Doctor Zhivago

by Ian Christie

Overview

The multiple award-winning Doctor Zhivago (1965) is one of America's finest films of all time. Ian Christie contextualizes the film as an epic Russian love story and a Cold War classic, charts its production and reception, including the contribution of designer John Box, and discusses the unique history of the Bruce Pasternak novel it is based on.

Product Details

ISBN-13:	9781838715380
Publisher:	Bloomsbury Publishing
Publication date:	07/25/2019
Series:	BFI Film Classics
Sold by:	Barnes & Noble
Format:	eBook
Pages:	100
File size:	11 MB
Note:	This product may take a few minutes to download.

About the Author

Ian Christie is a film historian, curator, broadcaster, Fellow of the British Academy and Anniversary Professor of Film and Media History at Birkbeck College, University of London, UK. His many publications include books on Russian cinema, Michael Powell and Emeric Pressburger, Sergei Eisenstein, Martin Scorsese and Terry Gilliam, as well as The Art of Film: John Box and Production Design (2012).
Ian Christie is Fellow of the British Academy and Anniversary Professor of Film and Media History at Birkbeck, University of London, UK. He co-edited the collection Eisenstein Rediscovered (1993) as well as organising a 1988 Oxford conference that preceded it. He has long been active in presenting Eisenstein's silent films with live accompaniment, and in promoting awareness of the drawings, most recently in Eisenstein on Paper: The Graphic Works (2017). Among many exhibitions, he co-curated Eisenstein: His Life and Work (Oxford, London and Manchester, 1988), and Unexpected Eisenstein (London, 2016).

Table of Contents

Acknowledgments.- 1. How Zhivago Happened.- 2. Between Beauty and Goodness: the Making of Zhivago.- 3. Reception and Retrospect.- Notes.- Credits.

What People are Saying About This

From the Publisher

Christie's study of the film's reception usefully debunks a few myths, and draws wry comparisons between American critics' attitudes towards the film with Soviet critics' similar, if more ideologically driven, objections to the novel.' – Michael Booke, Sight & Sound