Cinema at the Margins

by Wheeler Dixon

Overview

More and more, just a few canonical classics, such as Michael Curtiz’s “Casablanca” (1942) or Victor Fleming’s “Gone With The Wind” (1939), are representing the entire film output of an era, to a new generation that knows little of the past, and is encouraged by popular media to live only in the eternal present. What will happen to the rest of the films that enchanted, informed and transported audiences in the 1930s, 1940s, and even as recently as the 1960s? This collection of essays aims to highlight some of the lesser-known treasures of the past – those titles that have been pushed aside by today’s wave of cinema amnesia.

Product Details

ISBN-13:	9781783080168
Publisher:	Anthem Press
Publication date:	12/01/2013
Series:	Anthem Film and Culture
Pages:	238
Product dimensions:	6.00(w) x 9.00(h) x 1.00(d)

About the Author

Wheeler Winston Dixon is the James Ryan Professor of Film Studies and coordinator of the Film Studies Program at the University of Nebraska, Lincoln, and editor-in-chief, with Gwendolyn Audrey Foster, of the “Quarterly Review of Film and Video.” 

Table of Contents

Acknowledgments; Introduction; PART I. GENRE: 1. The Future Catches Up with the Past: Peter Bogdanovich’s “Targets”; 2. Surrealism and Sudden Death in the Films of Lucio Fulci; 3. “Flash Gordon” and the 1930s and ’40s Science Fiction Serial; 4. Just the Facts, Man: The Complicated Genesis of Television’s Dragnet; 5. The Disquieting Aura of Fabián Bielinsky; PART II. HISTORY: 6. Fast Worker: The Films of Sam Newfield; 7. The Power of Resistance: “Les Dames du Bois de Boulogne”; 8. Beyond Characterization: Performance in 1960s Experimental Cinema; 9. Vanishing Point: The Last Days of Film; PART III. INTERVIEWS: 10. “Let the Sleepers Sleep and the Haters Hate”: An Interview with Dale “Rage” Resteghini; 11. “Margin Call”: An Interview with J. C. Chandor; 12. “All My Films Are Personal”: An Interview with Pat Jackson; 13. Working Within the System: An Interview with Gerry O’Hara; 14. Andrew V. McLaglen: Last of the Hollywood Professionals; 15. Pop Star, Director, Actor: An Interview with Michael Sarne; Works Cited and Consulted; About the Author; Index 

What People are Saying About This

From the Publisher

“Few have explored the cinematic margins as thoroughly as Wheeler Winston Dixon, and few match his talent for finding and celebrating the secret glories of overlooked, undervalued films. Gliding from Peter Bogdanovich to Myra Breckinridge by way of Robert Bresson, this is an exciting and ever-surprising collection.” —David Sterritt, Columbia University and Chair, National Society of Film Critics 

“The marginalization of important films is a constant threat in the age of the New Hollywood blockbuster, with commercial cinema reduced to a cheap thrill and the audience conceived as adolescents. Dixon’s thoughtful remarks on neglected films testify not only to his own fine sensibility, but to the urgency of the concerns he sets before us.” —Christopher Sharrett, Seton Hall University

Editorial Reviews

‘Recommended’ —‘Choice’

“Few have explored the cinematic margins as thoroughly as Wheeler Winston Dixon, and few match his talent for finding and celebrating the secret glories of overlooked, undervalued films. Gliding from Peter Bogdanovich to Myra Breckinridge by way of Robert Bresson, this is an exciting and ever-surprising collection.” —David Sterritt, Columbia University and Chair, National Society of Film Critics 

“The marginalization of important films is a constant threat in the age of the New Hollywood blockbuster, with commercial cinema reduced to a cheap thrill and the audience conceived as adolescents. Dixon’s thoughtful remarks on neglected films testify not only to his own fine sensibility, but to the urgency of the concerns he sets before us.” —Christopher Sharrett, Seton Hall University

From the Publisher