Benno and the Night of Broken Glass

by Meg Wiviott, Josée Bisaillon (Illustrator)

Overview

Benno was the neighborhood's favorite cat.

During the week, he napped in a sunny corner of Mitzi Stein's dress shop and begged scrapped from Moshe the butcher. But one night in Berlin, the Nazis changed everything. Life would never be the same.

This cat's-eye view introduces the Holocaust to children in a gentle way that can open discussion of this period.

Product Details

ISBN-13:	9780822599753
Publisher:	Lerner Publishing Group
Publication date:	01/01/2010
Pages:	40
Product dimensions:	10.20(w) x 8.70(h) x 0.20(d)
Age Range:	8 - 9 Years

About the Author

Josee Bisaillon grew up in St. Hyacinthe, Quebec, Canada. Her illustrations are a mixture of collage, drawings, and digital montage, taking us into a richly detailed and multidimensional world.

Editorial Reviews

"[W]hat truly distinguishes this book is the striking multimedia artwork composed of paper, fabric, and drawn images in hues of olive, brown, and red. Interesting angles, textures, and patterns add to the visual effect throughout. . . . [T]he message of terror and sadness that marks the beginning of the Holocaust is transmitted in a way that is both meaningful and comprehensible."
—School Library Journal

From the Publisher

Gr 3–5—Through the eyes of an orange and white cat, readers are introduced to the harrowing event known as Kristallnacht. Benno spends his days observing the friendly, predictable rituals in his neighborhood: girls walking together to school, shopkeepers selling their wares, a Jewish family eating Sabbath dinner, a Christian family eating Sunday lunch. Then one night, he sees brown-shirted men breaking down doors, smashing shop windows, and setting fire to books and buildings. Jewish families disappear, and even though the people that remain resume their normal activities, nothing is ever quite the same again. The straightforward text describes events without sentimentality, as if Benno were simply reporting what he sees and hears. "In Apartment 3B, the mob was breaking the Adlers' furniture and throwing books out the window…. The Schmidts' apartment was untouched." But what truly distinguishes this book is the striking multimedia artwork composed of paper, fabric, and drawn images in hues of olive, brown, and red. Interesting angles, textures, and patterns add to the visual effect throughout. The spreads depict a normal city neighborhood from a cat's-eye view, which is eventually upended by dark shadowy figures with big black boots. Thus the message of terror and sadness that marks the beginning of the Holocaust is transmitted in a way that is both meaningful and comprehensible. An afterword provides historical context for the story, although it presupposes knowledge of the term "Holocaust." Use this book with Karen Hesse's The Cats in Krasinski Square (Scholastic, 2004) for further discussion of the topic. For all collections.—Teri Markson, Los Angeles Public Library

School Library Journal

Gentle and evenly voiced Susie Berneis narrates the story of Benno the cat, who lives at 5 Rosenstrasse and observes all that happens on the street. A welcome visitor in the apartments in the building, Benno knows how Sophie Adler and Inge Schmidt spend their days at home, at school, and on the playground. He then sees changes taking place as brown-shirted men unsettle the peace of the street. Throughout, Berneis’s voice is as quiet as the cat’s paws—no raised pitch and no tone of alarm in her voice. Her pace slows such that listeners have time to question why such strange events would be happening—books burned, windows broken, people hurrying along with down-turned eyes, some stores open and some not. Adults will need to listen with children so that a discussion can be started about Benno, his world, and Kristallnacht. A.R. © AudioFile 2015, Portland, Maine

APRIL 2015 - AudioFile

Benno the cat has it pretty good, with a nice warm bed by the furnace of a Berlin apartment building, fresh milk every night, scraps from Shabbat dinners at the Adlers' apartment and Sunday lunches with the Schmidts. Visiting Moshe's butcher shop provides more nourishment, while the sunny window of Mitzi Stein's fabric shop serves perfectly for afternoon naps. But one day things change, when men in brown shirts defile the neighborhood with a book-burning in the center of the street followed by the smashing of store windows, looting and destruction of certain apartments and stores. These terribly frightening events change not only Benno's secure, happy cat existence but become known as Kristallnacht, the beginning of the Holocaust. Bisaillon's combination of collage, drawings and digital montage create a Cubist backdrop for this darkly portrayed story told with minimal details that keep strictly to the cat's level of understanding-it's up to readers and their grown-ups to fill in the gaps, aided by an afterword and bibliography that provide background to the topic and grist for discussion. (Picture book. 7-9)

Kirkus Reviews