Chinese Animated Film and Ideology: Tradition, Innovation, and Interculturality

This book presents a contextualized overview of the history of Chinese animated film, pointing out the most influential self-definitions of Chinese culture employed in animation art of Mao Zedong’s rule (1949–1976) but largely focusing on the representation strategies created in the times of reforms and opening-up under Deng Xiaoping (1978–1989/1992).

Deeply grounded in cultural studies, the book employs an interdisciplinary approach, interlacing the reflection with the perspectives of polit...