Cash Out: A Novel

Cash Out: A Novel

by Greg Bardsley
Cash Out: A Novel

Cash Out: A Novel

by Greg Bardsley


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Cash Out is one of those novels that begs for more adjectives: relentless, madcap, polished, lean, vivid, warped, original, horrifying and hilarious in equal measure.”
—Marcus Sakey, author of The Two Deaths of Daniel Hayes and The Amateur

Imagine a story by Ben Mezrich (The Accidental Billionaires, 21) of staggering financial improprieties infused with Tim Dorsey’s (Hurricane Punch, Gator A-Go-Go) zany, over-the-top pure insanity, and you might have something somewhat resembling Cash Out, the rollicking debut novel  by Greg Bardsley. This is nonstop, mercilessly hilarious, no-holds-barred fiction for fans of  The Hangover and Office Space—an outrageous tall tale that follows one desperate, disgruntled Silicon Valley exec through a his surreal three-day scramble to cash out his stock options and leave behind his hated high-tech job before outrageous villains (and even crazier friends) completely destroy him. Do you like the wildly satirical work of Tom Perrotta, Sam Lipsyte, and Gary Shteyngart? Do the ingenious comic caper novels of Elmore Leonard leave you breathless and exhilarated?  Then get ready to Cash Out.

Product Details

ISBN-13: 9780062127716
Publisher: HarperCollins
Publication date: 10/09/2012
Series: P.S. Series
Edition description: Original
Pages: 376
Product dimensions: 5.30(w) x 7.90(h) x 1.10(d)

About the Author

Greg Bardsley has worked as a Silicon Valley speechwriter, a news-paper reporter, and a weekly columnist. His ghostwriting for high-profile business executives has appeared in Newsweek, USA Today, and the Financial Times. His short fiction has appeared in numerous journals and anthologies, including 3:AM magazine, Plots with Guns, Uncage Me, and Sex, Thugs, and Rock & Roll. He lives in the San Francisco Bay Area.

What People are Saying About This

Keith Rawson

“Irreverent, surreal, utterly original. Bardsley is a genre unto himself.”

Marcus Sakey

Cash Out is one of those novels that begs for more adjectives: relentless, madcap, polished, lean, vivid, warped, original, horrifying and hilarious in equal measure. It’s like the spawn of mad monkey sex between Charlie Huston and Duane Swierczynski. Which is a good thing.”

Charlie Huston

“A cold heart is beating in [Greg Bardsley’s] prose, one that suspects there’s nothing much good to say about people. Still…you can say it with a sly wink that lets everyone know we’re all in on the same grim joke. Bardsley gives us the wink and delivers the black punchline.”

Anthony Neil Smith

“Bardsley’s work will be around a long time. He forces you to remember. … My prediction: As soon as the novels start rolling out, Bardsley will be as big as Palahniuk. But the critics will like him a lot more.”

Frank Bill

“A tense, satirical black comedy that will leave you with paper cuts from anticipating what’s on the next page and an aching gut from the laughter.”

Tony Black

“Greg Bardsley’s writing walks on the wild side, with street swagger and a switch-blade in the sock. His short stories are an internet sensation, there’s style and there’s substance and a great big dollop of skill. Utterly unique and head-and-shoulders above his peers.”

Rachel Canon

“Bardsley’s writing always makes me laugh and long for more. His characters are outrageous… yet beneath their antics and quirks are kernels of people we recognize from our everyday lives - or would, before Greg let them run wild. CASH OUT provides a delicious romp… I loved every minute of it.”

Al Riske

“Greg Bardley’s writing is so good it’s criminal. The guy has style. And a wicked imagination. And nobody has more fun with his characters than Mr. Bardsley does.”

Jedidiah Ayres

“Greg Bardsley. Remember his name. Mark my words, he’s gonna be huge.”

Kieran Shea

“Greg Bardsley is one of the funniest writers, period. Someone once asked me to describe Greg’s writing and all I could come up with was it’s like being stuffed into a gag bag full of razor blades and getting tossed into the gibbons cage at the zoo.”

Ken Bruen

“Wow and wow again. CASH OUT gets the 3-E merit: Excellent, enthrallingand with a wicked elegance. I loved it.”

Mark Richardson

“Cash Out is a wonderful combination of the bizarre, hysterical, and gruesome. Bardsley is a rising star in the world of crime fiction.”

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