ISBN-10:
0345457870
ISBN-13:
9780345457875
Pub. Date:
Publisher:
Coalescent (Destiny's Children Series #1)

Coalescent (Destiny's Children Series #1)

by Stephen Baxter

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Overview

“Lean, taut storytelling . . . breakneck stuff . . . Arguably his most accessible book to date—Baxter [is] resplendent.”—SFX magazine

When his father dies suddenly, George Poole stumbles onto a family secret: He has a twin sister he never knew existed, who was raised by an enigmatic cult called the Order. The Order is a hive—a human hive with a dominant queen—that has prospered below the streets of Rome for almost two millennia. After Poole enters the Order’s vast underground city and meets the disturbing inhabitants, he uncovers evidence that they have embarked on a divergent evolutionary path. These genetically superior humans are equipped with the tools necessary to render modern Homo sapiens as extinct as the Neanderthals. And now they are preparing to leave their underground realm.

“[Excels] at both action-packed storytelling and philosophical speculation.”—Library Journal

“Utterly fascinating . . . constantly surprising . . . Coalescent reveals a new side to Baxter’s vast talent.”—Locus


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Product Details

ISBN-13: 9780345457875
Publisher: Random House Publishing Group
Publication date: 11/18/2003
Series: Destiny's Children Series , #1
Sold by: Random House
Format: NOOK Book
Pages: 496
Sales rank: 304,698
File size: 3 MB

About the Author

Stephen Baxter is a trained engineer with degrees from Cambridge (mathematics) and Southampton Universities (doctorate in aeroengineering research). Baxter is the winner of the British Science Fiction Award and the Locus Award, as well as being a nominee for an Arthur C. Clarke Award, most recently for Manifold: Time. His novel Voyage won the Sidewise Award for Best Alternate History Novel of the Year; he also won the John W. Campbell Award and the Philip K. Dick Award for his novel The Time Ships. He is currently working on his next novel, a collaboration with Sir Arthur C. Clarke.

Read an Excerpt

Chapter  1

I have come to stay in Amalfi. I can’t face going back to Britain—not yet—and to be here is a great relief after the swarming strangeness I encountered in Rome.

I’ve taken a room in a house on the Piazza Spirito Santo. There is a small bar downstairs, where I sit in the shade of vine leaves and drink Coke Light, or sometimes the local lemon liqueur, which tastes like the sherbet-lemon boiled sweets I used to buy as a kid in Manchester, ground up and mixed with vodka. The crusty old barman doesn’t have a word of English. It’s hard to tell his age. The flower bowls on the outdoor tables are filled with little bundles of twigs that look suspiciously like fasces to me, but I’m too polite to ask.

Amalfi is a small town nestling in a valley on the Sorrento Peninsula. This is a coast of limestone cliffs, into which the towns have been carved like seabird nesting grounds. People have adapted to living on a vertical surface: there are public staircases you can follow all the way to the next town. Nothing in Italy is new—Amalfi was a maritime power in the Middle Ages—but that sense of immense age, so oppressive in Rome, is ab- sent here. And yet much of what shaped the horror in Rome is here, all around me.

The narrow cobbled streets are always crowded with traffic, with cars and buses, lorries and darting scooters. Italians don’t drive as northern Europeans do. They just go for it: they swarm, as Peter McLachlan would have said, a mass of individuals relying on the unwritten rules of the mob to get them through.

And then there are the people. Just opposite my bar there is a school. When the kids are let out in the middle of the day—well, again, they swarm; there’s really no other word for it. They erupt into the piazza in their bright blue smocklike uniforms, all yelling at the tops of their voices. But it’s soon over. Like water draining from a sieve, they disperse to their homes or to the cafés and bars, and the noise fades.

And, of course, there is family. You can’t get away from that in Italy.

Amalfi used to be a center for making rag paper, a technique they learned from the Arabs. Once there were sixty mills here. That number has dwindled to one, but that one still supplies the Vatican, so that every papal pronouncement can be recorded forever on acid-free rag paper, now made fine enough for a computer printer to take. And that surviving Amalfi mill has been operated without a break by the same family for nine hundred years.

The swarming crowds, the thoughtless order of the mob, the cold grasp of ancient families: even I see visions of the Coalescents everywhere I look.

And I see again that extraordinary crater, collapsed in the middle of the Via Cristoforo Colombo, with the plume of gray-black tufa dust still hanging in the air above it. Workers from the offices and shops, clutching cell phones and coffees and cigarettes, peered into the hole that had suddenly opened up in their world. And the drones simply poured out of the crater, in baffling numbers, in hundreds, thousands. Obscured by the dust, they looked identical. Even now there was a kind of order to them—but nobody led. The women at the fringe would press forward a few paces, blinking at the staring office workers around them, and then turn and disappear back into the mass, to be re- placed by others, who pushed forward in turn. When it reached the edge of the road, the flowing mob broke up, forming ropes and ten- drils and lines of people that washed forward, breaking and recombin- ing, probing into doorways and alleyways, swarming, exploring. In the dusty light they seemed to blur together into a single rippling mass, and even in the bright air of the Roman afternoon they gave off a musky, fetid odor.

I suppose I’m trying to compensate. I spend a lot of my time alone, in my room, or walking in the hills that loom over the towns. But a part of me still longs, above everything else, to go back, to immerse myself once more in the Coalescents’ warm tactile orderliness. It is an unfulfilled longing that, I suspect, will stay with me until I die.

How strange that my quest to find my own family would lead me to such mysteries, and would begin and end in death.

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