"This is a book about making art. Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people; essentially—statistically speaking—there aren't any people like that. Geniuses get made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius removes this intimately human activity to a strangely unreachable and unknowable place. For all practical purposes making art can be examined in great detail without ever getting entangled in the very remote problems of genius."
—-from the Introduction
Art & Fear explores the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. The book's co-authors, David Bayles and Ted Orland, are themselves both working artists, grappling daily with the problems of making art in the real world. Their insights and observations, drawn from personal experience, provide an incisive view into the world of art as it is expeienced by artmakers themselves.
This is not your typical self-help book. This is a book written by artists, for artists -— it's about what it feels like when artists sit down at their easel or keyboard, in their studio or performance space, trying to do the work they need to do. First published in 1994, Art & Fear quickly became an underground classic. Word-of-mouth response alone—now enhanced by internet posting—has placed it among the best-selling books on artmaking and creativity nationally.
Art & Fear has attracted a remarkably diverse audience, ranging from beginning to accomplished artists in every medium, and including an exceptional concentration among students and teachers. The original Capra Press edition of Art & Fear sold 80,000 copies.
Today, more than it was however many years ago, art is hard because you have to keep after it so consistently. On so many different fronts. For so little external reward. Artists become veteran artists only by making peace not just with themselves, but with a huge range of issues. You have to find your work...
|Publisher:||Image Continuum Press|
|Product dimensions:||8.26(w) x 11.30(h) x 0.40(d)|
About the Author
David Bayles is an accomplished photographer, author, workshop leader, and conservationist. He has studied with Ansel Adams and Brett Weston, among others, and has taught and written extensively in the arts for over thirty years. David is coauthor, with Ted Orland, of Art & Fear, the perennial bestseller on issues of artistic development, and Notes on a Shared Landscape: Making Sense of the American West. David has fished, hiked, camped, rowed, and photographed all over the western United States for more than fifty years. He lives in the woods just outside Eugene, Oregon, and spends part of his time on the Monterey Peninsula. Ted Orland began his professional career working as a young graphic artist for designer Charles Eames and later served as assistant to photographer Ansel Adams. He is coauthor, with David Bayles, of Art & Fear, the perennial bestseller on issues of artistic development, and the author of its companion piece, The View from the Studio Door. He also leads workshops on a variety of artistic issues and photographic topics. Ted currently lives in Santa Cruz, California, where he pursues parallel careers in teaching, writing, and photography. Arthur Morey has recorded over one hundred audiobooks, winning AudioFile Earphones and Best Voice Awards, as well as an Audie nomination. He has performed fiction by John Updike, John Irving, Richard Russo, Julie Orringer, and Jack Vance. Nonfiction titles include The Informant, Unlikely Allies, Citizens of London, and Munich 1938. Arthur attended Harvard University and the University of Chicago and has performed Off-Broadway, Off-Loop, and in Italy. He taught writing at Northwestern University for ten years and also works as an editor and ghostwriter.