart did, what the band left behind is the next best thing to being there in the third row, courtesy of the group’s unorthodox decision to record all of their concerts. Meaning that it’s possible to follow the band’s evolution (and devolution) through th...